[Matt Bradshaw]’s entry in the Hackaday Prize is Polymod, a modular digital synthesizer which combines the modularity of an analog synth with the power of a digital synth. Each module (LFO, Envelope Generator, Amplifier, etc.) are connected with audio cables to others and the result is processed digitally to create music.
The synth is built with a toy keyboard with each key having a tactile switch underneath it, contained inside a wooden case upcycled from a bookshelf found on the street. Each module is a series of potentiometers and I/O jacks with a wooden faceplate. The modules are connected to sockets on the main board and are held in place with thumbscrews so that the modules can be easily switched out. Each module can be connected to others using audio cables, the same way modular analog synths are connected.
The main board contains a Teensy 3.6 and a Teensy Audio Adapter creates the audio for the synth. Software that [Matt] wrote runs on the Teensy and allows the digital synthesizer to run in either monophonic or polyphonic modes. In polyphonic mode, the software creates digital copies of each module to allow the playing of chords. The Teensy scans up to eight module sockets and for each module that it finds, it reads the potentiometer value as well as the status of the I/O jacks. The keyboard buttons are converted to a control voltage which can be sent to any of the modules to create a melody.
[Matt] has created a great synth that combines benefits of both analog and digital synths together and the result is an inexpensive modular synth that can create some really cool sounds. Check out the videos after the break. In the meantime, take a look at this mess of wires and this article on a slew of open-source synthesizers.
Continue reading “The Polyphonic Analog/Digital Synth Project”
3D Printering: the final frontier. These are the voyages of another 3D printer hack. Its mission: to explore strange new ways of leveling a print bed.
So far, we’ve had servo probes, Allen key probes, Z-sled probes, inductive and capacitive contactless switches, just to name a few. All of them allow a 3D printer to probe its print bed, calculate a correction plane or mesh, and compensate for its own inherent, time variant, inaccuracies.
Continue reading “Sonic 3D Printer Auto Bed Leveling Makes a Swoosh”
A staple of every recording studio today, the Akai MPC began as a simple sampling groove box in the early 90s. The form factor of a few force sensitive pads assignable to different samples should be familiar to anyone with a little bit of MIDI gear, but these are rarely custom-made devices. Now, it runs on a Teensy. [Michele] created his own MPC-style MIDI pad controller with the Teensy 3.0, the Teensy audio adapter board, and an ingenious PCB design that uses replacement MPC pads.
[Michele]’s MPC was first featured in the MIDI hacklet, but back then the only working component was the pads themselves. The velocity sensitive pads are made of two copper traces laid on a single acetate sheet. A bit of Velostat is glued to the back of the pad so when the pad is pressed, it contacts both of the traces. The harder the pad is pressed, the lower the impedance, and with everything sent to an analog pin, each pad becomes a force sensitive resistor.
With the key feature of an MPC taken care of, [Michele] turned his attention to the sampling and software of his device. The new Teensy 3.0 audio adapter board – and a great new library – takes care of everything. [Michele] doesn’t have a proper video of his MPC up yet, but he was able to film a random guy playing his machine at Rome Maker Faire yesterday. You can check that out below.
Continue reading “The Teensy Becomes an MPC”