Dropping Marbles With Millisecond Accuracy

October 31, 2022 by Danie Conradie 40 Comments

All eight version of the drop mechanism — The road to the perfect marble dropper

[Martin] of the band [Wintergatan] is on his third quest to build the ultimate musical marble machine, and that means dropping marbles with maximum reliability and precision timing. Working through several iterations, and returning to first principles, he engineered a marble gate that can drop marbles with a timing standard deviation of 0 ms.

[Wintergatan]’s first two machines, Marble Machine and Marble Machine X gained significant attention, but their complexity was their undoing. As it turns out, a Rube Goldberg machine that makes music has a lot of potential failure points, and both machines proved too temperamental for the live stage. The third version, Marble Machine XT (T for “touring”) needed to be re-engineered for simplicity and reliability to be practical on the road.

[Martin] broke the marble machine concept down to its key components, of which the marble drop gate is the most obvious. Using a pair of contact microphones to record the moment of release and impact, he can measure the timing with precision. The first design had a standard deviation of 3.91 ms, which is not nearly enough for us to detect by ear, but is not up to [Martin]’s standard for “tight music”. It used a clock-type escapement mechanism, where the wheel is the release gate. After reviewing his measurement software and compensating for drift between the software components of his setup, the measured standard deviation was reduced by 1 ms. Another breakthrough was to remove any guiding surfaces below the gate and let gravity do all the work. The 8th iteration proved to be the winner and used the escapement arm as the drop gate and wheel to hold back the queue of marbles.

Coming from an arts background, [Martin] had to learn a lot of engineering lessons the hard way. Looking at the videos on his YouTube channel, it seems like he is taking the lessons to heart, and we look forward to seeing the Marble Machine XT come to life.

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All About That Bass – Marble Machine X Keeps Growing

May 16, 2020 by Sven Gregori 23 Comments

We’re okay if you call out Not A Hack™ on this one, because “hack” really doesn’t do justice to the creations of [Martin] from [Wintergatan]. You’re probably familiar with the Marble Machine that went viral a few years ago, and while it was impressive as-is back then, and most people would have declared the project finished at that point, it has turned into a seemingly never-ending work-in-progress project that has certainly come a long way ever since. Its latest addition: the Cyber Capos as upgrade for the bass, and you can find out all about it in its build video — also embedded below.

If you play a string instrument and ever used a capo — the clamping little helper device to smack the pitch up — you may have found yourself wishing that you could use it on any arbitrary fret on each string. Sure, there are partial capos and the spider capo to select individual strings, but you’re still limited to transpose along a single fret. Well, [Martin]’s Cyber Capos, a mechanical construct of four arms sliding along the neck, serve exactly that purpose, which allows him to free up his hands for other things while the marbles keep bouncing.

But you don’t have to be a bass player, or any musician really, to appreciate [Martin]’s build videos. We praised his general attitude and hacker-like spirit already the first time we mentioned the Marble Machine, and just watching him getting excited about his work and the appreciation for people supporting and assisting in the project, while embracing his mistakes, is a genuine delight.

Needless to say that [Martin] likes some uniqueness in music instruments, and the bass with its separate volume control and output for each string qualifies on its own for that. If you’re curious about more on that, there’s another video about it embedded after the break. And for the really impatient ones, you can see the capos in action in the first video around the 12:35 mark.

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Ondophone On Point

March 28, 2020 by Brian McEvoy 5 Comments

The name Ondophone is a mash-up of two instruments, the Marxophone, and the ondes martenot. From the Marxophone, [Wintergatan] borrows the spring-loaded hammers, which repeatedly strike a string once activated. The ondes martenot loans its Theremin-like sound and ability to lean back on western semi-tone notes. Mating such different instruments requires a team, and much like the name, it produces a splendid blend.

At the left-hand side of the Ondophone, we see the spring-hammer battering away on a steel string whenever the neck moves up or down. Next to it is an Ebow that vibrates a string with an electromagnet and can maintain a note so long as it has power. Hidden within the neck are magnets to demarcate semi-tone locations, so it’s possible to breeze past them for a slide sound or rest on them to follow a tune.

The combination of intermittent hammering and droning lends well to the “creepy” phase of the song, which leads segues to the scope-creep that almost kept this prototype on the drawing board. The video talks about all the things that could have been done with this design, which is a pain/freedom we know well. KISS that Ondophone headline act goodbye.

The ondes martenot is an early electronic instrument, so we’ve some high-tech iterations, and if you haven’t heard what’s possible with a DIY Ebow, we will harp on you.

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Marvelously Machined Clutch Masters Musical Marble Machine Mayhem

May 1, 2019 by Lewin Day 29 Comments

As far as marble runs go, few can hope to compete with [Wintergatan]’s amazing musical works. While undertaking the build of the Marble Machine X, timing problems became apparent. You can crank the machine faster or slower to alter the tempo, but the time it took marbles to drop due to gravity and hit an awaiting drum remains constant. You can’t control gravity, so you look to a mechanical solution in adjusting marble drops. In music, as in a jewel heist, timing is everything. Thankfully, [Machine Thinking] was on hand to collaborate, and a solution was found in the form of a beautifully machine indexable clutch.

The duo came together and designed a clutch, that would allow the timing relationship between various parts of the Marble Machine X to be varied. At 7:10 into the Wintergatan video below he gets down to brass tacks on how this brass music timing clutch actually works. At 90 BMP, the clutch allows the synchronization of the machine to be altered in approximately 10ms increments. Without this vital addition, drum beats would tend to slip out of time.

It’s a part that would challenge the novice, requiring the cutting of teeth and the inscription of accurate markings to allow it to do its job. However, it’s no trouble for [Machine Thinking], who shared a video of the machining process, including the outsourcing of the hand-engraved dial numbers.

Such a piece takes significant work to produce, and yet it is just one part of a much larger machine. We can’t wait to see the Marble Machine X finished, but if you’re unfamiliar with [Wintergatan]’s earlier works — you’re in for a treat.

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Hackaday Links: October 21, 2018

October 21, 2018 by Brian Benchoff 31 Comments

A few weeks ago, we got word [Fran] was being kicked out of her workshop. You might remember [Fran] from her exploits in reverse engineering the launch computer for the Saturn V, her work on replicating the DSKY from an AGC, her visit to the Air & Space Museum annex (so jealous), and her other musical adventures. Why is she getting kicked out? Philly’s getting gentrified, ya jabroinis. Now, there’s a GoFundMe for a new Fran Lab. Go on and ring that bell.

Everyone needs a Sharpie sitting around, so how about one that weighs a pound or so? [MakingStuff] created a new body for a big ‘ol Sharpie marker, complete with knurling. Oh, man, the knurling.

A Powerball ticket costs $2. Last Friday, the expected return on a single Powerball ticket was more than $2. This doesn’t happen often, but last Friday the most logical course of action for everyone was to buy all the Powerball tickets they could.

Boston Dynamics built another dog robot and made it dance to Uptown Funk because we haven’t heard that song enough. No one has listened to Uptown Funk enough times in their life. It’s a great song that never gets old or overplayed.

[Wintergatan] is building a drum machine. You might remember this artisan of plywood from various marble machine builds that also play music. This build goes deep into the techniques of building gigantic mechanical contraptions out of plywood and steel.

Speaking of plywood, Rockler had a contest a while back to build something out of a single sheet of plywood. [OSO DIY] came up with the most interesting table I’ve ever seen. A lot of the entries into this plywood contest turned the plywood on its end, resulting in something that looks like it’s made out of skateboard decks. [OSO DIY]’s coffee table is no exception; it’s basically just a panel of edge-grain plywood made into a table. Where this gets really good is the actual design of the table. It’s clearly a mid-century modern piece, with threaded inserts holding the legs on. However, instead of something that was pressed out of a factory, this table just exudes an immense amount of manual labor. It’s a counterpoint between craftsmanship and minimalist design rendered in plywood and by far one of the most interesting pieces of furniture made in the last few years. Here are some more entries that also capitalize on edge-grain plywood

Self playing violin - Phonoliszt Violina

Self-Playing Violin: Eighth Wonder Of The World

August 22, 2017 by Steven Dufresne 22 Comments

[Martin], of the YouTube channel [WinterGatan], recently uploaded a video tour of the Phonoliszt Violina, an orchestrion, or a machine that plays music that sounds as though an orchestra is playing. The interesting thing about this one is that it plays the violin. At the time of its construction, people weren’t even certain such a thing would be possible and so when [Ludwig Hupfeld] first built one around 1910, it was considered the eighth wonder of the world.

The particular one shown in the video is at the Speelklok Museum in Utrecht, the Netherlands. The bow is a rotating cylinder with 1300 horsehairs. To get the sound of a single violin, it actually uses three of them. Rather than the bow being moved to press against the strings, the violins tilt forward to make their strings contact the rotating bow. Only one string is used per violin, hence the reason that three violins are needed. The volume is controlled by making the bow rotate faster for more volume, and slower for less. Mechanical fingers press against the strings with cork to more closely imitate the human fingertip.

The machine consists of both the mechanical violin and piano under the guidance of two paper rolls, with one roll playing at a time. See and hear it in action in the video below.

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Incredible Marble Music Machine

March 3, 2016 by Gerrit Coetzee 44 Comments

We tried to figure out how to describe the band [Wintergatan]. It took a lot of googling, and we decided to let their really incredible music machine do it for them. The best part? Unlike some projects like this that come our way, [Wintergatan] documented the whole build process in an eight part video series.

The core of the machine is a large drum with two tracks of alternating grey and black Lego Technic beams and pins. The musician sequences out the music using these. The pins activate levers which in turn drop ball bearings on the various sound producing devices in the machine. The melody is produced by a vibraphone. At first we thought the drum kit was electronic, but it turns out the wires going to it were to amplify the sound they made when hit. At the end of their travel the bearings are brought up to the hopper again by a bucket conveyor.

The final part count for the machine sits at 3,000 not including the 2,000 ball bearings rolling around inside of it. If you’ve ever tried to make a marble machine, then you’ll be just as impressed as we were that the machine only appeared to lose a few marbles in the course of a three minute song. Aside from the smoothness of the machine, which is impressive, we also enjoyed the pure, well, hackiness of it. We can spy regular wood screws, rubber bands, plywood, bits of wire, and all sorts of on-the-spot solutions. Just to add bonus cool, the whole project appears to have been built with just a bandsaw, a drill press, and a few hand power tools.

The machine is great, but we also really appreciate the hacker spirit behind it. When a commenter on a YouTube video told him he was a genius, he replied, “Thank you for that! But I do think, though, that it is mostly about being able to put in the time! I mean the talent of being stubborn and able to see things through are more important than the abilities you have to start with. If you work hard on anything, you will learn what you need and success! Its my idea anyway! So happy people like the machine!”. Which we think is just as cool as the machine itself. Video of the machine in action and part one of the build series after the break!

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