A Tube Guitar Amp For A Modest Budget

There’s a mystique among both audiophiles and musicians about vacuum technology, thus having a tube amp still carries a bit of a cachet. New ones can be bought for eye-watering prices and old ones can be had for the same price with the added frisson of unreliability. Happily it’s surprisingly straightforward to build your own, as [_electroidiot] shows us with a fairly inexpensive build.

The design is inspired by the guitar amps of the 1950s and 1960s so it’s not for audiophiles. The circuit is a pretty conventional single-ended one with a two stage double triode preamp and a single power output tube. The transformers are usually the difficult part of a build like this one, and here instead of resorting to using a mains transformer for audio they come from a defunct 1960s Phillips radio. We especially like the old-school construction technique with a folded aluminium chassis and liberal use of tag strips on which to build the circuits.

The result is something that would have been in no way out of place in the 1960s, and proves that tube circuitry isn’t beyond the constructor in 2023. If it’s whetted your appetite for more, we can help you there.

Classic Amp Revived With A Pi

Guitar amplifiers have a hard life, and as anyone who’s run a venue can tell you, they often have significant electrical issues after a life on the road. [Dsagman] had a Vox amplifier with fried internals, and rather than repair the original he rebuilt it with a Raspberry Pi inside to provide a fully-loaded array of effects.

Though the subject is the Vox, it’s best to see this as more a tale of how to create a guitar effect array in a Pi than specifically put it in an amplifier. The Pi has an audio board and an MCP3008 ADC added to it, and using those two it takes its inputs from a series of potentiometers and process the audio passing through the audio board. In addition there are a series of LED indicators and an LED bar graph to keep the user in touch with what’s going on.

The whole lot is nicely integrated in the VOX case with all the potentiometers on an aluminium panel. He discusses amplifier choice, but as you might expect the final choice is a Class D module. All in all an amp many readers would probably go for.

As long-time readers will remember, guitar effects have made quite a few appearances around here. Continue reading “Classic Amp Revived With A Pi”

A Tiny Tube Amp For Not A Lot

At the extreme budget end of tube audio lie single-tube amplifiers usually using very cheap small-signal pentodes. They’ve appeared here before in various guises, and a fitting addition to those previous projects comes from [Kris Slyka]. It’s a classic circuit with a transformer output, and it provides enough amplification to drive a pair of headphones or even a speaker at low levels.

The fairly conventional circuit of the tube amplifier.

Most tube enthusiasts will instantly recognize the anode follower circuit with a transformer in the anode feed through which the output is taken. The tube works in Class A, which means that it’s in its least efficient mode but the one with the least distortion. The transformer itself isn’t an audio part, but a small mains transformer taken from a scrap wall wart. It serves not only for isolation, but also to transform the high impedance output from the tube into a low impedance suitable for driving a headphone or speaker.

The HT voltage is a relatively low 24 V, but it still manages to drive headphones acceptably. Speaker levels require a pre-amp, but even then it’s likely that this circuit is pushing the tube beyond what it’s capable of with a speaker. The more it operates towards the edge of its performance envelope the more distortion it will generate and the worse a sound it will produce. This isn’t such a problem in a guitar application as here, but hi-fi enthusiasts may find it to be too much. It would be interesting to subject it as a headphone amplifier to a series of audio tests to evaluate the effect of a mains transformer over a dedicated audio one.

Last year we took a very in-depth look at the commonly-available Chinese kit pre-amps that use a similar anode-follower circuit but without the transformer. We’ve also seen a similar amp that uses an op-amp as an impedance converter, as well as a novel take on the idea whose unusual biasing allows it to run from only 3.3 volts. These circuits can be so cheap to get started with that we’d suggest anyone give them a try.

Tube Amp Is Modeled With The Power Of AI

There is a certain magic and uniqueness to hardware, particularly when it comes to audio. Tube amplifiers are well-known and well-loved by audio enthusiasts and musicians alike. However, that uniqueness also comes with the price of the fact that gear takes up space and cannot be configured outside the bounds of what it was designed to do. [keyth72] has decided to take it upon themselves to recreate the smooth sound of the Fenders Blues Jr. small tube guitar amp. But rather than using hardware or standard audio software, the magic of AI was thrown at it.

In some ways, recreating a transformation is exactly what AI is designed for. There’s a clear and recordable input with a similar output. In this case, [keyth72] recorded several guitar sessions with the guitar audio sent through the device they wanted to recreate. Using WaveNet, they created a model that applies the transform to input audio in real-time. The Gain and EQ knobs were handled outside the model itself to keep things simple. Instructions on how to train your own model are included on the GitHub page.

While the model is simply approximating the real hardware, it still sounds quite impressive, and perhaps the next time you need a particular sound of your home-built amp or guitar pedal, you might reach for your computer instead.
Continue reading “Tube Amp Is Modeled With The Power Of AI”

Raspberry Pi Crazy Guitar Rig Turns You Into A Hard ‘N Heavy One-Man Band

It’s a common problem: you’re at a party, there’s a guitar, and your plan to impress everyone with your Wonderwall playing skills is thwarted by the way too loud overall noise level. Well, [Muiota betarho] won’t have that issue ever again, and is going to steal the show anywhere he goes from now on with his Crazy Guitar Rig 2.0, an acoustic guitar turned electric — and so much more — that he shows off in three-part video series on his YouTube channel. For the impatient, here’s video 1, video 2, and video 3, but you’ll also find them embedded after the break.

To start off the series, [Muiota betarho] adds an electric guitar pickup, a set of speakers, and an amplifier board along with a battery pack into the body of a cheap acoustic guitar. He then dismantles a Zoom MS-50G multi-effect pedal and re-assembles it back into the guitar itself with a 3D-printed cover. Combining a guitar, effect pedal, amp and speaker into one standalone instrument would make this already an awesome project as it is, but this is only the beginning.

Touch screen and controls closeup
RPi touch screen running SunVox, plenty of buttons, and integrated multi-effect pedal on the left

So, time to add a Raspberry Pi running SunVox next, and throw in a touch screen to control it on the fly. SunVox itself is a free, but unfortunately not open source, cross-platform synthesizer and tracker that [Muiota betarho] uses to add drum tracks and some extra instruments and effects. He takes it even further in the final part when he hooks SunVox up to the Raspberry Pi’s GPIO pins. This allows him to automate things like switching effects on the Zoom pedal, but also provides I/O connection for external devices like a foot switch, or an entire light show to accompany his playing.

Of course, adding a magnetic pickup to an acoustic guitar, or generally electrifying acoustic instruments like a drum kit for example, isn’t new. Neither is using a single-board computer as effect pedal or as an amp in your pocket. Having it all integrated into one single device on the other hand rightfully earns this guitar its Crazy Guitar Rig name.

(Thanks for the tip, [alex]!)

Continue reading “Raspberry Pi Crazy Guitar Rig Turns You Into A Hard ‘N Heavy One-Man Band”

[Fran] Is Helping Santa Slay This Year

We know at least one person who ought to make Santa’s ‘nice’ list this year. [Fran] was probably near the top of it already, but sending Santa a handmade greeting card with a fully-functioning guitar amp inside will probably make him rewrite her name in glitter, or silver Sharpie.

This stocking stuffer-sized amp is based around the LM386 and the bare minimum components necessary to make it rock. Everything is dead-bug soldered and sandwiched between two pieces of card stock. The first version with a single 386 sounded okay, but [Fran] wanted it louder, so she added another stage with a second 386. [Fran] glued the rim of the speaker directly to the card so it can act like a cone and give a better sound than the speaker does by itself.

All Santa needs to rock out is his axe and a small interface made of a 1/4″ jack and a 9 V wired to a 3-pin header that plugs into the card. He can take a break from Christmas music and let some of those cookies digest while he jams. Be sure to check out the build video after the break if you want to stay off the ‘naughty’ list.

Want to make your own musical greeting card? If you can program an ATtiny85, you won’t need much more than that to send a smile. If visual art is more your thing, 3D print them a 2D picture.

Continue reading “[Fran] Is Helping Santa Slay This Year”

It’s A TV-Scope-Guitar Amplifier!

Guitar amplifiers are a frequent project, and despite being little more than a simple audio amplifier on paper, they conceal a surprising quantity of variables in search of a particular sound. We’ve seen a lot of them, but never one quite like [Nate Croson]’s CRT TV guitar amplifier. The LM386 doesn’t just drive the speaker, he’s also using it to turn the TV into a crude oscilloscope to form a visualisation of the sound.

The video showing this feat is below the break, and it puts us in a quandary due to being short on technical information. He’s driving the horizontal coils with the TV’s 50 Hz sawtooth field timebase, and the vertical ones with the audio from the LM386. We aren’t sure whether he’s rotated the yoke or whether the connections have been swapped, but the result is certainly impressive.

So given that there’s not quite as much technical detail as we’d like, why has this project captured our interest? Because it serves as a reminder that a CRT TV is a bit more than a useless anachronism, it’s a complex analogue device with significant and unique hacking potential. The older ones in particular provide endless possibilities for modification and circuit bending, and make for a fascinating analogue playground at a very agreeable price. It’s worth pointing out however that some of the voltages involved can make them a hazardous prospect for the unwary hacker. If you’re interested though, take a look at our dive into an older model.

Continue reading “It’s A TV-Scope-Guitar Amplifier!”