Classic motorcycles are the wild west of information displays. Often lacking even basic instrumentation such as a fuel gauge and sometimes even a speedometer, motorcycles have come a long way in instrument cluster design from even 20 years ago. There’s still some room for improvement, though, and luckily a lot of modern bikes have an ECU module that can be tapped into for some extra information as [mickwheelz] illustrates with his auxiliary motorcycle dashboard.
This display is built for a modern Honda enduro, and is based upon an ESP32 module. The ESP32 is tied directly into the ECU via a diagnostic socket, unlike other similar builds that interface with a CAN bus specifically. It can monitor all of the bike’s activity including engine temperature, throttle position, intake air temperature, and whether or not the bike is in neutral. [mickwheelz] also added an external GPS sensor so the new display can also show him GPS speed and location information within the same unit.
[mickwheelz] credits a few others for making headway into the Honda ECU. [Gonzo] created a similar build using a Raspberry Pi and more rudimentary screen but was instrumental in gathering the information for this build. If you’re looking for a display of any kind for your antique motorcycle which is lacking an ECU, though, we would suggest a speedometer made with nixie tubes.
In the 60s a musical recording technique called the “wall of sound” came to prominence which allowed artists to create complex layers of music resulting in a novel, rich orchestral feeling. While this technique resulted in some landmark albums (Pet Sounds by the Beach Boys for example) it took entire recording studios and many musicians to produce. This guitar, on the other hand, needs only a single musician but can create impressive walls of sound on its own thanks to some clever engineering.
Called the Circle Guitar and created by [Anthony Dickens], the novel instrument features a constantly-rotating wheel around the guitar’s pickups in the body. Various picks can be attached in different ways to the wheel which pluck the strings from behind continuously. This exceeds what a normal guitar player would be able to do on their own, but the guitarist is able to control the sounds by using several switches and pushbuttons which control a hexaphonic humbucker and are able to mute individual strings at will. Of course, this being the 21st century, it also makes extensive use of MIDI and [Anthony] even mentions the use of a Teensy.
While details on this project are admittedly a little fleeting, the videos linked below are well worth a watch for the interesting sounds this guitar is able to produce. Perhaps paired with a classic-sounding guitar amplifier it could produce other impressive walls of sound as well. Either way, we could expect someone like [Brian Wilson] to be interested in one once it is in production.
Thanks to [Mel] for the tip!
Continue reading “Circle Guitar Creates Wall Of Sound”
The name Ondophone is a mash-up of two instruments, the Marxophone, and the ondes martenot. From the Marxophone, [Wintergatan] borrows the spring-loaded hammers, which repeatedly strike a string once activated. The ondes martenot loans its Theremin-like sound and ability to lean back on western semi-tone notes. Mating such different instruments requires a team, and much like the name, it produces a splendid blend.
At the left-hand side of the Ondophone, we see the spring-hammer battering away on a steel string whenever the neck moves up or down. Next to it is an Ebow that vibrates a string with an electromagnet and can maintain a note so long as it has power. Hidden within the neck are magnets to demarcate semi-tone locations, so it’s possible to breeze past them for a slide sound or rest on them to follow a tune.
The combination of intermittent hammering and droning lends well to the “creepy” phase of the song, which leads segues to the scope-creep that almost kept this prototype on the drawing board. The video talks about all the things that could have been done with this design, which is a pain/freedom we know well. KISS that Ondophone headline act goodbye.
The ondes martenot is an early electronic instrument, so we’ve some high-tech iterations, and if you haven’t heard what’s possible with a DIY Ebow, we will harp on you.
Continue reading “Ondophone On Point”
Join us on Wednesday, January 29 at noon Pacific for the Open-Source Medical Devices Hack Chat with Tarek Loubani!
In most of the developed world, when people go to see a doctor, they’re used to seeing the latest instruments and devices used. Most exam rooms have fancy blood pressure cuffs, trays of shiny stainless steel instruments, and a comfortable exam table covered by a fresh piece of crisp, white paper. Exams and procedures are conducted in clean, quiet places, with results recorded on a dedicated PC or tablet.
Such genteel medical experiences are far from universal, though. Many clinics around the world are located in whatever building is available, if they’re indoors at all. Supplies may be in chronically short supply, and to the extent that the practitioners have the instruments they need to care for patients, they’ll likely be older, lower-quality versions.
Tarek Loubani is well-versed in the practice of medicine under conditions like these, as well as far worse situations. As an emergency physician and researcher in Canada, he’s accustomed to well-appointed facilities and ample supplies. But he’s also involved in humanitarian relief, taking his medical skills and limited supplies to places like Gaza. He has seen first-hand how lack of the correct tools can lead to poor outcomes for patients, and chose to fight back by designing a range of medical devices and instruments that can be 3D-printed. His Glia Project has free plans for a high-quality stethoscope that can be built for a couple of dollars, otoscopes and pulse oximeters, and a range of surgical tooling to make the practice of medicine under austere conditions a little easier. Continue reading “Open-Source Medical Devices Hack Chat”
As the open-source movement has brought its influence to more and more fields, we’ve seen an astonishing variety of things once only available at significant expense become accessible to anyone with access to the tools required to create them. One such arena is that of scientific instrumentation, and though we have seen many interesting developments there has been one which has so far evaded us. An analytical balance, a very specialised weighing machine designed to measure the tiniest of masses, remains available only as a new unit costing a fortune, or as a second-hand one with uncertain history and possible contamination. Fortunately, friend of Hackaday [Zach Fredin] is on the case, and as part of one of his MIT courses he chose to create an open-source analytical balance.
The write-up is interspersed with his course notes as he learns a series of fabrication techniques, but in addition to the milled Delrin finished model he treats us to his prototype and gives us an explanation of how these instruments work. It’s a technique that’s rather different to a traditional weighing machine: instead of measuring deformation of a spring in some way it produces a force from an electromagnet to oppose that exerted by gravity on the mass to be measured, and quantifies how much electrical energy is required to do that. The mechanism incorporates feedback through a vane and an optical sensor, which he admits he’s not yet had time to set up properly.
It’s an interesting project not least because it exposes some of the inner workings of an analytical balance, and we look forward to his completing it. If this whet your appetite for the topic it’s worth also looking at [Ben Krasnow’s] video of a balance made using a moving coil meter for an explanation of the technique.
Many everyday objects make some noise as a side effect of their day job, so some of us would hack them into music instruments that can play a song or two. It’s fun, but it’s been done. YouTube channel [Device Orchestra] goes far beyond a device buzzing out a tune – they are full fledged singing (and dancing!) performers. Watch their cover of Take on Me embedded after the break, and if you liked it head over to the channel for more.
The buzz of a stepper motor, easily commanded for varying speeds, is the easiest entry point into this world of mechanical music. They used to be quite common in computer equipment such as floppy drives, hard drives, and flatbed scanners. As those pieces of equipment become outdated and sold for cheap, it became feasible to assemble a large number of them with the Floppotron being something of a high-water mark.
After one of our more recent mentions in this area, when the mechanical sound of a floppy drive is used in the score of a motion picture, there were definite signs of fatigue in the feedback. “We’re ready for something new” so here we are without any computer peripherals! [Device Orchestra] features percussion by typewriters, vocals by toothbrushes, and choreography by credit card machines with the help of kitchen utensils. Coordinating them all is an impressive pile of wires acting as stage manager.
We love to see creativity with affordable everyday objects like this. But we also see the same concept done with equipment on the opposite end of the price spectrum such as a soothing performance of Bach using the coils of a MRI machine.
[Thanks @Bornach1 for the tip]
Continue reading “When Toothbrushes, Typewriters, And Credit Card Machines Form A Band”
[Dr. Suess] created memorable books with minimal words and bright artwork. He inspired children and adults alike, and one of them, [Len], grew up to create wind instruments for the Bellowphone channel on YouTube. Behind the whimsy of his creations is significant engineering, and this time, we get to see the construction of a fipple. The video is also shown after the break. Even though fipple sounds like a word [Dr. Suess] would have coined, it is a legitimate musical term that means a whistle-like mouthpiece. In this case, it blows air across glass jars to create the sound for [Len]’s bottle organ. Check out the second video below for a performance from The Magic Flute.
[Len] uses clear rigid PVC for the fipples and a custom forming die to shape them while they are soft. The rest is precision hand-tool work with a razor saw, hand file, and wet-dry sandpaper. Once complete, the fipple looks like any musical instrument part produced by exacting construction techniques. Making a mouthpiece is one thing, but if it is not directed correctly it will not make any sound, so we also learn how to turn steel strapping into an organ bottle assembly. If you add some tubing and rubber squeeze balls, you can make your own instrument.
Part of the reason the Bellowphone channel exists is that [Len] found a lot of support in the pipe organ community that showed him the secret inner workings of their livelihood and now is his chance to share that enthusiasm with the maker community.
Continue reading “Forming Fipples And Accompanying Accoutrements”