The Cantareel Is Hurdy-Guitar Turned Inside Out

Sometimes, all you need to make something work is to come at it from a different angle from anyone else — flip the problem on its head, so to speak. That’s what [Keizo Ishibashi] did to create his Cantareel, a modified guitar that actually sounds like a hurdy-gurdy.

We wrote recently about a maker’s quest to create just such a hybrid instrument, and why it ended in failure: pressing strings onto the fretboard also pushed them tighter to the wheel, ruining the all-important tension. To recap, the spinning wheel of a hurdy-gurdy excites the strings exactly like a violin bow, and like a violin bow, the pressure has to be just right. There’s no evidence [Keizo Ishibashi] was aware of that work, but he solved the problem regardless, simply by thinking outside the box — the soundbox, that is.

Unlike a hurdy-gurdy, the Cantareel keeps its wheel outside the soundbox. The wheel also does not rub directly upon the strings: instead, it turns what appears to be a pair of o-rings. Each rosined o-ring bows 2 of the guitar’s strings, giving four strings a’ singing. (Five golden rings can only be assumed.) The outer two strings of this ex-six-string are used to hold the wheel assembly in place by feeding through holes on the mounting arms. The guitar is otherwise unmodified, making this hack reversible.

It differs from the classic hurdy-gurdy in one particular: on the Cantareel, every string is a drone string. There’s no way to keep the rubber rings from rubbing against the strings, so all four are always singing. This may just be the price you pay to get that smooth gurdy sound out of a guitar form factor. We’re not even sure it’s right to call it a price when it sounds this good.

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Get Roped Into Magnetic Core Memory With This 512 Bit Module

Magnetic Core memory was the RAM at the heart of many computer systems through the 1970s, and is undergoing something of a resurgence today since it is easiest form of memory for an enterprising hacker to DIY. [Han] has an excellent writeup that goes deep in the best-practices of how to wire up core memory, that pairs with his 512-bit MagneticCoreMemoryController on GitHub.

Magnetic core memory works by storing data inside the magnetic flux of a ferrite ‘core’. Magnetize it in one direction, you have a 1; the other is a 0. Sensing is current-based, and erases the existing value, requiring a read-rewrite circuit. You want the gory details? Check out [Han]’s writeup; he explains it better than we can, complete with how to wire the ferrites and oscilloscope traces to explain why you want to wiring them that way. It may be the most complete design brief to be written about magnetic core memory to be written this decade.

This little memory pack [Han] built with this information is rock-solid: it ran for 24 hours straight, undergoing multiple continuous memory tests — a total of several gigabytes of information, with zero errors. That was always the strength of ferrite memory, though, along with the fact you can lose power and keep your data. In in the retrocomputer world, 512 bits doesn’t seem like much, but it’s enough to play with. We’ve even featured smaller magnetic core modules, like the Core 64. (No prize if you guess how many bits that is.) One could be excused for considering them toys; in the old days, you’d have had cabinets full of these sorts of hand-wound memory cards.

Magnetic core memory should not be confused with core-rope memory, which was a ROM solution of similar vintage. The legendary Apollo Guidance Computer used both.

We’d love to see a hack that makes real use of these pre-modern memory modality– if you know of one, send in a tip.

PlayStation Case Mod Hides Gamer Shame

[Zac] of Zac Builds has a shameful secret: he, a fully grown man, plays video games. Shocking, we know, but such people do exist in our society. After being rightfully laughed out of the family living room, [Zac] relocated his indecent activities to his office, but he knew that was not enough. Someone might enter, might see his secret shame: his PlayStation 5. He decided the only solution was to tear the game console apart, and rebuild it inside of his desk.

All sarcasm aside, it’s hard to argue that [Zac]’s handmade wooden desk doesn’t look better than the stock PS5, even if you’re not one of the people who disliked Sony’s styling this generation. The desk also contains his PC, a project we seem to have somehow missed; the two machines live in adjacent drawers.

While aesthetics are a big motivator behind this case mod, [Zac] also takes the time to improve on Sony’s work: the noisy stock fan is replaced by three silent-running Noctua case fans; the easy-to-confuse power and eject buttons are relocated and differentiated; and the Blu-ray drive gets a proper affordance so he’ll never miss the slot again. An NVMe SSD finishes off the upgrades.

Aside from the woodworking to create the drawer, this project relies mostly on 3D printing for custom mounts and baffles to hold the PS5’s parts and direct airflow where it needs to go. This was made much, much easier for [Zac] via the use of a 3D scanner. If you haven’t used one, this project demonstrates how handy they can be — and also some of the limitations, as the structured-light device (a Creality Raptor) had trouble with the shinier parts of the build. Dealing with that trouble still saved [Zac] a lot of time and effort compared to measuring everything.

While we missed [Zac]’s desk build, we’ve seen his work before: everything from a modernized iPod to wooden sound diffusion panels.

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The crank/keying assembly

Hacking A Guitar Into A Hurdy-Gurdy Hybrid With 3D Prints

If you’re looking for a long journey into the wonderful world of instrument hacking, [Arty Farty Guitars] is six parts into a seven part series on hacking an existing guitar into a guitar-hurdy-gurdy-hybrid, and it is “a trip” as the youths once said. The first video is embedded below.

The Hurdy-Gurdy is a wheeled instrument from medieval europe, which you may have heard of, given the existence of the laser-cut nerdy-gurdy, the electronic midi-gurdy we covered here, and the digi-gurdy which seems to be a hybrid of the two. In case you haven’t seen one before, the general format is for a hurdy-gurdy is this : a wheel rubs against the strings, causing them to vibrate via sliding friction, providing a sound not entirely unlike an upset violin. A keyboard on the neck of the instrument provides both fretting and press the strings onto the wheel to create sound. 

[Arty Farty Guitars] is a guitar guy, so he didn’t like the part with about the keyboard. He wanted to have a Hurdy Gurdy with a guitar fretboard. It turns out that that is a lot easier said than done, even when starting with an existing guitar instead of from scratch, and [Arty Farty Guitar] takes us through all of the challenges, failures and injuries incurred along the way. 

Probably the most interesting piece of the puzzle is the the cranking/keying assembly that allows one hand to control cranking the wheel AND act as keyboard for pressing strings into the wheel. It’s key to the whole build, as combining those functions on the lower hand leaves the other hand free to use the guitar fretboard half of the instrument. That controller gets its day in video five of the series. It might inspire some to start thinking about chorded computer inputs– scrolling and typing?

If you watch up to the sixth video, you learn that that the guitar’s fretting action is ultimately incompatible with pressing strings against the wheel at the precise, constant tension needed for good sound. To salvage the project he had to switch from a bowing action with a TPU-surfaced wheel to a sort of plectrum wheel, creating an instrument similar to the thousand-pick guitar we saw last year.

Even though [Arty Farty Guitars] isn’t sure this hybrid instrument can really be called a Hurdy Gurdy anymore, now that it isn’t using a bowing action, we can’t help but admire the hacking spirit that set him on this journey. We look forward to the promised concert in the upcoming 7th video, once he figures out how to play this thing nicely.

Know of any other hacked-together instruments that possibly should not exist? We’re always listening for tips. 

 

 

 

Personal Reflections On Immutable Linux

Immutable distributions are slowly spreading across the Linux world– but should you care? Are they hacker friendly? What does “immutable” mean, anyway?

Immutable means “not subject or susceptible to change” according to Merriam-Webster, which is not 100% accurate in this context, but it’s close enough and the name is there so we’re stuck with it. Immutable distributions are subject to change, it’s just that how you change them is quite a bit different than bog-standard Linux. Will this matter to you? Read on to find out! (Or, if you know the answers already, read on to find out how angry you should be in the comments section.) Continue reading “Personal Reflections On Immutable Linux”

Screenshot of "Frame of Preference"

An Emulated Stroll Down Macintosh Memory Lane

If you’re into Macs, you’ll always remember your first. Maybe it was the revolutionary classic of 1984 fame, perhaps it was the adorable G3 iMac in 1998, or even a shiny OS X machine in the 21st century. Whichever it is, you’ll find it emulated in [Marcin Wichary]’s essay “Frame of preference: A history of Mac settings, 1984–2004” — an exploration of the control panel and its history.

Image of PowerBook showing the MacOS 8.0 desktop.
That’s not a photograph, it’s an emulator. (At least on the page. Here, it’s a screenshot.)

[Marcin] is a UI designer as well as an engineer and tech historian, and his UI chops come out in full force, commenting and critiquing Curputino’s coercions. The writing is excellent, as you’d expect from the man who wrote the book on keyboards, and it provides a fascinating look at the world of retrocomputing through the eyes of a designer. That design-focused outlook is very apropos for Apple in particular. (And NeXT, of course, because you can’t tell the story of Apple without it.)

There are ten emulators on the page, provided by [Mihai Parparita] of Infinite Mac. It’s like a virtual museum with a particularly knowledgeable tour guide — and it’s a blast, getting to feel hands-on, the design changes being discussed. There’s a certain amount of gamification, with each system having suggested tasks and a completion score when you finish reading. There are even Easter eggs.

This is everything we wish the modern web was like: the passionate deep-dives of personal sites on the Old Web, but enhanced and enabled by modern technology. If you’re missing those vintage Mac days and don’t want to explore them in browser, you can 3D print your own full-size replica, or a doll-sized picoMac.

Volume Controller Rejects Skeumorphism, Embraces The Physical

The volume slider on our virtual desktops is a skeuomorphic callback to the volume sliders on professional audio equipment on actual, physical desktops. [Maker Vibe] decided that this skeuomorphism was so last century, and made himself a physical audio control box for his PC.

Since he has three audio outputs he needs to consider, the peripheral he creates could conceivably be called a fader. It certainly has that look, anyway: each output is controlled by a volume slider — connected to a linear potentiometer — and a mute button. Seeing a linear potentiometer used for volume control threw us for a second, until we remembered this was for the computer’s volume control, not an actual volume control circuit. The computer’s volume slider already does the logarithmic conversion. A Seeed Studio Xiao ESP32S3 lives at the heart of this thing, emulating a Bluetooth gamepad using a library by LemmingDev. A trio of LEDs round out the electronics to provide an indicator for which audio channels are muted or active.

Those Bluetooth signals are interpreted by a Python script feeding a software called Voicmeeter Banana, because [Maker Vibe] uses Windows, and Redmond’s finest operating system doesn’t expose audio controls in an easily-accessible way. Voicmeeter Banana (and its attendant Python script) takes care of telling Windows what to do. 

The whole setup lives on [Maker Vibe]’s desk in a handsome 3D printed box. He used a Circuit vinyl cutter to cut out masks so he could airbrush different colours onto the print after sanding down the layer lines. That’s another one for the archive of how to make front panels.

If volume sliders aren’t doing it for you, perhaps you’d prefer to control your audio with a conductor’s baton. 

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