Conductive Cellulose-Based Fibers For Clothing: Coming Soon?

Summary of the process of producing side-by-side PANI and cotton cellulose fibers. (Credit: Wongcheng Liu et al., 2023)
Summary of the process of producing side-by-side PANI and cotton cellulose fibers. (Credit: Wongcheng Liu et al., 2023)

With the rise of ‘smart’ devices, it seems like only a matter of time before smart fabrics become an every day thing. Yet a complication with these is that merely threading copper wires into clothing is neither practical nor very durable, which is why researchers have been trying to find a way to combine cellulose-based fibers like cotton with another, conductive material like carbon to create an affordable, resilient material which can provide the pathways for these smart fabrics. Recently a team at Washington State University created a version that integrates polyaniline (PANI, press release for paywalled paper), which is a well-known conductive polymer.

A recent review article by Duan-Chao Wang and colleagues in Polymers covers the research in conductive fibers, with conductive additives ranging from carbon nanotubes (CNT) and graphene to various metallic compounds and conductive polymers. As noted by Wang et al., a major aspect to successful commercialization is enabling scaling and cost-effectiveness of producing such fibers. This is the core of the achievement by the WSU team, who used a side-by-side structure of a cellulose substrate and the PANI conductive covering, which should be easier to produce and more durable than previous attempts to merge these two materials into conductive fibers suitable for fabrics.

Other research by Zhang-Chi Ling and colleagues, as reported earlier this year in NPG Asia Materials, details the creation of composite, conductive fibers made from bacterial cellulose with in-situ entanglement of CNTs. With even 100,000 bending cycles not showing much degradation, this could be another good candidate for conductive fabrics. Which of these approaches will first hit mass-production is still anyone’s guess, but we might see them sooner rather than later.

REMOTICON 2021 // Hal Rodriguez And Sahrye Cohen Combine Couture And Circuitry

[Hal Rodriguez] and [Sahrye Cohen] of Amped Atelier focus on creating interactive wearable garments with some fairly high standards. Every garment must be pretty, and has to either be controllable by the wearer, through a set of sensors, or even by the audience via Bluetooth. Among their past creations are a dress with color sensors and 3D-printed scales on the front that change color, and a flowing pantsuit designed for a dancer using an accelerometer to make light patterns based on her movements.

Conductive Melody — a wearable musical instrument that is the focus of [Sahrye] and [Hal]’s Remoticon 2021 talk — was created for a presentation at Beakerhead Festival, a multi-day STEAM-based gathering in Calgary. [Sahrye] and [Hal] truly joined forces for this one, because [Sahrye] is all about electronics and costuming, and [Hal] is into synths and electronic music. You can see the demo in the video after the break.

The dress’s form is inspired by classical instruments and the types of clothing that they in turn inspired, such as long, generous sleeves for harp players and pianists. So [Hal] and [Sahrye] dreamed up a dress with a single large playable sleeve that hangs down from the mid- and upper arm. The sleeve is covered with laser-cut conductive fabric curlicues that look like a baroque interpretation of harp strings. Play a note by touching one of these traces, and the lights on the front of the dress will move in sync with the music.

[Sahrye] started the dress portion of Conductive Melody with a sketch of the garment’s broad strokes, then painted a more final drawing with lots of detail. Then she made a muslin, which is kind of the breadboard version of a project in garment-making where thin cotton fabric is used to help visualize the end result. Once satisfied with the fit, [Sahrye] then made the final dress out of good fabric. And we mean really good fabric — silk, in this case. Because as [Sahrye] says, if you’re going to make a one-off, why not make as nicely as possible? We can totally get behind that.

[Sahrye] says she is always thinking about how a wearable will be worn, and how it will be washed or otherwise cared for. That sequined and semi-sheer section of the bodice hides the LEDs and their wiring quite well, while still being comfortable for the wearer.

Inside the sleeve is an MPRP121 capacitive touch sensor and an Arduino that controls the LEDs and sends the signals to a Raspberry Pi hidden among the ruffles in the back of the dress.

The Pi is running Piano Genie, which can turn eight inputs into an 88-key piano in real time. When no one is playing the sleeve, the lights have a standby mode of mellow yellows and whites that fade in and out slowly compared to the more upbeat rainbow of musical mode.

We love to see wearable projects — especially such fancy creations! — but we know how finicky they can be. Among the lessons learned by [Sahrye] and [Hal]: don’t make your conductive fabric traces too thin, and silver conductive materials may tarnish irreparably. We just hope they didn’t have to waste too much conductive fabric or that nice blue silk to find this out.

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Skin-Mounted Wearable Bend Sensor Gets Close And Personal

[Mikst] has been working on wearable electronics and sensors for a long time, and shared the results of a different kind of bend sensor that fits directly onto the skin. It’s true that this kind of sensor design isn’t re-usable, but it is also very simple and inexpensive. It’s just a proof of concept right now, but we could see it or some of the other ideas [Mikst] tries, used in niche wearable applications where space is critical, like cosplay.

At its heart the sensor is made from two strands of conductive thread and a small strip of stretchy, conductive fabric common in wearable e-textiles. It is stuck directly to the skin using a transparent, non-woven medical adhesive dressing that is particularly good at conforming to contoured areas of the body. In this case, it is used to stick the stretchy piece of conductive fabric directly onto [Mikst]’s knuckle, where it responds to even small movements. You can watch a multimeter measuring the resistance changes in the video, embedded below.

We’ve seen [Mikst]’s work before in finding unusual solutions to e-textile problems, such as a three-conductor pivoting connection used to mount a wearable hall effect sensor.

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Dyeing Fabric To Create Sensors

Fabrics with electrical functionality have been around for several years, but are very rarely used in mainstream clothing. The fabrics are very expensive and the supply can be unreliable. Frustrated by this, [Counter Chemists] developed PolySense, simple open-source technology to make any fibrous material into a conductive material that can be used to sense pressure, stretch, capacitive touch, humidity, or temperature.

PolySense uses a process called in-situ polymerization, effectively dying a fabric to become piezoelectric. This is done by first soaking the fabric in a mixture of water and the organic compound pyrrole, and then adding iron chloride to trigger a reaction. The polymerization process that takes place wraps the individual fibers of the fabric in conductive polymer chains.

Instead of just uniformly coating a fabric, various masking techniques can be used to dye patterns onto the fabric for various use cases. The video after the break shows a range of these applications, including using polymerized gloves and leggings for motion capture, a zipper that acts like a linear potentiometer, and touch-sensitive fabric. The project page lists sources for the required chemicals in both Europe and the US, and we look forward to seeing what other applications the community can come up with.

The project is very well documented, with a number of scientific papers covering all the details. [Counter Chemists] will also be presenting PolySense at the 2020 Virtual Maker Faire.

This technology can also be used to make a fabric piano with a lot less effort. On the more mechanical side of things, you can also 3D print on pre-stretched fabric to make it pop into 3D shapes.

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Rapid Prototyping System Gives Wheels To Wearables

Wearables are kind of a perplexing frontier for electronics. On the one hand, it’s the best possible platform for showing off a circuit everywhere you go. On the other hand, the whole endeavor is fiddly because the human body has no straight lines and moves around quite a bit. Circuits need to be flexible and comfortable. In other words, a wearable has to be bearable.

[Konstantin], [Raimund], and [Jürgen] have developed an intriguing system for prototyping e-textiles that opens up the wearables world to those who don’t sew and makes the prototyping process way easier for everyone.

It’s a small and portable roll-on ironing device that lays down different kinds of custom ‘tapes’ on to textiles. The conductive fabric tapes can be used as touchable traces, and can support components such as flexible e-ink screens and solar panels. Some tapes provide single or multiple points of connectivity, and others are helper substrates like polyimide tape that multiply the possibilities for complex circuits.

The device uses a modified soldering iron to transfer the tapes, which are loaded onto 3D-printed spools that double as the wheels. Check it out after the break — there’s a 30-second tour and a 5-minute exploration of the whole process.

Everyone needs to prototype, even the seasoned stitchers. The next time you’re thinking in thread, throw some magnets into the process.

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ETextile Spring Break Tackles Signal Blocking, Audio Generation, And Radio Transmissions

Finding a killer application for e-textiles is the realm of the hacker and within that realm, anything goes. Whether it’s protecting your digital privacy with signal shielding, generating audio with a wearable BeagleBone or 555 timer, or making your favorite garment into an antenna, the eTextile Spring Break is testing out ways to combine electronics and fabric.

You may be asking yourself “What are e-textiles good for?”. Well, that’s an excellent question and likely the most common one facing the industry today. I’m afraid I won’t be able to give a definitive answer. As an e-textile practitioner, I too am constantly posing this question to myself. There’s an inherently personal nature to fabric worn on the body and to our electronic devices that makes this answer elusive. Instead of trying to fabricate some narrow definition, what I offer is a look at topics of interest, material experimentation, and technical exploration through the lens of a week-long event held recently in New York called eTextile Spring Break.

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Second Skin Synth Fits Like A Glove

California textiles artist and musician [push_reset] challenged herself to make a wearable, gesture-based synth without using flex-sensing resistors. In the end, she designed almost every bit of it from the ground up using conductive fabric, resistive paint, and 3-D printed parts.

A couple of fingers do double duty in this glove. Each of the four fingertips have a sensor made from polyurethane, conductive paint, and conductive fabric that is connected to wires using small rivets. These sensors trigger different samples on an Edison that are generated with Timbre.js. The index and middle fingers also have knuckle actuators made from 3-D printed pin-and-slot mechanisms that turn trimmer pots. Bending one knuckle changes the delay timing while the other manipulates a triangle wave.

On the back of the glove are two sensors made from conductive fabric. Touching one up and down the length will alter the reverb. Sliding up and down the other alters the frequency of a sine wave. [push_reset] has kindly provided everything necessary to re-create this build from the glove pattern to the STL files for the knuckle actuators. Check out a short demonstration of the glove after the break. If you love a parade, here’s a wearable synth that emulates a marching band.

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