Cheap Guitar Amp Repaired By Replacing The Distortion Circuit

September 6, 2013 by Mike Szczys 7 Comments

cheap-amp-distortion-repair

It’s an understatement that [Troy] is not impressed with the distortion circuitry built into this guitar amp. He picked it up for $40 on Kijiji (basically local classified ads run by eBay) so he wasn’t afraid to get elbow deep in its inner workings to see what was going on. It only took him a few minutes to solder together the distortion circuitry that fixed it. Figuring out what needed fixing is another story.

[Troy] uses some colorful language and metaphors to illustrate his disdain for the sound of the overdrive option. He hooked it up to an oscilloscope and his trained eye immediately tells him that it’s not working as it should. After studying the PCB and working out a schematic he reworked the circuit with this pair of diodes and a resistor. It still uses a bit of filtering on the board, but does away with all of the other cruft. What remains is a cheap amp, but one that actually functions.

[Update] Vladimir’s Robot Guitar

August 26, 2013 by Marsh 24 Comments

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[Vladimir Demin] is somewhat of a legend for us; in his spare time he’s been mastering the automation of musical instruments. This time he’s back with upgrades to his build and four new videos. [Vladimir’s] top priority was to rework the strumming mechanism that earlier ran on solenoids. He’s improved the sound quality and reduced the clicks by swapped to stepper motors and overhauling the software.

Compared to his earlier setup, this one sounds more soulful and less automated, but [Vladimir] admits that it’s still not good enough and that he’s working on a new, brilliant implementation. Until then, take a few minutes and check out the rest of the videos below, then join us in scratching our heads in amazement: everything is built with simple hand tools.

[Vladimir] has come a long way, and it started with this Bayan (button accordion). Last year’s guitar build is also worth a look, as well as an in-depth interview.

Continue reading “[Update] Vladimir’s Robot Guitar” →

Turning A Tiny Linux Box Into A Synthesizer

August 16, 2013 by Brian Benchoff 9 Comments

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For all the cool things the Raspberry Pi, BeagleBone, and other low-power Linux boards can do, there’s one thing we haven’t seen much of: creating music with software synthesizers. Yes, soft synths have been around for ages now, but compiling them for these ARM boards is something we haven’t seen much of (to say nothing of the Linux audio system). Luckily, [Paul] and [Trev] have put together a tutorial for making synthesizers on these small Linux boards using Csound, the premier audio programming language for Linux.

[Paul] and [Trev] have already put together a few Csound instruments that include a Vangelis-inspired synth, a Lorenz Strange Attractor FM synth, a drum machine, and a classic monophonic style synth. All these instruments are ready to play on a Raspi or BeagleBone and we’re sure we’ll see a few more applications of this great tool for creating musical instruments as more musicians are turned onto these small Linux boards.

The RPC: A Stand-alone MIDI Workstation

August 14, 2013 by Marsh 11 Comments

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Not just another pretty enclosure, this shiny little red box is [Lauri’s] stand-alone MIDI workstation. The build uses an Arduino Mega 2560 to handle the MIDI inputs and outputs. It communicates via serial with a Raspberry Pi that acts as a sequencer and oversees all user interactions. The Pi’s SD card offers convenient storage for your work, though we wish it was easily ejectable from the front of the box and not trapped under the hood. [Lauri’s] RPC also squeezes in the necessary USB hub for the RasPi and an HDMI-to-VGA converter. As an all-in-one solution, this is a sleek little box that–once paired with some software for arpeggiators, chord harmonies, and scales–will be a handy MIDI sequencer with robust control ready to be conveniently mounted on your rack.

Now all you’ll need is something to plug in. Why not check out the custom MIDI recorder we featured last week, or the organ-to-MIDI keyboard conversion for inspiration.

[Thanks Teemu]

Custom Made MIDI Recorder For An 8 Year Old Girl

August 9, 2013 by Brian Benchoff 6 Comments

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[KDM] over at The Controller Project forums let us know about a cool project he’s been working on: a MIDI recorder for an 8-year-old girl born with two digits per hand.

The recorder – a simple woodwind instrument usually made of plastic – is a staple of grade school music classes the world over. It’s an excellent introduction to the performing arts, but for those with two fingers per hand, the fingering is a little difficult.

[KDM] contacted a manufacturer of these instruments and they were kind enough to send over a half-dozen for his experimentations. He drilled out these recorders on a lathe and started work on a simple circuit to turn this recorder into a MIDI instrument. A simple PIC micro and a few buttons were used, with a DIN 5 port on the horn of the instrument.

The build works, but we’re thinking with a small electronic wind sensor, this instrument could easily become a full-fledged MIDI wind controller that could be easily and cheaply reproduced for other budding musicians with special needs.

Oh, one more thing. We’d like to give a big shout out to the giant dork who started The Controller Project. A lot of Hackaday readers know how to work a microcontroller and a soldering iron, so how about heading over to their forums and doing some good with your skills?

Making A Real Instrument Out Of A Kaoss Pad And Ribbon Controllers

August 1, 2013 by Brian Benchoff 6 Comments

swinger

MIDI guitars have been around since the 80s, and nearly without exception they are designed as direct, one-to-one copies of their acoustic and electric brethren. [Michael] has been working on turning this convention on its head with the Misa Tri-Bass, a MIDI guitar designed to be the perfect guitar-shaped synthesizer interface.

The tri-bass doesn’t produce any sound itself; instead, it’s a polyphonic MIDI controller with three channels controlled by three ribbon controllers on the neck. The body contains a huge touch screen divided into four MIDI channels, essentially turning this guitar into an instrument designed for electronic music first, and not an acoustic instrument kludged into filling an electronic role.

Unlike a whole lot of other digital guitar-shaped MIDI controllers, the tri-bass is actually made out of wood. Yes, the neck is made out of maple (inlaid with the three ribbon controllers, of course), and the body comes directly from a tree, with the styling inspired by a forgotten retro-modern design. It’s an impressive piece of kit, and we can’t wait to see [Michael]’s handiwork in the hands of digital guitarists the world over.

You can check out a video of [Michael] rockin out below.

Continue reading “Making A Real Instrument Out Of A Kaoss Pad And Ribbon Controllers” →

FLAMEnco Guitar

July 31, 2013 by Brian Benchoff 11 Comments

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[John] says, “I noticed an unfortunate lack of many flamethrower guitars on the web so I filled the need. ” That’s just awesome by us.

This series of guitar-mounted flamethrowers started with a small build, able to shoot a six-foot flame for about 40 seconds. Yes, very theatrical, but not something you’d want to change out after every song. From there the builds progressed to systems with more barrels, more fuel tanks, and a huge system that shoots 18-foot long flames colored with standard pyrotechnic supplies.

It should go without saying that this stuff probably isn’t something you should try at home. That being said, you really have to admire the craftsmanship and tenacity to make a guitar mounted flamethrower. Just don’t bring it to an indoor gig.

Continue reading “FLAMEnco Guitar” →