Sometimes you have an idea, and despite it not being the “right” time of year you put a creepy skull whose eyes tell the time and whose jaw clacks on the hour into a nice wooden box for your wife as a Christmas present. At least, if you’re reddit user [flyingalbatross1], you do!
The eyes are rotated using 360 degree servos, which makes rotating the eyes based on the time pretty easy. The servos are connected to rods that are epoxied to the spheres used as eyes. Some water slide iris decals are put on the eyes offset from center in order to point in the direction of the minutes/hours. An arduino with a real time clock module keeps track of the time and powers the servos.
People love their tech, and feel like something’s missing when it’s not there. This is the story of one person’s desire to have the venerable trackpoint in their new keyboard.
[Klapse] loves a Lenovo old-style non-chicklet keyboard, so, despite the cost, five were ordered. They very quickly ended up with keys that didn’t work, although the trackpoints still did. After buying a sixth which ended up the same, [Klapse] decided that maybe giving up on the Lenovo keyboards was the best idea. A quick stop at a local store scored a fill-in mechanical keyboard, but in the back of [klapse]’s mind the need for a trackpoint remained. Maybe one could be frankensteined in to the keyboard that was just purchased?
The keyboard’s circuit board had traces everywhere, with nowhere to drill through between the correct keys, typically between the G, H and Y keys. But there was a hole used for mounting the PCB nearby. between the H, J, U and Y keys. The trackpoint needed to be extended to reach all the way through the key caps, so [klapse] searched the house looking for something that might do. Turns out that a knitting needle fits perfectly.
At this point a side-hack emerged. [Klapse] found a drill bit small enough to make the necessary hole in the trackpoint shaft to fit the needle. But the bit was too small for the drill chuck. In true hacking style, the bit was wrapped with duct tape and held in the drill. Sure, it wobbled a lot and it was really difficult to get it to drill in the center of the shaft, but it worked, eventually. The needle was cut off and glued into the hole, the key caps were modified a bit to allow the trackpoint through and the rubber tip put back on.
When it comes to guitar effects pedals, the industry looks both back and forward in time. Back to the 50’s and 60’s when vacuum tubes and germanium transistors started to define the sound of the modern guitar, and forward as the expense and rarity of parts from decades ago becomes too expensive, to digital reproductions and effects. Rarely does an effects company look back to the turn of the 19th century for its technological innovations, but Zvex Effects’ “Mad Scientist,” [Zachary Vex], did just that when he created the Candela Vibrophase.
At the heart of the Candela is the lowly tea light. Available for next to nothing in bags of a hundred at your local Scandinavian furniture store, the tea light powers the Zvex pedal in three ways: First, the light from the candle powers the circuit by way of solar cells, second, the heat from the candle powers a Stirling engine, a heat engine which powers a rotating disk. This disc has a pattern on it which, when rotated, modifies the amount of light that reaches the third part of the engine – photoelectric cells. These modulate the input signal to create the effects that give the pedal its name, vibrato and phase.
Controls on the engine adjust the amount of the each effect. At one end, the effect is full phasor, at the other, full vibrato. In between a blend of the two. A ball magnet on a pivot is used to control the speed of the rotating disk by slowing the Stirling engine’s flywheel as it is moved closer.
While more of a work of art than a practical guitar effect, if you happen to be part of a steam punk inspired band, this might be right up your alley. For more information on Stirling engines, take a look at this post. Also take a look at this horizontal Stirling engine.
Using LEGO Technic gears and rods seems like a great way of bringing animation to your regular LEGO creation. Using gears and crank shafts you can animate models from your favorite TV show or movie like LEGO kinetic sculpture maker, [Josh DaVid] has done when he created a spinning TARDIS. Crank the handle and the sculpture spins through space and time.
The large gear stays in place. The hidden gears, turned by the crank, rotate a shaft from below that goes through the large gear making the TARDIS rotate around the main axis. Connected to the TARDIS model is a smaller gear, at an angle, that meshes with the larger, stationary, gear. This smaller gear is what causes the TARDIS to rotate around its own axis while the whole thing rotates around the main axis. If your hand gets too tired, you can substitute a LEGO motor.
It’s a neat effect, and you can get the plans [Josh]’s Etsy page. The best part, however, is that you can get a set with all the parts as well! The TARDIS is a popular item here and we’ve had plenty of projects with it as the focus: Everything from a tree topper to sub-woofers. The only question we have, of course, is, ‘Is it bigger on the inside?’
[James Bruton], from the XRobots YouTube channel is known for his multipart robot and cosplay builds. Occasionally, though, he creates a one-off build. Recently, he created a video showing how to build a LED ball that changes color depending on its movement.
The project is built around a series of 3D printed “arms” around a hollow core, each loaded with a strip of APA102 RGB LEDs. An Arduino Mega reads orientation data from an MPU6050 and changes the color of the LEDs based on that input. Two buttons attached to the Mega modify the way that the LEDs change color. The Mega, MPU6050, battery and power circuitry are mounted in the middle of the ball. The DotStar strips are stuck to the outside of the curved arms and the wiring goes from one end of the DotStar strip, up through the middle column of the ball to the top of the next arm. This means more complicated wiring but allows for easier programming of the LEDs.
Unlike [James’] other projects, this one is a quickie, but it works as a great introduction to programming DotStar LEDs with an Arduino, as well as using an accelerometer and gyro chip. The code and the CAD is up on Github if you want to create your own. [James] has had a few of his projects on the site before; check out his Open Dog project, but there’s also another blinky ball project as well.
[Matt Bradshaw]’s entry in the Hackaday Prize is Polymod, a modular digital synthesizer which combines the modularity of an analog synth with the power of a digital synth. Each module (LFO, Envelope Generator, Amplifier, etc.) are connected with audio cables to others and the result is processed digitally to create music.
The synth is built with a toy keyboard with each key having a tactile switch underneath it, contained inside a wooden case upcycled from a bookshelf found on the street. Each module is a series of potentiometers and I/O jacks with a wooden faceplate. The modules are connected to sockets on the main board and are held in place with thumbscrews so that the modules can be easily switched out. Each module can be connected to others using audio cables, the same way modular analog synths are connected.
The main board contains a Teensy 3.6 and a Teensy Audio Adapter creates the audio for the synth. Software that [Matt] wrote runs on the Teensy and allows the digital synthesizer to run in either monophonic or polyphonic modes. In polyphonic mode, the software creates digital copies of each module to allow the playing of chords. The Teensy scans up to eight module sockets and for each module that it finds, it reads the potentiometer value as well as the status of the I/O jacks. The keyboard buttons are converted to a control voltage which can be sent to any of the modules to create a melody.
[Matt] has created a great synth that combines benefits of both analog and digital synths together and the result is an inexpensive modular synth that can create some really cool sounds. Check out the videos after the break. In the meantime, take a look at this mess of wires and this article on a slew of open-source synthesizers.
Alternative keyboard layouts like Colemak and Dvorak are nothing new; they allow easier access to more often used keys to reduce the strain placed on the hands during typing. Building on the popularity of the ergonomic Ergodox keyboard, [Mattia Dal Ben] has developed the Redox keyboard, the Reduced Ergodox, to make an even smaller, more ergonomic keyboard.
Like the Ergodox, the Redox uses a columnar layout, where the keys are laid out in columns, each column offset based on the corresponding finger. Where the Redox breaks away from the design of the Ergodox is the thumb keys. [Mattia] started having pain in his pinkies, so he wanted the thumb layouts to take away some of the extra work from the pinkies. The thumb cluster is smaller than its ancestor and includes an additional rotated thumb key.
The Redox has some great improvements over the Ergodox in order to help with the types of strain injuries most associated with typing, hopefully leading to a much nicer interaction with the peripheral that gets the most use.