A Tube Guitar Amp For A Modest Budget

There’s a mystique among both audiophiles and musicians about vacuum technology, thus having a tube amp still carries a bit of a cachet. New ones can be bought for eye-watering prices and old ones can be had for the same price with the added frisson of unreliability. Happily it’s surprisingly straightforward to build your own, as [_electroidiot] shows us with a fairly inexpensive build.

The design is inspired by the guitar amps of the 1950s and 1960s so it’s not for audiophiles. The circuit is a pretty conventional single-ended one with a two stage double triode preamp and a single power output tube. The transformers are usually the difficult part of a build like this one, and here instead of resorting to using a mains transformer for audio they come from a defunct 1960s Phillips radio. We especially like the old-school construction technique with a folded aluminium chassis and liberal use of tag strips on which to build the circuits.

The result is something that would have been in no way out of place in the 1960s, and proves that tube circuitry isn’t beyond the constructor in 2023. If it’s whetted your appetite for more, we can help you there.

A Single Ended Vacuum Tube Amplifier With A Modern Twist

Despite the oldest solid state audio circuitry now qualifying for a pension and a bus pass where this is being written, the thermionic tube retains a foothold in the world of audio — cherished by enthusiasts for the warm sound it is claimed to impart. For  the electronics enthusiast a tube audio amplifier makes for an interesting and unusual project, and for that reason it’s one tackled by many. [Keri Szafir] is no exception, and she’s produced a stereo tube amp with a few modern features.

Electrically it’s a relatively conventional single-ended design using a double triode and a power pentode for each channel. It follows a so-called ultra-linear circuit, with a tap on the output transformer feeding one of the pentode’s grids. The modern features come via a switched Bluetooth input and a motorized volume control, something that would have never been found on such an amp when they were the cutting edge.

We have to admit a soft spot for this type of amp, and we particularly like this one for its very period construction style using cable lacing to keep the wiring under control. We more often see these amps using the cheaper integrated triode-pentode tubes which makes them especially easy to build, so the separate preamp is a little different. We’re not sure we’d have spent extra on the fancy E88cc tubes though. Continue reading “A Single Ended Vacuum Tube Amplifier With A Modern Twist”

Tube Audio Amplifiers Needn’t Be Complex

There’s a mystique in audiophile circles about tube amplifiers. They can have a very nice sound which is attributed to their even-harmonic distortion, but they are often portrayed as requiring rare and expensive components. You don’t need matched gold-plated tubes and special transformers wound by Japanese monks with oxygen-free silver wire when the tube you’d have found in a TV back in the day paired with a repurposed mains transformer will do. [Mikremk] demonstrates this with a simple but effective amplifier using a PCL82 triode-pentode.

It’s a conventional tube amplifier circuit in which the triode is a preamplifier for the pentode power output stage. The pentode is running in class A mode, and the high impedance of its output is brought down to speaker impedance with that mains transformer. Best of all it doesn’t need a particularly high voltage, with the 40 V DC power coming from a DC-to-DC converter module.

These amplifiers could be found back in the day in some form in most consumer electronics, and remain a spectacularly cheap way to boast a tube amp in your hi-fi even if it might not always be the best possible amp.

Building A Tube-Based Stereo Amp, In Classic Style

It’s not every day we see the results of someone putting their own spin on a vintage tube amp, but that’s exactly what [lens42] did in creating the McIntosh 217, created as a “mini” version of the McIntosh MC275, a classic piece of audio equipment. Both are pictured next to each other, above.

When it comes to vintage hi-fi stereo amplifiers, two units had particular meaning for [lens42]: the McIntosh MC275 Power Amp, and the Dynaco ST35. The Dynaco was a more budget-friendly amplifier, but looked like a plain box. The McIntosh, however, proudly showed off its tubes and transformers in all their glory. The “McIntosh 217” is design-wise basically a smaller McIntosh MC275, with the innards of a Dynaco ST35.

With so much needing to be designed from the ground up, CAD was invaluable. Component layout, enclosure design, and even wiring and labeling all had to be nailed down as much as possible before so much as heating up the soldering iron. Even so, there were a few hiccups; a vendor had incorrect measurements for a tube socket which meant that the part would not fit. A workaround involved modifying the holes and as luck would have it, the change wasn’t an eyesore. Still, [lens42] reminds us all that whenever you can, have the required parts in-hand for confirmation of dimensions before sending CAD files off for cutting or fabrication.

Many of us can relate to the fact that the whole project was a labor of love and made no real financial sense, but the end result is fantastic, and creating such a thing is something all of us — not just chasers of that elusive “tube sound” — can appreciate.

A Very Modern Tube Headphone Amplifier

Once a discarded relic, over the years the humble vacuum tube has been rehabilitated in the arena of specialist audio. There are plenty of tube amplifiers now being manufactured, with a popular choice being headphone amplifiers that use a tube as a gain stage followed by an op-amp as a buffer with a low impedance output. This forms the basis of [Ratti3]’s amplifier, but with the added interest of a battery supply and a Bluetooth connection.

The tube circuit is a very conventional anode follower using an EF95 pentode. This provides plenty of gain and of course that “valve sound” beloved of audio enthusiasts, but suffers from an output impedance too high to drive a set of headphones. An NE5532 steps in for the op-amp buffer role, making for a very simple circuit. Power comes from a set of four 18650 Lithium-Ion cells with associated charger and balance boards, while a little switching boost converter provides the 100 volt HT for the tubes.

We’ve visited this type of amplifier before with a similar but much more rough-around-the-edges Chinese version. That had some astonishingly cheap Chinese tubes, but if we’re seeking better components it’s interesting to know just who makes tubes these days.

Tube Amps Are Still Tubular In 2018

Our friend [Pete] was reminiscing over the golden days with his old and broken antique Grundig Majestic console when he realized it deserved proper refurbishing. Now, any generic stereo record player might not be worth the time and effort to fix, but this was not any generic stereo record player. [Pete’s] inherited Grundig Majestic was his childhood favorite due to the distinct sound it had from the tubes that were used as the active elements. So he set out to fix both tube amps inside of the system.

[Pete] has had some experience working with audio equipment in the past. He did what we all aspire to, and got paid for doing what he loves by creating tube amps as a side gig. When he had finally had enough of the sub-par quality of bluetooth speakers that we all put up with for convenience sake, he decided to finally fix his favorite radio that had been lying around for far too long. He got to work immediately in his notebook finding what parts would be necessary for the reboot. The build ended up consisting of a HT supply regulated at 350V, an LT supply half DC-regulated at 6.3V, a 12AX7 input/bass/treble section, 6922 concertina tubes, and an EL34 ultra-linear output section. The end results yielded one amp that sounded just like it did in his youth, and one that isn’t quite there yet.

The Grundig Majestic is not done with just yet though. [Pete] plans to add a couple of additional modifications to his beauty when he’s not too busy with the kids. Firstly, perfecting the second amp is a top priority. After that, installing red LEDs that illuminate underneath the tubes would indicate low voltage presence, whereas blue illumination would indicate HT was locked and loaded. Bias monitoring to keep him informed on the status of the circuit conditions would insure smooth sailing down the road. Adding a relay connection of the speakers to the output transformer would minimize a popping sound that is currently being made in the speakers when the HT is initially turned on. These small improvements are just that — small — but that is part of what makes home projects so rewarding. The more you use something at home, the more you realize what needs to be refined further, so you are constantly learning more. It is a gratifying experience that I hope all of our readers have the chance to come across.

Tube amps are no stranger to Hackaday. Some of us have even built a few ourselves.

Thanks [Sophi]

Via Sparkfun

The Best Stereo Valve Amp In The World

There are few greater follies in the world of electronics than that of an electronic engineering student who has just discovered the world of hi-fi audio. I was once that electronic engineering student and here follows a tale of one of my follies. One that incidentally taught me a lot about my craft, and I am thankful to say at least did not cost me much money.

Construction more suited to 1962 than 1992.
Construction more suited to 1962 than 1992.

It must have been some time in the winter of 1991/92, and being immersed in student radio and sound-and-light I was party to an intense hi-fi arms race among the similarly afflicted. Some of my friends had rich parents or jobs on the side and could thus afford shiny amplifiers and the like, but I had neither of those and an elderly Mini to support. My only option therefore was to get creative and build my own. And since the ultimate object of audio desire a quarter century ago was a valve (tube) amp, that was what I decided to tackle.

Nowadays, building a valve amp is a surprisingly straightforward process, as there are many online suppliers who will sell you a kit of parts from the other side of the world. Transformer manufacturers produce readily available products for your HT supply and your audio output matching, so to a certain extent your choice of amp is simply a case of picking your preferred circuit and assembling it. Back then however the world of electronics had extricated itself from the world of valves a couple of decades earlier, so getting your hands on the components was something of a challenge. I cut out the power supply by using a scrap Dymar Electronics instrument enclosure which had built-in HT and heater rails ready to go, but the choice of transformers and high-voltage capacitors was something of a challenge.

Pulling the amplifier out of storage in 2017, I’m going in blind. I remember roughly what I did, but the details have been obscured by decades of other concerns. So in an odd meeting with my barely-adult self, it’s time to take a look at what I made. Where did I get it right, and just how badly did I get it wrong?

Continue reading “The Best Stereo Valve Amp In The World”