Mercury Audio Cables, So Nobody Else Has To Do It

We’ve seen our fair share of audiophile tomfoolery here at Hackaday, and we’ve even poked fun at a few of them over the years. Perhaps one of the most outrageously over the top that we’ve so far seen comes from [Pierogi Engineering] who, we’ll grant you not in a spirit of audiophile expectation, has made a set of speaker interconnects using liquid mercury.

In terms of construction they’re transparent tubes filled with mercury and capped off with 4 mm plugs as you might expect. We hear them compared with copper cables and from where we’re sitting we can’t tell any difference, but as we’ve said in the past, the only metrics that matter in this field come from an audio analyzer.

But that’s not what we take away from the video below the break. Being honest for a minute, there was a discussion among Hackaday editors as to whether or not we should feature this story. He’s handling significant quantities of mercury, and it’s probably not over reacting to express concerns about his procedures. We wouldn’t handle mercury like that, and we’d suggest that unless you want to turn your home into a Superfund site, you shouldn’t either. But now someone has, so at least there’s no need for anyone else to answer the question as to whether mercury makes a good interconnect.

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Fixing An Onkyo Receiver With Multiple Faults

Modern-day receivers are miracles of digital audio and video processing, but compared to their more analog brethren, they can come with a host of new and fascinating faults. The Onkyo TX-SA806 and SR806 receivers were released back in 2008, with [Tony359] recently getting the latter variant in for repair. Described as having weird digital distortion on the audio outputs, this particular issue got fixed by recapping the PCB with all the digital processing in the first video on this receiver, but this left the second issue unaddressed of a persistent hum, which is the topic of the second video on this repair.

Capacitor C5662 in the Onkyo TX-SR608 receiver with a slight bulge. (Credit: Tony359, YouTube)
Capacitor C5662 in the Onkyo TX-SR608 receiver with a slight bulge.

With the easy fix of recapping of the digital board already tried, next was a deep-dive into the receiver’s schematics to figure out where this low-frequency hum was coming from. With it sounding very much like mains frequency hum bleeding through, this was the starting point. Presumably somewhere on the power rails the normal filtering had broken down, so all rails had to be identified and checked for this interference.

With ripple on the 10V and 12V rails as well as the others seemingly in order, it wasn’t clear where the 100 Hz hum was coming from, but people on the BadCaps forum offered some help. After some back and forth it was deduced that the problem was the +15 VA rail, with heavy ripple on it due to a dead capacitor on the +22 V rail that comes straight from a transformer.

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Philco Bet The Farm On The Predicta… And Lost

Philco was a common household brand for many years. The company started in 1892, making street lights. Then they pivoted to batteries. This was big business when early radios were all battery-operated. But in the 1920s, line-powered radios threatened to shrink their customer base, so they pivoted again. This time, they started making radios. So what happened? [The Last Shift] has the story, and you can see the video below.

Philco used advanced manufacturing techniques to make radios more affordable. By 1930, they were the number one radio maker in the world. After World War II, they moved into everything electric: mostly appliances, but also the new king of the electronics market, the television.

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HD On A VHS Tape? How Did They Do It?

There was a period from the 1970s to the mid-2000s or so when a fixture underneath the family TV set was a VHS videocassette recorder. These were a masterpiece of cramming a color video signal into the restricted bandwidth of an affordable 1970s helical-scan tape deck, which was achieved by clever use of frequency shifting and FM carrier modulation. Very few of us will have had the ultimate iteration of the VHS format though, W-VHS, which managed the same trick but with HD video. But how? [Superchromat] is here with the answer.

W-VHS used a frequency modulated carrier, but instead of splitting luminance and chrominance in the frequency domain like its VHS ancestor, it did so in the time domain in the same way as some 1980s satellite TV standards did. Each line first contained the color information, then the brightness. Thus it sacrificed some color resolution and a little horizontal image resolution, but kept a much higher vertical image resolution. In the video below the break we go into significant detail about the compromises required to pull this off, and if you watch it through you’ll learn something about magnetic tape recording as well as FM.

The W-VHS standard is largely forgotten now as a last hurrah for the format, but it’s still in the sights of the VHS Decode project. The work in this video is helping them retrieve the highest quality images from these tapes, by capturing the raw RF from the heads and using DSP techniques to decode them.

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Wooden Case Makes A 2026 TV Stylish

The middle of the 20th century produced a revolution in understated stylish consumer design, some of which lives on today. The reality of living in a 1950s or ’60s house was probably to be surrounded by the usual mess of possessions from many past decades, but the promise was of a beautiful sleek and futuristic living space. Central to this in most homes would have been the TV set, and manufacturers followed the trends of the age with cases that are now iconic. Here in 2026 we put up with black rectangles, but fortunately there’s Cordova Woodworking with a modern take on a retro TV cabinet.

We’ve put the build video below, and it’s a wonderfully watchable piece of workshop titillation in a fully-equipped modern shop. While we appreciate they’ve put the design up for sale, we think many Hackaday readers could come up with their own having already been inspired. One thing we notice over the originals is that they use “proper” wood for their case, when we know the ’60s version would have had veneer-faced ply or chipboard.

The result is a piece of furniture which nicely contains the modern TV and accessories, but doesn’t weigh a ton or dominate the room in the way one of the originals would have, much less emit that evocative phenolic hot-electronics smell. We’d have one in our living room right now. Meanwhile if you’d like a wallow in mid-century TV, we have you covered.

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A New Life For An Old Amplifier

An audio amplifier was once a fairly simple analogue device, but in recent decades a typical home entertainment amplifier will have expanded to include many digital functions. When these break they are often proprietary and not easy to repair, as was the case with a broken Pioneer surround-sound device given to [Boz]. It sat on the shelf for a few years until he had the idea of a jukebox for his ripped CDs, and his returning it to life with a new main board is something to behold.

Internally it’s a surprisingly modular design, meaning that the front panel with its VFD display and driver were intact and working, as were the class AB amplifier and its power supply. He had the service manual so reverse engineering was straightforward, thus out came the main board in favor of a replacement. He took the original connectors and a few other components, then designed a PCB to take them and a Raspberry Pi Pico and DAC. With appropriate MMBASIC firmware it looks as though it was originally made this way, a sense heightened by a look at the motherboard inside (ignoring a couple of bodges).

We like seeing projects like this one which revive broken devices, and this one is particularly special quality wise. We’re more used to seeing it with gaming hardware though.

Bose SoundTouch Smart Speakers Get An Open Source Lifeline

After initially announcing that Bose will completely turn off all ‘smart’ features in its SoundTouch series of speaker products, the company has seemingly responded to the wave of unhappy feedback with a compromise solution. Rather than the complete shutdown and cut-off that we reported on previously, Bose will now remove cloud support as its servers shut down, but the SoundTouch mobile app will get an update that gets truncated to just the local support functions. Bose also made the SoundTouch Web API documentation available as a PDF document.

The shutdown date has also been extended from the original February 18 to May 6th of this year. Although these changes mean that the mobile app can no longer use music services, features like grouping speakers and controlling playback will keep working. Features such as presets which were cloud-based will naturally stop working.

With the web API documentation made public it remains to be seen how helpful this will be. From a quick glance at the PDF documentation it appears to be a typical REST API, using HTTP on port 8090 on the SoundTouch device, with an SGML-style tag system to format messages. In so far as the community hasn’t already reverse-engineered this API it’s at least nice to have official documentation.