It only takes one mistake to realize electrolytic capacitors have a polarity, but if you’re working with old tube gear, tube amps, or any old equipment with those old orange dip, brown dip, or green dip foil capacitors you also have to watch your polarity. These old caps were constructed with a foil shielding, and there’s always one side of these caps that should always be connected to the chassis ground. If you don’t, you’re going to get interference – not something you want in an amplifier circuit.
Old caps that have long since given up the ghost usually have a black band designating whatever side of the cap the ‘foil ground’ is. This is the side that should be connected to ground. If you look at modern foil caps, you might also see a black band on one side of the cap, which should – if we lived in a just world – also designate the foil ground. This is not always the case.
To properly test foil caps and determine which side should be closer to ground, you can construct a small tester box that’s more or less an h-bridge with a single switch and a pair of alligator clips in the middle. Connect the cap to the clips, put the output of the circuit in your scope, and flick the switch: the direction that has the least amount of interference is the denotes the foil ground of the cap. Replace those old caps in your vintage equipment with a new, correctly oriented cap, and you’re well on your way to having a great sounding amplifier.
Continue reading “How To Tell If You’re Installing Foil Capacitors Backwards”
Most of the work that [Ron] has done in the past with vacuum tubes and solid state electronics has been repair. At 59 years old, he finally put together his own stereo tube amplifier and we have to admit it definitely has an awesome look.
The platform is built around the well-known 6V6 beam-power tetrodes which are mostly used by major audio brands for their guitar amplifiers nowadays. The Dynaco 6V6 circuit based PCB was bought from China and minor changes were made to it. The amplifier uses one transformer to convert the US 120VAC into 240VAC and 9VAC, the first being rectified by a glassware PS-14 power supply while the later is converted regulated at 6.3V for the tube heaters. The output stage consists of two Edcor audio transformers (one for each channel) that converts the high voltage for its 8 ohms speakers. The home-made chassis provides proper grounding and as a result you can’t hear any background noise.
We are very curious to know if some our readers have been experimenting with glass tubes for audio applications. Please let us know your experience in the comments section below.
[Simon] wrote in to tell us about a headphone tube amp that he just built. It is based on schematics at diyaudioprojects.com that were actually featured on Hackaday in the past. [Simon’s] design adds an on board regulated power supply and a volume control for the input. Effort was made to keep the PCB single sided to facilitate making this at home.
The 12AU7 is popular due to its ruggedness and tolerance for low operational voltages. This amp design uses a plate voltage of 12, although the 12AU7 can handle up to about 330. Since the 12AU7 is of the Twin Triode variety, one tube can be used to amplify both a left and right audio channel.
The case for the amplifier is laser cut plywood. The top piece is kerfed so that it can bend around the radii of the front and rear panels. The top also has a hole cut in it to allow the tube to peek out through.The pieces look nice but, unfortunately, he doesn’t show the case and amp in an assembled state.
If you’re interested in building one of these, [Simon] made all of the Eagle and Case files available. The total cost of the project was £25, about $43 US. To learn more about how tube amplifiers work, check out this Retrotechtacular from earlier in the year.
[Atdiy and Whisker], the team behind [The Tymkrs] YouTube channel, are at it again with a tombstone guitar amp project.(YouTube playlist link) Their amp began life as a Philco Tombstone radio which had seen better days. By the time [Tymkrs] got their hands on it, it was just a shell of its former self, as someone had already stripped all the electronics.
The amplifier itself is a disused Leslie tube amp [Tymkrs] had on hand. An LM386 serves as the pre-amp, making this a hybrid solid and vacuum state machine.
The tombstone speaker is especially interesting. [Tymkrs] went with an electrodynamic field coil speaker. Field coil speakers have no magnets, instead using a high voltage (approx 90V DC) coil to create a magnetic field for the voice coil to push against. This sort of speaker was commonplace in the 1930’s, as large magnets couldn’t be made lightweight enough to be used in a speaker. As magnet technology improved, permanent magnets became a staple in speakers.
[Tymkrs] paid special attention to the finish of the amplifier. They brought the tired old radio back to a high shine, then added a Metropolis inspired overlay from aged copper-clad board. The result is an amp that looks great and sounds great!
Continue reading “[Tymkrs] Tombstone Guitar Amplifier”
The before image doesn’t look all that bad but we were still impressed with what went into the restoration of this radio. Perhaps restoration isn’t the right word since it didn’t manage to hold on to any of the original internals. This is more resurrection of a retro radio case for use as a Bluetooth radio.
At first look we didn’t notice that the original knobs were missing. The speaker fabric is ripped and the glass on the tuning dial is broken as well. [Yaaaam] happened to have another antique radio with interesting knobs — but he didn’t just transplant them. He made a mold of one knob and cast three replacements for the radio. After refinishing the wood he replaced the fabric and things were really starting to look up.
All of the electronic components were removed and a new tube amp was built on the original metal chassis. It uses a Bluetooth module for input which facilitates using your smart phone as the playback device without involving any wires or other nonsense. Two problems popped up after the project was completed. The first replacement power supply overheated. The second replacement had a different problem, needing some additional shielding to prevent noise from creating unwanted… noise.
This looks so much better than modern injection molded plastic shelf systems. But there are some fun wireless hacks out there for those too.
After building his first tube amp from a kit, he set to work on his next amp build. Since tube amps are a much more experimental endeavor than their solid state brethren, [Jarek] decided to make his next amp unique with military surplus subminiature tubes, and in the process created the smallest tube amp we’ve ever seen.
Instead of bulky 12AX7s and EL34s tubes usually found in tube amp build, [Jarek] stumbled upon the subminiature dual triode 6021 tube, originally designed for ballistic missiles, military avionics, and most likely some equipment still classified to this day. These tubes not only reduced the size of the circuit; compared to larger amps, this tiny amplifier sips power.
The 100+ Volts required to get the tubes working is provided by a switched mode power supply, again keeping the size of the final project down. The results are awesome, as heard in the video after the break. There’s still a little hum coming from the amp, but this really is a fabulous piece of work made even more awesome through the use of very tiny tubes.
Continue reading “A really, really tiny tube amp”
Here’s an exercise in excess if we’ve ever seen one. While working on his undergrad at Michigan State, [Gregory] thought it would be a great idea to build an all-tube home theater system. He calls his seven-foot tall rack of amplifiers ‘Frankenstein,’ and we’ve got to agree this build is an impressive monstrosity of engineering prowess.
[Gregory]’s Frankenstein is a complete 5.1 home theater system. In the interests of sanity, the majority of the equipment in the rack is off-the-shelf gear including a CD player, surround sound processor, and a beautiful McIntosh solid state preamp. The power amps, though, are where this build really shines.
For the sub, [Gregory] built a wonderful monoblock tube amp, able to push nearly 300 watts into a subwoofer. The other channels for this home theater system are amplified with a huge four channel tube amp providing 480 watts per channel. In total, there are 23 tubes in [Gregory]’s amplifier system, enough to consume 20 amps of filament current.
You can check out [Gregory]’s demo video of his system after the break.
Continue reading “Frankenstein, an all-tube home theater amplifier”