Cyberbass Brings Bass Guitar To Modern Era

For better or worse, the fundamental design of guitars has remained familiar since they electrified around a century ago. A few strings, a fretboard, and a body of some sort will get you most of the way there for an acoustic guitar, with the addition of electromagnetic pickups and wiring for electric variants. However, technology has advanced rapidly in the last 100 years outside the musical world, so if you want to see what possibilities lie ahead for modernizing guitars take a look at the Cyberbass created by [Matteo].

The guitar starts its life as many guitars do: with a block of wood. One of the design goals was to be able to use simple tools to build the guitar, so the shape of the instrument was honed with a Japanese hacksaw and the locations for the pickups and other electronics were carved out with chisels.

The neck of the guitar was outsourced since they take some pretty specialized tools to build, so simply bolting it to the body takes care of that part of the build, but [Matteo] had a few false starts setting the bridge in the exact location it needed to be.

Luckily he was able to repair the body and move the bridge. With the core of the guitar ready, it was on to paint and then to its custom electronics. [Matteo] built in not only a set of pickups and other common electric guitar parts but also integrated a synth pedal into the body as well as including a chromatic tuner.

With everything assembled and a few finishing touches added including a custom-engraved metal signature plate, the Cyberbass is ready to go on tour. [Matteo] learned a lot about guitar building in general, as well as a few things about electronics relating to musical instruments (including how expensive tuners work just as well as cheap ones).

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Family Bass Is Musical NES Magic

The Family BASIC keyboard was a peripheral that was built for programming on the Nintendo Family Computer, or Famicom.  As [Linus Åkesson] demonstrates, though, it can do so much more. Meet the Family Bass.

The core of the project is a special adapter which [Linus] created to work with the Family BASIC keyboard. Traditionally, the keyboard plugs into the Famicom’s expansion port, but [Linus] wanted to hook it up to the controller port on a Nintendo Entertainment System instead. Getting them to talk was achieved with an ATtiny85 which could cycle through the 72-key matrix in the keyboard and spit out a serial stream of data the controller port could understand.

On the NES end, the console is set up to run custom code from [Linus] that lets him play the internal sound chip’s triangle wave with the keyboard. He demonstrates this ably in a video where he performs a song called Platform Hopping along with some of his other retro computer instruments.

We’ve seen [Linus] build some other great instruments in the past too, which are both creative and nostalgic. Video after the break.

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Rock Out Without Getting Knocked Out

It’s a constant battle for musicians — how to practice your instrument without bothering those around you? Many of us live in apartments or shared accommodation, and having to wait until the apartment is empty or only being able to practice at certain times of day can be restrictive, especially if you need to practice for an upcoming gig or if the creative juices start flowing and it’s 3 AM! [Gavin] was having this issue and started developing Porter, a guitar/bass practice device which works with all effects pedals and is portable and rechargeable. So you can grind away your epic heavy metal solo no matter the time of day!

While there have been similar solutions, many musicians weren’t satisfied with the sound and often couldn’t support inputs from distortion pedals. They usually chewed through batteries and were just not a great solution to the problem. [Gavin] has spent the last two years fine-tuning the design. It’s a fully analog design, with built-in rechargeable batteries to boot. So it not only sounds great, but it can last as long as your practice session does with a 15-hour runtime when fully charged!

Initially, the project began as a headphone amplifier but morphed into a design specifically for guitar and bass, with preamp and power amp stages and adjustable input impedance – 500kΩ for guitars and 1MΩ for bass. The latest revision also changed to a different power amp that further reduced THD and led to an even better sound. The schematics are up on the Hackaday.io project page, but [Gavin] is also hoping to do a crowdfunding campaign to get these devices out into the hands of guitarists everywhere!

Beat Backing Box For Bassists

The soul of a rock band is its rhythm section, usually consisting of a drummer and bass player. If you don’t believe that, try listening to a band where these two can’t keep proper time. Bands can often get away with sloppy guitars and vocals (this is how punk became a genre), but without that foundation you’ll be hard pressed to score any gigs at all. Unfortunately drums are bulky and expensive, and good drummers hard to find, so if you’re an aspiring bassist looking to practice laying down a solid groove on your own check out this drum machine designed by [Duncan McIntyre].

The drum machine is designed to be as user-friendly as possible for someone who is actively playing another instrument, which means all tactile inputs and no touch screens. Several rows of buttons across the top select the drum sounds for the sequencer and each column corresponds to the various beats, allowing custom patterns to be selected and changed rapidly. There are several other controls for volume and tempo, and since it’s based on MIDI using the VS1053 chip and uses an STM32 microcontroller it’s easily configurable and can be quickly interfaced with other machines as well.

For anyone who wants to build their own, all of the circuit schematics and code are available on GitHub. If you have an aversion to digital equipment, though, take a look at this drum machine that produces its rhythms using circuits that are completely analog.

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3D Printing The Key To A Bass Clarinet

Playing music as part of a group typically requires that not only are all of the instruments tuned to each other, but also that the musicians play in a specific key. For some musicians, like pianists and percussionists, this is not terribly difficult as their instruments are easy to play in any key. At the other end of the spectrum would be the diatonic harmonica, which is physically capable of playing in a single key only. Other orchestral instruments, on the other hand, are typically made for a specific key but can transpose into other keys with some effort. But, if you have 3D printed your instrument like this bass clarinet from [Jared], then you can build it to be in whichever key you’d like.

The bass clarinet is typically an instrument that comes in the key of B flat, but [Jered] wanted one that was a minor third lower. Building a traditional clarinet is not exactly the easiest process, so he turned to his 3D printer. In order to get the instrument working with the plastic parts, he had to make a lot of the levers and keys much larger than the metal versions on a standard instrument, and he made a number of design changes to some of the ways the keys are pressed. Most of his changes simply revert back to clarinet designs from the past, and it’s interesting to see how simpler designs from earlier time periods lend themselves to additive manufacturing.

While [Jared] claims that the two instruments have slightly different tones, our amateur ears have a hard time discerning the difference. He does use a standard clarinet bell but other than that it’s impressive how similar the 3D printed version sounds to the genuine article. As to why it’s keyed differently than the standard, [Jared] points out that it’s just interesting to try new things, and his 3D printer lets him do that. We’d be happy to have another instrument in our 3D printed orchestra, too.

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Bungee-Corded Bass Zither Really Slaps

Surely we’ve all played some bass riffs on a stretched-out rubber band before, right? [Nicolas Bras] found that the ultimate musical rubber bands are bungee cords, and used seven of them to build a double-bass zither that can be plucked or struck with drumsticks. Be sure to check it out in the build/demo video after the break.

[Nicolas] is what you might call a hardware store hacker. This is not his first instrumental rodeo by far; in fact, he has spent the last 15 years building instruments from stuff like PVC and other commonly-available items.

One thing in this build that’s not so commonly available is the large sound box [Nicolas] built to strap the bungee cords across. He also made custom bridges for the bungees that are topped with triangular wood, which makes them look like little row houses.

In order to actually play the thing, [Nicolas] arranged the row houses in a 2-point bridge system for dual-note strings, which sound good between the bridges and the bungee hooks, but not so much between the bridges themselves. Overall, the zither has a great, mellow sound no matter how he plays it, and we just might have to string one of these up ourselves.

Not a strings person? Then you might be sated by [Nicolas]’ PVC pipes, which play “Popcorn” perfectly.

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Your Own Electronic Drum Kit

[Jake_Of_All_Trades] wanted to take up a new drumming hobby, but he didn’t want to punish his neighbors in the process. He started considering an electric drum kit which would allow him to practice silently but still get some semblance of the real drumming experience.

Unfortunately, electric drum kits are pretty expensive compared to their acoustic counterparts, so buying an electric kit was a bit out of the question. So, like any good hacker, he decided to make his own.

He found a pretty cheap acoustic drum kit on Craigslist and decided to convert it to electric. He thought this would be a perfect opportunity to learn more about electric drum kits in general and would allow him to do as much tweaking as he wanted to in order to personalize his experience. He also figured this would be a great way to get the best of both worlds. He could get an electric kit to practice whenever he wanted without disturbing neighbors and he could easily convert back to acoustic when needed.

First, he had to do a bit of restorative work with the cheap acoustic kit he found on eBay since it was pretty worn. Then, he decided to convert the drum heads to electric using two-ply mesh drum heads made from heavy-duty fiberglass screen mesh. The fiberglass screen mesh was cheap and easy to replace in the event he needed to make repairs. He added drum and cymbal triggers with his own DIY mechanism using a piezoelectric element, similar to another hack we’ve seen. These little sensors are great for converting mechanical to electrical energy and can feed directly into a GPIO to detect when the drum or cymbal was struck. The electrical signal is then interpreted by an on-board signal processing module.

All he needed were some headphones or a small amplifier and he was good to go! Cool hack [Jake_Of_All_Trades]!

While you’re here, check out some of our best DIY musical projects over the years.