Raspberry Pi Files Paperwork With The London Stock Exchange

If you’re a regular visitor to the Raspberry Pi website and you have a sharp eye, you may have noticed during the last few days a new link has appeared in their footer. Labelled “Investor relations“, it holds links to the documents filed with the London Stock Exchange of their intention to float. In other words, it’s confirmation of their upcoming share offering.

It has been interesting to watch the growth of Raspberry Pi over the last twelve years, from cottage industry producing a thousand boards in China, to dominating the SBC market and launching their own successful silicon. Without either a crystal ball or a window into Eben Upton’s mind, we’re as unreliable as anyone else when it comes to divining their future path. But since we’re guessing that it will involve ever more complex silicon with a raspberry logo, it’s obvious that the float will give them the investment springboard they need.

For those of us who have been around for a long time this isn’t the first company in our corner of the technology world we’ve seen burn brightly. It’s not even the first from Cambridge. Appointing ourselves as pundits though, we’d say that Raspberry Pi’s path to this point has been surprisingly understated, based upon the strength of its products rather than hype, and while Eben is undoubtedly a well-known figure, not based upon a cult of personality. There is already a significant ecosystem around Raspberry Pi, we’d like to think that this move will only strengthen it. We may not be looking at the British Microsoft, but we don’t think we’re looking at another Sinclair either.

Autochrome For The 2020s

For all intents and purposes, photography here in 2024 is digital. Of course chemical photography still exists, and there are a bunch of us who love it for what it is, but even as we hang up our latest strip of negatives to dry we have to admit that it’s no longer mainstream. Among those enthusiasts who work with conventional black-and-white or dye-coupler colour film are a special breed whose chemistry takes them into more obscure pathways.

Wet-collodion plates for example, or in the case of [Jon Hilty], the Lumière autochrome process. This is a colour photography process from the early years of the twentieth century, employing a layer of red, green, and blue grains above a photosensitive emulsion. Its preparation is notoriously difficult, and he’s lightened the load somewhat with the clever use of CNC machinery to automate some of it.

Pressing the plates via CNC

His web site has the full details of how he prepares and exposes the plates, so perhaps it’s best here to recap how it works. Red, green, and blue dyed potato starch grains are laid uniformly on a glass plate, then dried and pressed to form a random array of tiny RGB filters. The photographic emulsion is laid on top of that, and once it is ready the exposure is made from the glass side do the light passes through the filters.

If the emulsion is then developed using a reversal process as for example a slide would be, the result is a black and white image bearing colour information in that random array, which when viewed has red, green, and blue light from those starch filters passing through it. To the viewer’s eye, this then appears as a colour image.

We can’t help being fascinated by the autochrome process, and while we know we’ll never do it ourselves it’s great to see someone else working with it and producing 21st century plates that look a hundred years old.

While this may be the first time we’ve featured such a deep dive into autochrome, it’s certainly not the first time we’ve looked at alternative photographic chemistries.

Tweeze Your Way To Soldering Success!

Soldering, for those of us who spend a lot of time at an electronics bench, is just one of those skills we have, in the way that a blacksmith can weld or a tailor can cut clothing. We have an uncommon skill with hot metal and can manipulate the tiniest of parts, and incidentally our chopstick skills aren’t that bad as a consequence, either.

But even the best with a soldering iron can find useful tips from an expert, and that’s where [Mr SolderFix] comes in. His channel is chock-full of soldering advice, and in his latest video he takes a look at tweezers. They’re a part of the solderer’s standard kit and we all have several pairs, but it’s fair to say that we don’t always have the right pair to hand.

It was refreshing to hear him confirm that a good pair of tweezers, once a certain quality threshold has been met, need not necessarily be the most expensive set. We’ve certainly seen expensive tweezers with suspiciously bendy ends, and have found random AliExpress purchases which have stood the test of time. He also makes the point about which situations a set of tweezers with serrated heads might be more useful, and he demonstrates with a crystal oscillator.

As with photography though, we’d observe that sometimes the best set of tweezers to rectify a mishap are the ones in your hand. If you’re interested in more from [Mr SolderFix], we’ve featured his work more than once in the past. When he showed us how to lift SMD pins, for example.

The Impossible Repair: Ribbon Cables

It’s a problem that faces many a piece of older equipment that ribbon cables of the type used on membrane keyboards start to fail as they become older. These cables are extremely difficult to repair as they can’t be soldered to, and since they are usually custom to the device in question. All is not lost, though, as [Spare Time Repair] shows us with the cable on a Honeywell heating controller broken by a user attempting to remove the battery with a screwdriver.

The whole process can be seen in the video below the break, and it involves the use of a vinyl cutter to cut the pattern of tracks in aluminium tape stuck on a sheet of acetate. This makes a new piece of ribbon cable, however it’s still a step short of being part of the circuit. His challenge is to make a clip tight enough to attach it to the intact part of the broken cable and maintain contact, then to hope that the new piece of cable bent back on itself can make enough contact for the device to work.

At the end of it all, he has a working Honeywell controller, though as he points out, it’s a device he has little interest in. Instead, this opens a window on an extremely useful technique that should be of relevance far beyond the world of heating. There’s one machine close to home for us that could use this technique, for example.

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An Umbrella Can Teach A Thing Or Two About Product Longevity

This time of year always brings a few gems from outside Hackaday’s usual circle, as students attending industrial design colleges release their final year projects, The worlds of art and engineering sit very close together at times, and theirs is a discipline which sits firmly astride that line. This is amply demonstrated by the work of [Charlie Humble-Thomas], who has taken an everyday object, the umbrella, and used it to pose the question: How long should objects last?

He explores the topic by making three different umbrellas, none of which we are guessing resemble those you could buy. The first is not particularly durable but is completely recyclable, the second is designed entirely with repairability in mind, while the third is hugely over-engineered and designed for durability. In each case the reader is intended to think about the impact of the umbrella before them.

What strikes us is how much better designed each one is than the typical cheap umbrella on sale today, with the polypropylene recyclable one being flimsy by design, but with a simplicity missing from its commercial counterpart. The durable one meanwhile is full of CNC parts, and carbon fiber.

If you’re hungry for more student work in this vein, we recently brought you this toasty typewriter.

The 3D Printed Computer Space Takes Shape

A few weeks ago we brought you news of a project to recreate the flowing lines of the first computerised arcade game, Computer Space, as a full-size 3D printed replica. We left the project with all the parts put together to make a complete but unfinished shell that was very recognizable as a Computer Space cabinet but had neither finishing nor internals. Now we’re very pleased to bring you the conclusion of the project, as it moves from unfinished 3D print to playable cabinet.

The video below the break is a journey of print finishing to a very high standard with that lustrous blue glitter resin, but oddly it’s most interesting to find out about the manufacturing quirks of the original. How the rear door was imprecisely cut from plywood and fixed on with gate hinges, how the ventilation holes differ from cabinet to cabinet, and how the collection vessel for those quarters was an old tin. The monitor is a newer broadcast CRT in this version and the electronics are naturally  modern, but if you didn’t know, you’d be hard pressed to spot that you weren’t playing the real thing.

Finally we see the gameplay which is admittedly frustrating, and a little bit of punditry as to why this wasn’t the commercial success of the following Pong. It’s a fascinating look at the early computer game industry.

Have a look at our coverage of the first episode of this project.

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This Typewriter Types Toast

As a writer it’s a pleasure to see one’s work appear from time to time on a physical medium. While newspapers may be shuffling slowly off this mortal coil, there are still a few opportunities to write for printed media. It’s safe to say that no Hackaday scribe has ever managed to have their work published on the medium in this hack though, because it’s a typewriter designed to type on toast.

The toaster-typewriter is the work of [Ritika Kedia], and it forms part of her thesis in product design at the Parsons School of Design, New York. It’s written up very much from an artistic rather than a tech perspective, but it’s no less ingenious for that in the way it uses letters formed from hot wire on a clay substrate, mounted on the end of the typewriter arms in front of a toaster.

We’re slightly sad to see that it only has three operable letters at the moment as it’s an artwork rather than a document machine, but we love the idea and wish she had time to develop it further with a full alphabet. You can see a short demo in the video below the break.

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