Open Source Ear Monitoring Platform Listens To Your Ears

October 17, 2023 by Richard Baguley 17 Comments

All sorts of exciting things happen in your ears, and now there is a good open source way to monitor them. Open Earable is a new project from a group of researchers and companies that monitors and records what is going on in your ear.

The project is designed as an easy-to-build, cheap way for audiologists and others to capture data about what is happening inside and around the ear. It’s a clip-on device that looks like a small hearing aid but has a six-degree Inertial Measurement Unit (IMU) and several other sensors to measure things around your ear and inside the ear canal. A pressure and temperature sensor measures the air pressure and temperature just inside the ear canal, and a small speaker can squirt sound right in there.

A button on the outside allows the user to control the device, and it can play back or record sound to the internal SD card memory. These are all controlled by an Arduino that includes Bluetooth Low Energy. The existing design only allows you to play a stored WAV file, not streaming audio. That’s a solvable problem, though, so it could also be turned into a set of hacker headphones.

Joking aside, this looks like an exciting research project and a useful tool for researchers. The GitHub repository for version 1.3 of the project lays it all out, including a full BoM and code, and the STL files for the case and PCB designs are in the Resources section of the site.

[Updated 18/10/2023 to correct IMU to Measurement, not Management. Intertial management needs a different set of devices]

Sine-wave Speech Demonstrates An Auditory One-way Door

October 7, 2023 by Donald Papp 41 Comments

Sine-wave speech can be thought of as a sort of auditory illusion, a sensory edge case in which one’s experience has a clear “before” and “after” moment, like going through a one-way door.

Sine-wave speech (SWS) is intentionally-degraded audio. Here are the samples, and here’s what to do:

Choose a sample and listen to the sine-wave speech version (SWS). Most people will perceive an unintelligible mix of tones and beeps.
Listen to the original version of the sentence.
Now listen to the SWS version again.

Most people will hear only some tones and beeps when first listening to sine-wave speech. But after hearing the original version once, the SWS version suddenly becomes intelligible (albeit degraded-sounding).

These samples were originally part of research by [Chris Darwin] into speech perception, but the curious way in which one’s experience of a SWS sample can change is pretty interesting. The idea is that upon listening to the original sample, the brain — fantastic prediction and learning engine that it is — now knows better what to expect, and applies that without the listener being consciously aware. In fact, if one listens to enough different SWS samples, one begins to gain the ability to understand the SWS versions without having to be exposed to the originals. In his recent book The Experience Machine: How Our Minds Predict and Shape Reality, Andy Clark discusses how this process may be similar to how humans gain fluency in a new language, perceiving things like pauses and breaks and word forms that are unintelligible to a novice.

This is in some ways similar to the “Green Needle / Brainstorm” phenomenon, in which a viewer hears a voice saying either “green needle” or “brainstorm” depending on which word they are primed to hear. We’ve also previously seen other auditory strangeness in which the brain perceives ever-increasing tempo in music that isn’t actually there (the Accelerando Illusion, about halfway down the list in this post.)

Curious about the technical details behind sine-wave speech, and how it was generated? We sure hope so, because we can point you to details on SWS as well as to the (free) Praat software that [Chris] used to generate his samples, and the Praat script he wrote to actually create them.

Just What Is Tone, In A Microphone?

October 5, 2023 by Jenny List 23 Comments

As long-time Hackaday readers will know, there is much rubbish spouted in the world of audio about perceived tone and performance of different hi-fi components. Usually this comes from audiophiles with, we’d dare to suggest, more money than sense. But oddly there’s an arena in which the elusive tone has less of the rubbish about it and it in fact, quite important. [Jim Lill] is a musician, and like all musicians he knows that different combinations of microphones impart a different sound to the recording. But as it’s such a difficult property to quantify, he’s set out to learn all he can about where the tone comes from in a microphone.

He’s coming to this from the viewpoint of a musician rather than an engineer, but his methodology is not diminished by this. He’s putting each mic on test in front of the same speaker at the same position, and playing a standard piece of music and a tone sweep through each. He doesn’t have an audio analyser, reference speaker and microphone, or anechoic chamber, so he’s come up with a real-world standard instead. He’s comparing every mic he can find with a Shure SM57, the go-to general purpose standard in the world of microphones for as long as anyone can remember, being a 1960s development of their earlier Unidyne series. His reasoning is that while its response is not flat the sound of the SM57 is what most people are used to hearing from a microphone, so it makes sense to measure the others against its performance.

Along the way he tests a huge number of microphones including famous and expensive ones from exclusive studios and finally one he made himself by mounting a cartridge atop a soda can. You’ll have to watch the video below the break for his conclusions, we can promise it’s worth it.

Continue reading “Just What Is Tone, In A Microphone?” →

Robotic Mic Swarm Helps Pull Voices Out Of Crowded Room Of Multiple Speakers

October 4, 2023 by Lewin Day 27 Comments

One of the persistent challenges in audio technology has been distinguishing individual voices in a room full of chatter. In virtual meeting settings, the moderator can simply hit the mute button to focus on a single speaker. When there’s multiple people making noise in the same room, though, there’s no easy way to isolate a desired voice from the rest. But what if we ‘mute’ out these other boisterous talkers with technology?

Enter the University of Washington’s research team, who have developed a groundbreaking method to address this very challenge. Their innovation? A smart speaker equipped with self-deploying microphones that can zone in on individual speech patterns and locations, thanks to some clever algorithms.

Continue reading “Robotic Mic Swarm Helps Pull Voices Out Of Crowded Room Of Multiple Speakers” →

Hypersonic Speech Jammer Works At A Distance

October 1, 2023 by Lewin Day 19 Comments

Speech jammers were a meme a little while back. By feeding back delayed voice audio to a person’s ears, it makes it near-impossible for most people to speak, as our speech system runs on a continual feedback loop. [Benn Jordan] decided to try reworking that concept by replacing headphones with a directed sound projector.

The key to the project is the use of hypersonic sound arrays. These essentially use high-frequency sound beyond the human range of hearing to carry a lower-frequency sound signal. By essentially modulating this higher-frequency carrier to create the perception of lower-frequency sound, it’s possible to create an audible signal that is highly directional. It’s like a “sound laser” that can be pointed directly at a person to allow them to hear it, which is then inaudible when pointed slightly away.

These allow the delayed voice signal to be fired at a person’s head with a relatively narrow spatial spread. When an individual speaks into a microphone hooked up to the device, delayed audio is sent through the hypersonic array back to the speaker’s ears, garbling their speech as their brain gets confused by the feedback.

[Benn] demonstrated the device in public by offering random individuals $100 to read a paragraph out of a book. The speech jammer worked a treat, and [Benn] was able to keep his money… until one amazingly immune individual breezed through the test. Check out our prior coverage of speech jamming technology. Video after the break.

Continue reading “Hypersonic Speech Jammer Works At A Distance” →

These DIY Super Headphones Take Sound Seriously

October 1, 2023 by Donald Papp 24 Comments

[Pete Lewis] from SparkFun takes audio and comfort seriously, and recently shared details on making a customized set of Super Headphones, granting quality sound and stereo ambient passthrough, while providing hearing protection at the same time by isolating the wearer from the environment.

Such products can be purchased off the shelf (usually called some variant of “electronic hearing protection”), but every hacker knows nothing beats some DIY to get exactly the features one wants. After all, off-the-shelf solutions are focused on hearing protection, not sound quality. [Pete] also wanted features like the ability to freely adjust how much ambient sound was mixed in, as well as the ability to integrate a line-level audio source or Bluetooth input.

Early prototype of Super Headphones (click to enlarge)

On the surface the required components are straightforward, but as usual, the devil is in the details. Microphone selection, for example, required a lot of testing. A good microphone needed to be able to deal with extremely loud ambient sounds without distortion, yet still be sensitive enough to be useful. [Pete] found a good solution, but also muses that two sets of microphones (one for loud environments, and one for quieter) might be worth a try.

After several prototypes, the result is headphones that allow safe and loud band practice in a basement as easily as they provide high-quality music and situational awareness while mowing the lawn. Even so, [Pete]’s not done yet. He’s working on improving comfort by using photogrammetry to help design and 3D print custom-fitted components.

Preserving Floppy Disks

September 15, 2023 by Bryan Cockfield 36 Comments

Time is almost up for magnetic storage from the 80s and 90s. Various physical limitations in storage methods from this era are conspiring to slowly degrade the data stored on things like tape, floppy disks, and hard disk drives, and after several decades data may not be recoverable anymore. It’s always worth trying to back it up, though, especially if you have something on your hands like critical evidence or court records on a nearly 50-year-old floppy disk last written to in 1993 using a DEC PDP-11.

This project all started when an investigation unit in Maryland approached the Bloop Museum with a request to use their antique computer resources to decode the information on a 5.25″ floppy disk. Even finding a floppy disk drive of this size is a difficult task, but this was further compounded not just by the age of the disk but that the data wasn’t encoded in the expected format. Using a GreaseWeazle controlled by a Raspberry Pi, they generated an audio file from the data on the disk to capture all available data, and then used that to work backwards to get to the usable information.

After some more trials with converting the analog information to digital and a clue that the data on the disk was not fragmented, they realized they were looking at data from a digital stenography machine and were finally able to decode it into something useful. Of course, stenography machines are dark magic in their own right so just getting this record still requires a stenographer to make much sense out of it.