Take a couple of thousand steel balls, add a large wooden gear with neodymium magnets embedded in it, and what do you get? Either the beginnings of a wonderful kinetic music machine, or a mess of balls all stuck together and clogging up the works.
The latter was the case for [Martin], and he needed to find a way to demagnetize steel balls in a continuous process if his “Marble Machine X” were to see the light of day. You may recall [Martin] as a member of the band Wintergatan and the inventor of the original Marble Machine, a remarkable one-man band that makes music by dropping steel balls on various instruments. As fabulous a contraption as the original Marble Machine was, it was strictly a studio instrument, too fragile for touring.
Marble Machine X is a complete reimagining of the original, intended to be robust enough to go on a world tour. [Martin] completely redesigned the lift mechanism, using magnets to grip the balls from the return bin and feed them up to a complicated divider. But during the lift, the balls became magnetized enough to stick together and no longer roll into the divider. The video below shows [Martin]’s solution: a degausser using magnets of alternating polarity spinning slowly under the sticky marbles. As a side note, it’s interesting and entertaining to watch a musician procrastinate while debugging a mechanical problem.
We can’t wait to see Marble Machine X in action, but until it’s done we’ll just settle for [Martin]’s other musical hacks, like his paper-tape programmed music box or this mashup of a synthesizer and a violin.
Continue reading “Keeping Magnetized Marbles from Stopping the Music”
To exclude musical instruments in the overflowing library of possibility that 3D printing enables would be a disservice to makers and musicians everywhere. For the minds over at [Makefast Workshop], an experimental idea took shape: a single stringed harp.
The TuneFast Harp needed enough notes for a full octave, robust enough to handle the tension of the string, a single tuning mechanism and small enough to print. But how to produce multiple notes on a harp out of only one string? V-grooved bearings to the rescue! The string zig-zags around the bearings acting as endpoints that rotate as its tuned, while the rigid PLA printing filament resists deforming under tension.
After a bit of math and numerous iterations — ranging from complete reconfigurations of part placements to versions using sliding pick mechanisms using magnets! — a melodic result!
Continue reading “One String, One Print, One Harp”
On a dreary night in November, [Smecher] collected the instruments of electronic life around him to infuse a musical spark into FrankenKorg — a resurrected keytar.
This hack is a “re-braining” of a RK-100 Korg Keytar, replacing the original circuits with an ATMega32 — the original functionality and appearance are preserved allowing any restored version of the original boards to be seamlessly re-integrated. In light of that, the original boards were ditched after a brief investigation, and a haphazard building process on a protoboard began. Three LS138 3-8 demuxers that accompany the ATMega handle scanning the keys since there weren’t enough pins on the ATMega alone for all the Korg’s features. Check out [Smecher]’s breakdown of his process in the video after the break!
Continue reading “FrankenKorg: The Modern Remote Keyboard”
If you like to read with gentle music playing, do yourself a favor and start the video while you’re reading about [Hugo Swift]’s MIDISWAY. The song is Promises, also by [SWIFT], which has piano phrases modulated during the actual playing, not in post-production.
The MIDISWAY is a stage-worthy looking box to sit atop your keys and pulse a happy little LED. The pulsing corresponds to the amount of pitch bending being sent to your instrument over a MIDI DIN connector. This modulation is generated by an Arduino and meant to recreate the effect of analog recording devices like an off-center vinyl or a tape that wasn’t tracking perfectly.
While recording fidelity keeps inching closer to perfect recreation, it takes an engineer like [Hugo Swift] to decide that a step backward is worth a few days of hacking. Now that you know what the MIDISWAY is supposed to do, listen closely at 2:24 in the video when the piano starts. The effect is subtle but hard to miss when you know what to listen for.
MIDI projects abound at Hackaday like this MIDI → USB converter for getting MIDI out of your keyboard once you’ve modulated it with a MIDISWAY. Maybe you are more interested in a MIDI fighter for controlling your DAW. MIDI is a robust and time-tested protocol which started in the early 1980s and will be around for many more years.
Continue reading “MIDISWAY Promises to Step Up Your Live Show”
Musicians have an array of electronic tools at their disposal to help make music these days. Some of these are instruments in and of themselves, and [Wai Lun] — inspired by the likes of Choke and Shawn Wasabi — built himself a midi fighter
Midi fighters are programmable instruments where each button can be either a note, sound byte, effect, or anything else which can be triggered by a button. [Lun]’s is controlled by an ATmega32u4 running Arduino libraries — flashed to be recognized as a Leonardo — and is compatible with a number of music production programs. He opted for anodized aluminum PCBs to eliminate flex when plugging away and give the device a more refined look. Check it out in action after the break!
Continue reading “Push Buttons, Create Music With A MIDI Fighter”
There will be no delicate solos for [24 Hour Engineer’s] Tough Pi-ano. It was built to soak punishment from aggressive youngsters in musical therapy, specifically those on the autism spectrum and those with Down’s syndrome. The Tough Pi-ano will be bolted to a wall with heavy-duty shelf brackets so it can’t fall on anyone. The keyboard is covered in plastic and it doesn’t have any exposed metal so there will be no splinters.
[24 Hour Engineer] made a short video demonstration and if you listen closely, he has a pun in all but one sentence. We love that kind of easter egg in YouTube videos. Check it out after the break.
Inside the 48-key instrument are four Raspberry Pi Zeros where each Pi controls one octave. The redundancy ensures that a hardware failure only drops out a single octave and the kids can keep playing until replacement parts arrive. Each Pi has identical programming and a thumbwheel switch tells it which octave it will be emulating.
Programming was done with Python and Pygame and all the inputs are run to a homemade “hat” where the wires are soldered. Pygame’s sole responsibility is to monitor the GPIO and then play the appropriate note when a button is pressed, slapped, punched or sat upon.
Similar in name, the Touch Piano has no moving parts or perhaps you would rather use your Raspberry Pi in an upright piano.
Continue reading “Tough Pi-ano can Take a Punch”
Everyone knows accordions are cool — they look fly, make neat noises, and get your romantic interests all hot and bothered. What isn’t cool is being relegated to acoustics only. How are you going to play a packed stadium or lay down a crystal clear track like that? You could go out and buy an electric accordion, but even low-end models carry a hefty price tag. But, this is Hackaday, and you know we’re going to be telling you about someone who found a better way.
That better way, shown in a build by [Brendan Vavra], was to take an acoustic accordion and convert it to MIDI. The base for his build was a decent full-size acoustic accordion purchased on eBay for just $150. Overall, it was in good mechanical condition, but some of the reeds were out of tune or not working at all. Luckily, that didn’t matter, since he wouldn’t be using them anyway. Don’t be fooled in the demo video below; it sounds like he’s playing the acoustic according but notice he’s not pumping those bellows! However, the bellows isn’t useless either since it can feed data back as a MIDI input.
[Brendan’s] build plan called for an Arduino Mega to be tied to a series of photo-interrupters that would detect button pushes and fire MIDI signals. But, first he had to take the thing apart — no small task, given the complexity of the instrument. The accordion has 120 buttons, and they’re not interchangeable, which means he had to carefully keep track of them as they were disassembled.
Continue reading “Acoustic Accordion Becomes MIDI; Oh the Complexity!”