Vinyl remains a popular format, despite taking a huge hit in popularity for a couple decades while CDs ruled the roost. It has a charm that keeps it relevant, and likely will continue to do so until everyone who grew up with a record player dies out. In the meantime, [sp_cecamp] has come up with a great way to experience your collection, with the magic of modern technology. It goes by the name of Plynth.
Fundamentally, it’s a small record stand with an excellent party trick. The prototype consists of a 3D-printed body, which holds a record sleeve at an attractive angle for display. A camera built into the base then images the artwork. The first image taken is run through the Google Vision API, and further images are then run through OpenCV to identify the record. This data is then passed to the Spotify API to play the track. The whole process takes a couple of seconds, and the music is then pumped out of whatever streaming device is connected to the rig.
Digitally stored music is just data. But not long ago, music was analog and required machines with moving parts. If you have never owned a record player, you at least know what they look like, now that there’s a(nother) vinyl revival. What you may not be aware of is that the player’s stylus needs to be aligned. It makes sense, that hypersensitive needle can’t be expected to perform well if it’s tearing across a record like a drift racer.
There are professional tools for ensuring alignment, but it’s not something you’ll need each day. [Ali Naci Erdem] shows us his trick for combining a printable template with a mirror to get the same results without the professional tool costs. Instead of ordinary printer paper, he prints the template on a piece of clear plastic and lays it across a small mirror. These are both items which can be picked up at a hobby store, which is not something we can say about a record player mirror protractor.
Pets are often worth a labour of love. [leftthegan] — in want of a corn snake — found that Sweden’s laws governing terrarium sizes made all the commercial options to too small for a fully-grown snake. So they took matters into their own hands, building a bioactive vivarium for their pet!
[leftthegan] found an IKEA Kallax 4×4 shelving unit for a fair price, and after a few design iterations — some due to the aforementioned regulations — it was modified by adding a shelf extension onto the front and cutting interior channels for cabling. For the vivarium’s window, they settled on plexiglass but strongly recommend glass for anyone else building their own as the former scratches and bends easily — not great if their snake turns out to be an escape artist! In the interim, a 3D printed handle works to keep the window closed and locked.
There are plenty of ways to make large alphanumeric displays that are readable at great distances. LED signboards come to mind, as do big flat-screen LCD displays. But such displays feel a little soulless, and nothing captures the atmosphere of a busy train station like an arrivals and departures board composed of hundreds of split-flap displays.
In a bid to make these noisy but intriguing displays practical for the home-gamer, [Scott Bezek] has spent the last couple of years on a simple, modular split-flap display unit, and from the look of the video below, it’s pretty close to ready. The build log details the design process, which started with OpenSCAD and took advantage of the parametric nature of the scripting language to support any number of characters, within reason. Costs are kept low with laser-cut MDF frames and running gear, and cheap steppers provide the motion. Character cards are just PVC ID badges with vinyl letters, and a simple opto-sensor prevents missed steps and incorrect characters. The modules can be chained together into multi-character displays, and the sound is satisfyingly flappy.
This good-looking clock appears to be made out of a block of wood with LED digits floating underneath. In reality, it is a block of PLA plastic covered with wood veneer (well, [androkavo] calls it veneer, but we think it might just be a contact paper or vinyl with a wood pattern). It makes for a striking effect, and we can think of other projects that might make use of the technique, especially since the wood surface looks much more finished than the usual 3D-printed part.
You can see a video of the clock in operation below. The clock circuit itself is nothing exceptional. Just a MAX7218 LED driver and a display along with an STM32 ARM processor. The clock has a DHT22 temperature and humidity sensor, as well as a speaker for an alarm.
If you walk the halls of audiophilia, you may be aware that there has been a huge amount of work put in to software designed to clean up older audio recordings without compromising the quality of the recording itself. Sometimes the results can be amazing, such as when a stereo image is created from parallel mono recordings made before stereo was even a glint in the eye of a 1930s EMI engineer.
But what if you are at home, without the benefit of a state-of-the-art studio or high-end digital signal processing? How can you then have pop and crackle free sound from your hi-fi when you put on a piece of vinyl? [Paul Wallace] may just have the answer, he’s made a smartphone app called Scratchy which listens to the output of a turntable, identifies the track being played, and plays the appropriate MP3 file for a digital experience from vinyl. It uses the algorithm published by Shazam to recognize tunes. The software also has a learn mode during which it can be taught about new records in the collection. The app itself is written using the Xamarin framework and has its source code in his GitHup repository, so it’s possible it could be produced for other platforms as well as Android.
Now vinyl purists will be speechless with horror at this wanton desecration of their format while audiophiles will be fuming at the smeary-in-the-midrange MP3s, but we can see its appeal if your vinyl is on the grubby side. It’s fair to say though that the stereo here won’t be sporting it, you’ll tear our analogue signal path from our cold dead hands. Take a look for yourselves, he’s put up a video showing it in operation.
How do you consume your music, these days? Aside from on the radio, that is. Do you play MP3 or other files on your phone and computer, or perhaps do you stream from an online service? If you’re really at the cutting edge though you’ll do none of those things, because you’ll be playing it on vinyl.
A few years ago reporting on a resurgence of sales of vinyl records was something you would never have expected to see, but consumer tastes are unpredictable. Our red-trousered and extravagantly bearded hipster friends have rediscovered the glories of the format, and as a result it’s popping up everywhere. For those of us who are old enough to have genuinely been into the format before it was cool again, the sight of Sergeant Pepper and Led Zeppelin II on 12″ at outrageous prices on a stand at the local supermarket is a source of amusement. It’s good to see your first love back in vogue again, but is it really the £20($25) per album kind of good?
With the turntable having disappeared as an integral part of the typical hi-fi setup the new vinyl enthusiast is faced with a poor choice of equipment. Often the best available without spending serious money at an audiophile store is a USB device with the cheapest possible manufacture, from which the playback will be mediocre at best. We’ve lost the body of collective knowledge about what makes a good turntable to almost thirty years of CDs and MP3s, so perhaps it’s time for a quick primer.