GuitarPie Uses Guitar As Interface, No Raspberries Needed

We’ve covered plenty of interesting human input devices over the years, but how about an instrument? No, not as a MIDI controller, but to interact with what’s going on-on screen. That’s the job of GuitarPie, a guitar-driven pie menu produced by a group at the University of Stuttgart.

The idea is pretty simple: the computer is listening for one specific note, which cues the pie menu on screen. Options on the pie menu can be selected by playing notes on adjacent strings and frets. (Check it out in action in the video embedded below). This is obviously best for guitar players, and has been built into a tablature program they’re calling TabCTRL. For those not in the loop, tablature, also known as tabs, is an instrument-specific notation system for stringed instruments that’s quite popular with guitar players. So TabCTRL is a music-learning program, that shows how to play a given song.

With this pairing, you can rock out to the tablature, the guitarist need never take their hands off the frets. You might be wondering “how isn’t the menu triggered during regular play”? Well, the boffins at Stuttgart thought of that– in TabCTRL, the menu is locked out while play mode is active. (It keeps track of tempo for you, too, highlighting the current musical phrase.) A moment’s silence (say, after you made a mistake and want to restart the song) stops play mode and you can then activate the menu. It’s well a well-thought-out UI. It’s also open source, with all the code going up on GitHub by the end of October.

The neat thing is that this is pure software; it will work with any unmodified guitar and computer. You only need a microphone in front of the amp to pick up the notes. One could, of course, use voice control– we’ve seen no shortage of hacks with that–but that’s decidedly less fun. Purists can comfort themselves that at least this time the computer interface is a real guitar, and not a guitar-shaped MIDI controller. Continue reading “GuitarPie Uses Guitar As Interface, No Raspberries Needed”

A red Sony PSP gaming console is shown, displaying the lines “Audio Mechanica,” “Brek Martin 2006-2025,” and “Waiting for Headphones.”

Running Guitar Effects On A PlayStation Portable

If your guitar needs more distortion, lower audio fidelity, or another musical effect, you can always shell out some money to get a dedicated piece of hardware. For a less conventional route, though, you could follow [Brek Martin]’s example and reprogram a handheld game console as a digital effects processor.

[Brek] started with a Sony PSP 3000 handheld, with which he had some prior programming experience, having previously written a GPS maps program and an audio recorder for it. The PSP has a microphone input as part of the connector for a headset and remote, though [Brek] found that a Sony remote’s PCB had to be plugged in before the PSP would recognize the microphone. To make things a bit easier to work with, he made a circuit board that connected the remote’s hardware to a microphone jack and an output plug.

[Brek] implemented three effects: a flanger, bitcrusher, and crossover distortion. Crossover distortion distorts the signal as it crosses zero, the bitcrusher reduces sample rate to make the signal choppier, and the flanger mixes the current signal with its variably-delayed copy. [Brek] would have liked to implement more effects, but the program’s lag would have made it impractical. He notes that the program could run more quickly if there were a way to reduce the sample chunk size from 1024 samples, but if there is a way to do so, he has yet to find it.

If you’d like a more dedicated digital audio processor, you can also build one, perhaps using some techniques to reduce lag.

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Digital Guitar Of The Future Has No Strings

Electric guitars are great, but they’re just so 20th century. You’d think decades of musicians riffing on the instrument would mean there are no hacks left in the humble axe. You’d think so, but you’d be wrong. [Michael], for one, has taken it upon himself to reinvent the electric guitar for the digital era.

Gone are the strings, and the frets have vanished as well. The neck of this guitar is one long custom PCB, looking very sleek with black solder mask. Gold pads serve as touch sensors to give tone data over i2c (from unspecified touch sensing chips) to the Amtel Mega 32u4 at the heart of the build.

With no strings, strumming won’t work, so a laptop-style touchpad serves instead. That means every user interaction with this guitar is with capacitive touch sensors talking i2c. The X and Y coordinates of the touch, along with pressure are sent to the processor over the i2c bus, triggering an interrupt and offering quite a bit of opportunity for sound control.

Said sound control is, of course, done in MIDI. This lets the guitar control a whole variety of synths and/or software, and of course [Michael] is using more futuristic-sounding synths than a pack of guitar samples. That said, what exactly goes on with the MIDI controls is left frustratingly vague. Obviously fretting provides note selection, but does the touchpad just send a “note start” command, or are the X, Y and pressure data used in interesting ways? Is there multitouch support? The video doesn’t say.

How, exactly, the obviously-plastic body of the guitar was manufactured is also left unsaid. Is it a large resin print? SLS? It looks injection-molded, but that makes no sense for a one-off prototype. On the other hand, it looks like he’s selling these, so it may very well be an injection-molded production case we’re seeing being assembled here, and not a prototype at all.

For all the video leaves us wanting more information, we can’t help but admit the end product both looks and sounds very cool. (Skip to the 4:50 mark in the embedded video to hear it in action.) The only thing that would improve it would be a hurdy-gurdy mode. Thanks to [Michael] for the tip, and remember  we want to hear tips about all the weird and wonderful hacked-together instruments you make or find on the web.

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Cyberbass Brings Bass Guitar To Modern Era

For better or worse, the fundamental design of guitars has remained familiar since they electrified around a century ago. A few strings, a fretboard, and a body of some sort will get you most of the way there for an acoustic guitar, with the addition of electromagnetic pickups and wiring for electric variants. However, technology has advanced rapidly in the last 100 years outside the musical world, so if you want to see what possibilities lie ahead for modernizing guitars take a look at the Cyberbass created by [Matteo].

The guitar starts its life as many guitars do: with a block of wood. One of the design goals was to be able to use simple tools to build the guitar, so the shape of the instrument was honed with a Japanese hacksaw and the locations for the pickups and other electronics were carved out with chisels.

The neck of the guitar was outsourced since they take some pretty specialized tools to build, so simply bolting it to the body takes care of that part of the build, but [Matteo] had a few false starts setting the bridge in the exact location it needed to be.

Luckily he was able to repair the body and move the bridge. With the core of the guitar ready, it was on to paint and then to its custom electronics. [Matteo] built in not only a set of pickups and other common electric guitar parts but also integrated a synth pedal into the body as well as including a chromatic tuner.

With everything assembled and a few finishing touches added including a custom-engraved metal signature plate, the Cyberbass is ready to go on tour. [Matteo] learned a lot about guitar building in general, as well as a few things about electronics relating to musical instruments (including how expensive tuners work just as well as cheap ones).

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You Can Use An Old Tape Deck As A Distortion Pedal

Distorted guitars were a big part of the rock revolution last century; we try to forget about the roll. As a youth, [David Hilowitz] couldn’t afford a loud aggressive amp, a distortion pedal, or even a proper electric guitar. This experience ended up teaching him that you can use random old audio hardware as a distortion effect.

[David’s] guitar journey started when he found a classical guitar on a dumpster. He learned to play, but longed for the sound of a proper electric guitar. Family friends gifted him a solitary pickup, intending he build a guitar, but he simply duct-taped it to his steel-strung classical instead. The only thing he lacked was an amp. He made do with an old stereo system and a record pre-amp. With his his faux-electric guitar plugged into the microphone input, he was blessed with a rudimentary but pleasant distortion that filled his heart with joy.

[David] goes on to explain the concepts behind distorted guitar sounds, and how his home hi-fi was able to serve as a passable starter amp when he was young and couldn’t afford better. He then goes on the hunt for more old gear at a local Goodwill store, finding a neat old tape deck that similarly produced some nice warm distorted tones. In [David’s] experience, old hi-fi gear with microphone inputs can generally do a decent job in this role, with electric guitar pickups typically overloading the preamps which expect a lower-level signal. It’s different to what you’d get from a Big Muff or Boss DS-1, but it’s a neat sound nonetheless.

We’ve looked at distortion effects before, including rolling your own and putting it into production. Video after the break.

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closeup of an electric ukulele conversion of a toy guitar, showing the four strings and the pickups mounted inside the sound hole

A Kid’s Toy Guitar Turned Into An Electric Ukulele

With the holiday season fast approaching, there’s a good chance that some well-meaning friend or relative might buy a toy musical instrument for your children, safe in the knowledge that they’ll never have to listen to the results! The sound from these cheap toy guitars is pretty terrible, partly because they’re just too small to tune to a pleasing guitar tuning, so [joekutz] decided to see if one could be turned into an electric ukulele instead.

The first modification on the list was to reduce the string count from six to four, by notching out new positions on the nut and drilling the corresponding fixings on the bridge. One advantage of these cheap instruments is that it’s less of a risk to take tools to the bodywork!
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A Guitar From Scratch

You can pursue your dreams of rock superstardom with any guitar, be it from an expensive luthier, a pawn shop, or a mail order catalog. But to join the ranks of rock greats there’s one way to have a truly special instrument, which is to build it yourself. [Bensoncraft] may not be [Bryan May]’s dad or indeed [Eddie van Halen], but he has at least joined the exclusive ranks of home made guitar builders with his video “Guitar from scratch: hard mode“.

It’s a fairly long video and we’ve placed it below the break, but a compelling one as we learn just how many operations go into making an electric guitar. When he says hard mode he’s not joking, there are no pre-made parts save for the strings and he’s not following a set of plans. Everything including the tuners and pickups are made from scratch, but for a non-guitar-player it’s she sheer number of different pieces of wood that go into making the solid body and neck of the instrument that’s so interesting. Even if you’ll never make a guitar you should watch it.

We’ve never seen a guitar build quite like this one before, but we have brought you a 3D printed guitar body, and neck.

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