Disposable Camera Viewfinder Becomes 3D Printed Lens

Disposable cameras are a fun way to get into classical photography. However, they can also be a valuable source of interesting parts that can be put to other uses. For example, as [Billt] demonstrates, their viewfinders can be repurposed into a rather interesting lens for more serious cameras.

[Billt] was lucky enough to score a grabbag of used disposable cameras from a local film lab, and tore them down for parts. He was particularly interested in the viewfinders, since Kodak equipped its disposable cameras with actual plastic lenses for this very purpose.

[Billt] wanted to see what these lenses would do when thrown on the front of a proper digital camera, and set about designing a mount for that purpose. The 3D printed part was designed to mount one of the viewfinder lens assemblies on the front of any Sony E-mount camera. In a rather nifty trick, [Billt] realized the lens assembly could be installed in the adapter by pausing mid-way through the 3D print to drop it in. The only unfortunate thing? The lenses didn’t really work, and all the camera could see was a haze of unfocused light.

With the aid of some cardboard experiments, [Billt] decided to make some changes. The front element of the viewfinder was dumped, with the rear element being used solo instead. This was fitted to the adapter on a simple slide mechanism so that focus could be reliably adjusted. With these changes, the lens came good, and provided some really interesting shots. It’s quite a cropped lens and it can achieve a very close focus distance, as little as 1 inch in testing. It’s quite sharp in the center of the image, while softly blurring out towards the edges—something that sounds very familiar if you’ve used one of these disposable cameras in the wild.

Sometimes it’s fun to grab a random piece of junk to see if you can turn it into something good. Video after the break.

Continue reading “Disposable Camera Viewfinder Becomes 3D Printed Lens”

Game Boy Camera In Wedding Photo Booth

For those of a certain age the first digital camera many of us experienced was the Game Boy Camera, an add-on for the original Game Boy console. Although it only took pictures with the limited 4-tone monochrome graphics of this system, its capability of being able to take a picture, edit it, create drawings, and then print them out on the Game Boy Printer was revolutionary for the time. Of course the people who grew up with this hardware are about the age to be getting married now (or well beyond), so [Sebastian] capitalized on the nostalgia for it with this wedding photo booth that takes pictures with the Game Boy Camera.

The photo booth features the eponymous Game Boy Camera front-and-center, with a pair of large buttons to allow the wedding guests to start the photography process. The system takes video and then isolates a few still images from it to be printed with the Game Boy Printer. The original Game Boy hardware, as well as a Flask-based web app with a GUI, is all controlled with a Raspberry Pi 4. There’s also a piece of Game Boy hardware called the GB Interceptor that sits between the Game Boy console and the camera cartridge itself which allows the Pi to capture the video feed directly.

The booth doesn’t stop with Game Boy hardware, though. There’s also a modern mirrorless digital camera set up in the booth alongside the Game Boy Camera which allows for higher resolution, full color images to be taken as well. This is also controlled with the same hardware and provides a more modern photo booth experience next to the nostalgic one provided by the Game Boy. There have been many projects which attempt to modernize this hardware, though, like this build which adds color to the original monochrome photos or this one which adds Wi-Fi capability.

Continue reading “Game Boy Camera In Wedding Photo Booth”

Fusing Cheap EBay Find Into A Digital Rangefinder

One of the earliest commercially-successful camera technologies was the rangefinder — a rather mechanically-complex system that allows a photographer to focus by triangulating a subject, often in a dedicated focusing window, and and frame the shot with another window, all without ever actually looking through the lens. Rangefinder photographers will give you any number of reasons why their camera is just better than the others — it’s faster to use, the focusing is more accurate, the camera is lighter — but in today’s era of lightweight mirrorless digitals, all of these arguments sound like vinyl aficionados saying “The sound is just more round, man. Digital recordings are all square.” (This is being written by somebody who shoots with a rangefinder and listens to vinyl).

While there are loads of analog rangefinders floating around eBay, the trouble nowadays is that digital rangefinders are rare, and all but impossible to find for a reasonable price. Rather than complaining on Reddit after getting fed up with the lack of affordable options, [Mr.50mm] decided to do something about it, and build his own digital rangefinder for less than $250.

Part of the problem is that, aside from a few exceptions, the only digital rangefinders have been manufactured by Leica, a German company often touted as the Holy Grail of photography. Whether you agree with the hype or consider them overrated toys, they’re sure expensive. Even in the used market, you’d be hard-pressed to find an older model for less than $2,000, and the newest models can be upwards of $10,000.

Rather than start from scratch, he fused two low-cost and commonly-available cameras into one with some careful surgery and 3D printing. The digital bits came from a Panasonic GF3, a 12 MP camera that can be had for around $120, and the rangefinder system from an old Soviet camera called the Fed 5, which you can get for less than $50 if you’re lucky. The Fed 5 also conveniently worked with Leica Thread Mount (LTM) lenses, a precursor to the modern bayonet-mount lenses, so [Mr.50mm] lifted the lens mounting hardware from it as well.

Even LTM lenses are relatively cheap, as they’re not compatible with modern Leicas. Anyone who’s dabbled in building or repairing cameras will tell you that there’s loads of precision involved. If the image sensor, or film plane, offset is off by the slightest bit, you’ll never achieve a sharp focus — and that’s just one of many aspects that need to be just right. [Mr.50mm]’s attention to detail really paid off, as the sample images (which you can see in the video below) look fantastic. Continue reading “Fusing Cheap EBay Find Into A Digital Rangefinder”

19th Century Photography In Extreme Miniature

Ever since the invention of the microscope, humanity has gained access to the world of the incredibly small. Scientists discovered that creatures never known to exist before are alive in an uncountable number in spaces as small as the head of a pin. But the microscope unlocked some interesting forms of art as well. Not only could people view and photograph small objects with them, but in the mid-nineteenth century, various artists and scientists used them to shrink photographs themselves down into the world of the microscopic. This article goes into depth on how one man from this era invented the art form known as microphotography.

Compared to photomicroscopy, which uses a microscope or other similar optical device to take normal-sized photographs of incredibly small things, microphotography takes the reverse approach of taking pictures of normal-sized things and shrinking them down to small sizes. [John Benjamin Dancer] was the inventor of this method, which used optics to shrink an image to a small size. The pictures were developed onto photosensitive media just like normal-sized photographs. Not only were these unique pieces of art, which developed — no pun intended — into a large fad, but they also had plenty of other uses as well. For example, since the photographs weren’t at all obvious without a microscope, they found plenty of uses in espionage and erotica.

Although the uses for microphotography have declined in today’s digital world, there are still plenty of unique pieces of art around with these minuscule photographs, as well as a bustling collector culture around preserving some of the antique and historical microphotographs from before the turn of the century. There is also similar technology, like microfilm and microfiche, that were generally used to preserve data instead of creating art, although plenty of these are being converted to digital information storage now.

Falling Down The Land Camera Rabbit Hole

It was such an innocent purchase, a slightly grubby and scuffed grey plastic box with the word “P O L A R O I D” intriguingly printed along its top edge. For a little more than a tenner it was mine, and I’d just bought one of Edwin Land’s instant cameras. The film packs it takes are now a decade out of production, but my Polaroid 104 with its angular 1960s styling and vintage bellows mechanism has all the retro-camera-hacking appeal I need. Straight away I 3D printed an adapter and new back allowing me to use 120 roll film in it, convinced I’d discover in myself a medium format photographic genius.

But who wouldn’t become fascinated with the film it should have had when faced with such a camera? I have form on this front after all, because a similar chance purchase of a defunct-format movie camera a few years ago led me into re-creating its no-longer-manufactured cartridges. I had to know more, both about the instant photos it would have taken, and those film packs. How did they work? Continue reading “Falling Down The Land Camera Rabbit Hole”

Flow Visualization With Schlieren Photography

The word “Schlieren” is German, and translates roughly to “streaks”. What is streaky photography, and why might you want to use it in a project? And where did this funny term come from?

Think of the heat shimmer you can see on a hot day. From the ideal gas law, we know that hot air is less dense than cold air. Because of that density difference, it has a slightly lower refractive index. A light ray passing through a density gradient faces a gradient of refractive index, so is bent, hence the shimmer. Continue reading “Flow Visualization With Schlieren Photography”

A Forgotten Photographic Process Characterised

Early photography lacked the convenience of the stable roll film we all know, and instead relied on a set of processes which the photographer would have to master from film to final print. Photographic chemicals could be flammable or even deadly, and results took a huge amount of work.

The daguerreotype process of using mercury to develop pictures on polished metal, and the wet-collodion plate with its nitrocellulose solution are well-known, but as conservators at the British National Archives found out, there was another process that’s much rarer. The Pannotype uses a collodion emulsion, but instead of the glass plate used by the wet-plate process it uses a fabric backing.

We know so much about the other processes because they were subject to patents, but pannotype never had a patent due to a disagreement. Thus when the conservators encountered some pannotypes in varying states of preservation, they needed to apply modern analytical techniques to understand the chemistry and select the best methods of stabilization. The linked article details those analyses, and provides them with some pointers towards conserving their collection. We look forward to someone making pannotype prints here in 2025, after all it’s not the first recreation of early photography we’ve seen.