Our hacker [Pat Deegan] of Psychogenic Technologies shows us the entire process of designing an analog ASIC. An ASIC is of course an Application-Specific Integrated Circuit, which is basically just custom hardware. That’s right, “just” custom hardware.
In the video [Pat] takes you through using xschem (for schematic capture) and magic (for physical layout) to design a custom ADC. We learn that when it comes to hardware you have the choice of many different types of FETs, and not much else. Capacitors are expensive and to be avoided. Inductors are verboten. Getting specific values for things (such as resistors) is pretty much impossible so you generally just have to hope that things come out in relative proportions.
In the beginning, there was hot glue. Plus some tape, and a not inconsiderable amount of Bondo. In general, building custom portable game consoles a decade or so in the past was just a bit…messier than it is today. But with all the incredible tools and techniques the individual hardware hacker now has at their disposal, modern examples are pushing the boundaries of DIY.
This Zelda: Ocarina of Time themed portable N64 by [Chris Downing] is a perfect example. While the device is using a legitimate N64 motherboard, nearly every other component has been designed and manufactured specifically for this application. The case has been FDM 3D printed on a Prusa i3, the highly-detailed buttons were printed in resin on a Form 3, and several support PCBs and interface components made the leap from digital designs to physical objects thanks to the services of OSH Park.
A custom made FFC to relocate the cartridge port.
Today, those details are becoming increasingly commonplace in the projects we see. But that’s sort of the point. In the video after the break, [Chris] breaks down the evolution of his portable consoles from hacked and glued together monstrosities (we mean that in the nicest way possible) to the sleek and professional examples like his latest N64 commission. But this isn’t a story of one maker’s personal journey through the ranks, it’s about the sort of techniques that have become available to the individual over the last decade.
Case in point, custom flexible flat cables (FFC). As [Chris] explains, when you wanted to relocate the cartridge slot on a portable console in the past, it usually involved tedious point-to-point wiring. Now, with the low-volume production capabilities offered by companies like OSH Park, you can have your own flexible cables made that are neater, faster to install, and far more reliable.
Projects like this one, along with other incredible creations from leaders in the community such as [GMan] are changing our perceptions of what a dedicated individual is capable of. There’s no way to be sure what the state-of-the-art will look like in another 5 or 10 years, but we’re certainly excited to find out.
Here is a virtual spray painting project with a new and DIY twist to it. [Adam Amaral]’s project is an experiment in using the Vive Tracker, which was released earlier this year. [Adam] demonstrates how to interface some simple hardware and 3D printed parts to the Tracker’s GPIO pins, using it as a custom peripheral that is fully tracked and interactive in the Vive’s VR environment. He details not only the custom spray can controller, but also how to handle the device on the software side in the Unreal engine. The 3D printed “spray can controller” even rattles when shaken!
There’s one more trick. Since the Vive Tracker is wireless and completely self-contained, the completed rattlecan operates independently from the VR headset. This means it’s possible to ditch the goggles and hook up a projector, then use the 3D printed spray can to paint a nearby wall with virtual paint; you can see that part in action in the video embedded below.
