Raspberry Pi Plays A MIDI Tune Wherever You May Roam

June 8, 2020 by Sven Gregori 1 Comment

MIDI controller keyboards are great because they let you control any synthesizer you plug them into. The only downside: you need a synthesizer to turn MIDI notes into actual sounds, slightly complicating some summer night campfire serenading. Not for [Geordie] though, who decided to build the nanoPi, a portable, MIDI instrument housing a Raspberry Pi.

Using a Korg nanoKEY2 USB MIDI controller as base for the device, [Geordie] took it apart and added a Raspberry Pi Zero W, a power bank to, well, power it, and a USB hub to connect a likewise added USB audio interface, as well as the controller itself. As the nanoKEY2 has a naturally slim shape, none of this would ever fit in it, so he designed and 3D printed a frame to extend its height. Rather than wiring everything up internally, he decided to route the power and data cable to the outside and connect them back to the device itself, allowing him to use both the power bank and the controller itself separately if needed.

On the software side, the Pi is running your common open source software synthesizer, Fluidsynth. To control Fluidsynth itself — for example to change the instrument — [Geordie] actually uses the Termius SSH client on his phone, allowing him also to shut down the Pi that way. While Fluidsynth’s built-in MIDI router could alternatively remap the nanoKEY2’s additional buttons, it appears the functionality is limited to messages of the same type, so the buttons’ Control Change messages couldn’t be remapped to the required Program Change messages. Well, there’s always the option to fit some extra buttons if needed. Or maybe you could do something clever in software.

As you may have noticed, the nanoPi doesn’t include any speaker — and considering its size, that’s probably for the best. So while it’s not a fully standalone instrument, it’s a nice, compact device to use with your headphones anywhere you go. And thanks to its flexible wiring, you could also attach any other USB MIDI controller to it, such as this little woodwind one, or the one that plays every pop song ever.

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Turning A MicroKORG Into A MicroKORG S With This Speaker Mod

June 5, 2020 by Maya Posch 11 Comments

When [Michael Wessel] bought his MicroKORG synthesizer/vocoder, he felt less than amused when two years later the MicroKORG S was released, with the ‘S’ standing for ‘sound’, apparently, for the 2+1 speaker system that was added to it. Undeterred, [Michael] figured out that both synthesizers are similar enough that one could likely add a similar speaker system to the original MicroKORG.

The similarities between the two products become apparent when one compares the original with its successor, with the latter seemingly mostly adding said speakers and more presets, along with a snazzy new exterior. (Although the 1970s styling of the original may have more fans.) As the embedded video shows, this mod is fairly clean.

At the core of this mod is a PAM8403-based class D amplifier board. The PAM8403 is a 3 W audio amplifier, originally produced by Power Analog Microelectronics (now Diodes). While not an amazing amplifier, it lends itself well for battery-powered applications like the MicroKORG. Rounding out the build is a 7805 linear regulator to get 5 V for the PAM8403, a few filter capacitors, a switch to turn the speakers on/off, and of course the speakers.

Although there’s quite a bit of space in the enclosure, most speakers tend to be large enough that this can be a bit of a squeeze. [Michael] found some low-profile 20 W full-range speakers that seem to work well for this purpose. To finish wiring this up, all it takes is a hole saw and a way to get the audio output from the MicroKORG.

In this mod, [Michael] opted to get the audio from the output jack on the back, but for a cleaner result it probably could be wired straight into the on-board header.

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Arduino Drums Bring The Noise, No MIDI Required

June 2, 2020 by Tom Nardi 21 Comments

When looking through existing Arduino drum kit projects, [joekutz] noticed that most of them just used the microcontroller as an input for an existing MIDI device. That’s fine if you’re just looking to build your own hardware interface, but he wondered if it would be possible to forgo the MIDI device completely and actually generate the audio internally.

To be sure, this is a lot to ask of an 8-bit microcontroller, which is probably why nobody does it this way. But [joekutz] wasn’t giving up without a fight. One of the trickiest aspects was storing the samples: the 8-bit, 11.025 KHz mono WAV files ultimately had to be converted into C data arrays with a custom Python script.

Unfortunately, since the samples are essentially part of the drum’s source code, he says distributing the firmware is something of a problem. Though it sounds as though there might be a solution to this soon for those who want to play along at home.

But don’t get the impression that this project is just software. Check out the custom impact sensors lovingly crafted from popsicle sticks and metal cut from soda cans, which have been mated with sections cut out of old DVD-Rs. Actually getting the beats out of the Arduino required the addition of a R2R DAC circuit and a TDA2822 amplifier. In the video after the break, you can hear the results for yourself.

[joekutz] is no stranger to homebrew electronic instruments. When we last heard from him, he was turning a very pink keyboard into his own personal circuit bending playground.

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Cheap Speakers Sound Good With Easy Open Baffle Design

May 29, 2020 by Lewin Day 20 Comments

If you’ve spent any time around audio gear at all, you’ll know that enclosure design is as critical as the speaker drivers themselves. [Frank Olson] demonstrates this ably, with his open baffle design for some cheap off-the-shelf speakers.

[Frank]’s aim was to do a comparison between using no enclosure, and an open baffle design, with a pair of 2″ full-range speakers. These drivers are nothing special; just a low-cost part that you’d find in any cheap set of computer speakers. [Frank] screws the drivers into a thin, flat wooden board, and then adds a supporting strut to allow the speakers to stand on their own.

The comparison makes it clear that even this basic baffle design makes a big difference to perceived sound quality. Bass is fuller, and the sound is far improved thanks to the baffle blocking out of phase sounds from the rear of the speaker.

It’s a technique that could prove useful to anyone quickly trying to rig up an audio setup for the workshop or makerspace out of leftover parts. We’ve featured similar projects before that espouse the benefit of enclosure design when using even very affordable speakers. Video after the break.

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Rocking Out On A Limb With LE STRUM

May 23, 2020 by Sven Gregori 8 Comments

It’s hard to imagine 80s Synth-pop without the keytar, and yet this majestic Centaur of a musical instrument rarely gets much love, and their players are often the target of ridicule. It almost seems as if being hung around the neck should be a privilege solely reserved for stringed instruments. Well, [midierror] has at least that part somewhat right then, with the Full On MIDI Leg that is guaranteed to make every keytarist look like a prestigious cellist in comparison.

What looks like the 1987 movie Mannequin taking a dark, Mengelesque turn, is as awesome as it is bizarre, thanks to building the concept of the LE STRUM into, well, a leg. LE STRUM itself is an open source MIDI instrument built by [Jason Hotchkiss], who describes it as “a cross between a Stylophone and an Omnichord”. It consists of a set of buttons to select different combinations of chords, that can than be strummed by scratching an attached stylus over an array of contact pads. However, [midierror], who also distributes a pre-assembled version of the LE STRUM, uses strings instead of contact pads, and a pick for the actual strumming, turning this into a close-enough string instrument.

The only thing missing now is a functioning knee joint, and maybe some inspiration from this MIDI-controlled concertina, and we’d be ready to revolutionize the accordion world with the, uhm, kneetar? And since it’s built around a PIC16, this thigh-slapper won’t even cost you an ARM, just the leg — but enough already with these toe-curling puns.

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Adding MIDI To An Old Casio Keyboard

May 23, 2020 by Lewin Day 22 Comments

Not content to rule the world of digital watches, Casio also dominated the home musical keyboard market in decades past. If you wanted an instrument to make noises that sounded approximately nothing like what they were supposed to be, you couldn’t go past a Casio. [Marwan] had just such a keyboard, and wanted to use it with their PC, but the low-end instrumented lacked MIDI. Of course, such functionality is but a simple hack away.

The hack involved opening up the instrument and wiring the original keyboard matrix to the digital inputs of an Arduino Uno. The keys are read as a simple multiplexed array, and with a little work, [Marwan] had the scheme figured out. With the Arduino now capable of detecting keypresses, [Marwan] whipped up some code to turn this into relevant MIDI data. Then, it was simply a case of reprogramming the Arduino Uno’s ATMega 16U2 USB interface chip to act as a USB-MIDI device, and the hack was complete.

Now, featuring a USB-MIDI interface, it’s easy to use the keyboard to play virtual instruments on any modern PC DAW. As it’s a popular standard, it should work with most tablets and smartphones too, if you’re that way inclined. Of course, if you’re more into modular synthesizers, you might want to think about working with CV instead!

All About That Bass – Marble Machine X Keeps Growing

May 16, 2020 by Sven Gregori 23 Comments

We’re okay if you call out Not A Hack™ on this one, because “hack” really doesn’t do justice to the creations of [Martin] from [Wintergatan]. You’re probably familiar with the Marble Machine that went viral a few years ago, and while it was impressive as-is back then, and most people would have declared the project finished at that point, it has turned into a seemingly never-ending work-in-progress project that has certainly come a long way ever since. Its latest addition: the Cyber Capos as upgrade for the bass, and you can find out all about it in its build video — also embedded below.

If you play a string instrument and ever used a capo — the clamping little helper device to smack the pitch up — you may have found yourself wishing that you could use it on any arbitrary fret on each string. Sure, there are partial capos and the spider capo to select individual strings, but you’re still limited to transpose along a single fret. Well, [Martin]’s Cyber Capos, a mechanical construct of four arms sliding along the neck, serve exactly that purpose, which allows him to free up his hands for other things while the marbles keep bouncing.

But you don’t have to be a bass player, or any musician really, to appreciate [Martin]’s build videos. We praised his general attitude and hacker-like spirit already the first time we mentioned the Marble Machine, and just watching him getting excited about his work and the appreciation for people supporting and assisting in the project, while embracing his mistakes, is a genuine delight.

Needless to say that [Martin] likes some uniqueness in music instruments, and the bass with its separate volume control and output for each string qualifies on its own for that. If you’re curious about more on that, there’s another video about it embedded after the break. And for the really impatient ones, you can see the capos in action in the first video around the 12:35 mark.

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