So far in this brief series on in-band signaling, we looked at two of the common methods of providing control signals along with the main content of a transmission: DTMF for Touch-Tone dialing, and coded-squelch systems for two-way radio. For this installment, we’ll look at something that far fewer people have ever used, but almost everyone has heard: Quindar tones.
A trip to London, for provincial Brits, is something of an undertaking from which you invariably emerge tired and slightly grimy following your encounter with the cramped mobile sauna of the Central Line, its meandering international sightseers, and stampede of besuited commuters heading for the City. Often your fatigue after such an expedition will be that following the completion of a Herculean labour, but just sometimes it will instead be the contented tiredness of a fulfilling and busy time well spent.
Such will be the state of the happy band of the Hackaday community who made it to London this weekend for our UK unconference held in association with our sponsor, DesignSpark. A Friday night bring-a-hack social in a comfortable Bloomsbury pub, followed by Saturday in an auditorium next to one of the former Surrey Commercial Docks for a day of back-to-back seven-minute talks laying out the varied and interesting work our readers are involved in.
Most projects have one or two significant aspects in which custom work or clever execution is showcased, but this Music Box Hole Punching Machine by [Josh Sheldon] and his roommate [Matt] is a delight on many levels. Not only was custom hardware made to automate punching holes in long spools of paper for feeding through a music box, but a software front end to process MIDI files means that in a way, this project is really a MIDI-to-hand-cranked-music-box converter. What a time to be alive.
The hole punch is an entirely custom-made assembly, and as [Josh] observes, making a reliable hole punch turns out to be extremely challenging. Plenty of trial and error was involved, and the project’s documentation as well as an overview video go into plenty of detail. Don’t miss the music box version of “Still Alive”, either. Both are embedded below.