3D Printing Restores Bandsaw

A great addition to a home shop is a bandsaw, but when [Design Prototype Test] got a well-used one, he found it wasn’t in very good shape. The previous owner put in an underpowered motor and made some modifications to accommodate the odd-sized blade. Luckily, 3D printing allowed him to restore the old saw to good working order.

There were several 3D printed additions. A pulley, a strain relief, and even an emergency stop switch. Honestly, none of this stuff was something you couldn’t buy, but as he points out, it was cheaper and faster than shipping things in from China. He did wind up replacing the initial pulley with a commercial variant and he explains why.

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3D-Printed Desiccant Container Exploits Infill

Desiccant is common in 3D printing because the drier plastic filament is, the better it prints. Beads of silica gel are great for controlling humidity, but finding a porous container for them that is a convenient size is a little harder. 3D printing is a generally useful solution for custom containers, but suffers from a slight drawback in this case: printing dense grills or hole patterns is not very efficient for filament-based printers. Dense hole patterns means lots of stopping and starting for the extruder, which means a lot of filament retractions and longer print times in general.

The green model is used as a modifier to the orange container (of which only the corners are left visible here)

[The_Redcoat]’s solution to this is to avoid hole patterns or grills altogether, and instead print large wall sections of the container as infill-only, with no perimeter layers at all. The exposed infill pattern is dense enough to prevent small beads of desiccant from falling through, while allowing ample airflow at the same time. The big advantage here is that infill patterns are also quite efficient for the printer to lay down. Instead of the loads of stops and starts and retractions needed to print a network of holes, infill patterns are mostly extruded in layers of unbroken lines. This translates to faster print speeds and an overall more reliable outcome, even on printers that might not be as well tuned or calibrated as they could be.

To get this result, [The_Redcoat] modeled a normal, flat-walled container then used OpenSCAD to create a stack of segments to use as a modifier in PrusaSlicer. The container is printed as normal, except where it intersects with the modifier, in which case those areas get printed with infill only and no walls. The result is what you see here: enough airflow for the desiccant to do its job, while not allowing any of the beads to escape. It’s a clever use of both a high infill as well as the ability to use a 3D model as a slicing modifier.

There’s also another approach to avoiding having to print a dense pattern of holes, though it is for light-duty applications only: embedding a material like tulle into a 3D print, for example, can make a pretty great fan filter.

Make Your Own Variable Inductor

Inductors are not the most common component these days and variable ones seem even less common. However, with a ferrite rod and some 3D printing, [drjaynes] shows how to make your own variable inductor. You can see him show the device off in the video below.

The coil itself is just some wire, but the trick is moving the ferrite core in and out of the core. The first version used some very thick wire and produced an inductor that varied from 6 to 22 microhenrys. Switching to 22 gauge wire allowed more wire on the form. That pushed the value range to 2 to 12 millihenrys.

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Guide To Mastering OpenSCAD Costs Roughly The Same As OpenSCAD

OpenSCAD is a fantastic free tool for 3D modeling, but it’s far less intuitive to use for non-programmers than mouse-driven programs such as Tinkercad. Powerful as it may be, the learning curve is pretty steep. OpenSCAD’s own clickable cheat sheet and manual comes in handy all the time, but those are really more of a reference than anything else. Never fear, because [Jochen Kerdels] had quite the productive lockdown and wrote a free comprehensive guide to mastering OpenSCAD.

[Jochen]’s book opens with a nice introduction to OpenSCAD and it’s user environment and quickly moves into 10 useful projects of increasing complexity that start with simple stuff like wall anchors and shelf brackets and ends with recursive trees.

There are plenty of printing tips along the way to help realize these projects with minimum frustration, and the book wraps up by covering extra functions not expressly used in the projects.

Of course, you could always support [Jochen]’s Herculean effort by buying the print edition and forcing yourself to type everything in instead of copy/pasting, or give it to someone to introduce them to all the program has to offer.

Need help mastering OpenSCAD workflow? We’ve got that. Just want to make some boxes or airfoils? We have those in stock, too.

Main and thumbnail images via [Devlin Thyne]

Portrait Of A Digital Weapon

Over the years, artists have been creating art depicting weapons of mass destruction, war and human conflict. But the weapons of war, and the theatres of operation are changing in the 21st century. The outcome of many future conflicts will surely depend on digital warriors, huddled over their computer screens, punching on their keyboards and maneuvering joysticks, or using devious methods to infect computers to disable or destroy infrastructure. How does an artist give physical form to an unseen, virtual digital weapon? That is the question which inspired [Mac Pierce] to create his latest Portrait of a Digital Weapon.

[Mac]’s art piece is a physical depiction of a virtual digital weapon, a nation-state cyber attack. When activated, this piece displays the full code of the Stuxnet virus, a worm that partially disabled Iran’s nuclear fuel production facility at Natanz around 2008. Continue reading “Portrait Of A Digital Weapon”

Removable Extruder Pulls Out The Stops On Features

For all of us fascinated with 3D printing, it’s easy to forget that 3D printer jams are an extra dimension of frustration to handle. Not to mention that our systems don’t really lend themselves well to being easily disassembled for experiments. For anyone longing for a simpler tune-up experience, you’re in luck. [MihaiDesigns] is dawning on what looks to be a cleanly designed solution to nozzle-changing, servicing, and experimenting.

The video is only 39 seconds, but this design is packed with clever editions that come together with a satisfying click. First, the active part of the extruder is detachable, popping in-and-out with a simple lever mechanism that applies preload. For consistent attachment, it’s located with a kinematic coupling on the side with a magnet that helps align it. What’s neat about this design is that it cuts down on the hassle of wire harnesses; tools are set to share the same harness via an array of spring-loaded pogo pins. Finally, a quick-change extruder might be neat on its own, but [MihaiDesigns] is teasing us with an automatic tool change feature with a handy lever arm.

This is a story told over multiple sub-60-second videos, so be sure to check out their other recent videos for more context. And for the 3D printing enthusiasts who dig a bit further into [MihaiDesigns’] video log, you’ll be pleased to find more magnetic extruder inventions that you can build yourself.

The world of tool-changing 3D printers is simply brimming with excitement these days. If you’re curious to see other machines with kinematic couplings, have a peek at E3D’s toolchanger designs, Jubilee, and [Amy’s] Doot Changer.

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Dynamic Build Platforms For 3D Printers Remove Supports And Save Material

We’re all too familiar with the 3D printing post-processing step of removing supports, and lamenting the waste of plastic on yet another dwindling reel of filament. When the material is expensive NinjaFlex or exotic bio-printers, printing support is downright painful. A group at USC has come up with a novel way of significantly reducing the amount of material that’s 3D printed by raising portions of the bed over time, and it makes us wonder why a simpler version isn’t done regularly.

In the USC version, the bed has a bunch of square flat metal pieces, with a metal tube underneath each. The length of the tube determines the eventual height of that square. Before the print is made, the bed is prepared by inserting the appropriate length tubes in the correct squares. Then, during the print, a single motor pushes a platform up, and based on the height of the pin, that portion of the bed raises appropriately, then stops at the right height.

This is a significant savings over having a matrix of linear motors or servos to control each square, at the cost of having to prepare the pins for each print.

But it has us wondering; since CURA and other slicing software have the ability to pause at height, what if the slicing software could allow for the placement of spacer blocks of a known size? The user would have a variety of reusable spacer blocks, and position them in the software, and the slicer would build the support material starting on top of the block. It could print a rectangle on the base layer to aid in proper placement of the blocks during printing, and pause at the correct heights to let the user insert the blocks. At the end of the print a lot less support material has been used.

For situations where you want to leave your print to run unattended, or if the cost of the material is low enough that it doesn’t justify the effort, then maybe this isn’t worth it. Another problem might be heating that platform, though since only support material will be printed on it, some curling won’t matter much. What do you think?

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