These are test stampings-- the final product looks a lot better.

2025 Component Abuse Challenge: Nail Your Next Decal

One of the hardest parts of a project — assuming it makes it that far — is finishing it up in an aesthetically pleasing manner. As they say, the devil is in the details, wearing Prada. Apparently the devil also has an excellent manicure, because [Tamas Feher] has come up with a way to introduce incredibly detailed decals (down to 0.1 mm) in cheap, repeatable fashion, using a technique borrowed from the local nail salon. 

The end result can look quite a bit better than the test piece above.

For those who aren’t in to nail art (which, statistically speaking, is likely to be most of you) there is a common “stamping” technique for putting details onto human fingernails. Nail polish is first applied to voids on a stencil-like plate, then picked up by a smooth silicone stamper, which is then pressed against the nail, reproducing the image that was on the stencil. If that’s clear as mud, there’s a quick demo video embedded bellow.

There’s a common industrial technique that works the same way, which is actually where [Tamas] got the idea. For nail salons and at-home use, there are a huge variety of these stencils commercially available for nail art, but that doesn’t mean you’re likely to find what you want for your project’s front panel.

[Tamas] points out that by using a resin printer to produce the stencil plate, any arbitrary text or symbol can be used. Your logo, labels, whatever. By printing flat to the build plate, you can take advantage of the full resolution of the resin printer — even an older 2 K model would more than suffice here, while higher res like the new 16 K models become the definition of overkill. The prints go quick, as they don’t need any structural thickness: just enough to hold together coming off of the plate, plus enough extra to hold your designs at a 0.15 mm inset. That doesn’t seem very thick, but remember that this only has to hold enough nail polish to be picked up by the stamper.

[Tamas] cautions you have to work fast, as the thin layer of nail polish picked up by the stamper can dry in seconds. You’ll want plenty of nail polish remover (or plain acetone) on hand to clean the stamper once you’ve finished, as well as your stencil. [Tamas] cautions you’ll want to clean it immediately if you ever want to use it again. Good to know.

While this is going outside of the nail art kit’s comfort zone, it might not quite be abuse. It is however a very useful technique to add to our ever-growing quiver of how to make front panels. Besides, we don’t specify you have to literally make components suffer; we just want to see what wild and wonderful substitutions and improvisations you all come up with.

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How To Make Laser-cut Decals On The Cheap

Want to make a sweet adhesive decal with a complex design and floating elements, but all you have is a laser cutter and some tape? Good news, because that’s all you need with this method of creating adhesive tape decals on a laser cutter demonstrated by the folks at [Lasers Over Los Angeles]. The overall technique is very similar to creating vinyl decals and using tape transfer to apply them, but is geared towards laser cutters and nice, cheap tape.

This method also makes applying to non-flat surfaces a breeze.

The way it works is this: paper-based tape (such as blue painter’s tape) is laid down in strips on the laser cutter’s honeycomb bed, forming a nice big rectangle big enough for the intended design. Then, the laser cutter cuts vector art into the tape, resulting in an adhesive decal ready to be stuck to some other surface. Transferring is done by using good quality clear packing tape to “pick up” the decal, then move it to where it needs to be.

To do this, one lays strips of packing tape onto the top of the design on the laser bed, then lifts the design up and away. Move the design to its destination (the clear packing tape helps in eyeballing the final position), press the decal onto the final surface, and carefully peel away the clear packing tape. This works because the packing tape sticks only weakly to the back of the painter’s tape; it’s a strong enough bond to hold the decal, but weak enough that the decal will stick to a surface even better.

It’s true that painter’s tape isn’t as durable as vinyl and the color selection is a bit limited, but design-wise one can go as big as the laser bed allows, and the price is certainly right. Plus it’s easily cut by even the most anemic of diode lasers.

Speaking of desktop vinyl cutters, they may have small working areas compared to most laser cutters, but they have some fantastic workshop applications. They can even do home PCB fabrication, by way of knocking out three essential pieces: the etching mask, solder mask, and solder stencil.

Hydrodipping 101

Style counts, and sometimes all it takes to jazz up the product of a 3D-printer is a 2D printer and a how-to guide on hydrographic printing.

Hydrographic printing, sometimes called hydrodipping, is a process for transferring graphics onto complex-shaped objects in one simple step. A design is printed on a special film which is then floated on the surface of a tank of water. The object to be decorated is carefully dipped into the water right through the film and the design wraps around all the nooks and crannies in one step.

The video tutorial below details the steps to hydrographic printing and outlines how easy the method has become with the availability of water transfer films for inkjet printers. The film is polyvinyl acetate, which is essentially white glue and hence quite soluble in water. The film dissolves and leaves the ink floating on the surface, ready for dipping.

The video lists quite a few tips for optimizing the process for 3D-printed parts and should let you decorate your parts quickly and easily. And once you master the basics, you might want to look at mathematically warping your design to hydrodip complex surfaces.

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