A Speaker With Dancing Ferrofluid

A speaker project isn’t usually very different, but we couldn’t help but notice [Electronoob’s] latest speaker not for its audio performance but because it features dancing ferrofluid and is an unusual work of art. The housing is 3D printed and includes some translucent portions for LEDs.You can see and hear the speaker at work in the video below.

Apparently, not all ferrofluid is created equal. You can get just the fluid, but then you have to work up some sort of carrier fluid. You can also get the material already in a glass with a carrier fluid, which is a better option. Apparently, you can also get cheap material that is little more than iron filings suspended in a liquid. That’s not really ferrofluid.

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Hacking Fake Food

Ever seen a restaurant where they display fake models of the food on the menu? We never thought much about how shokuhin sampuru — the Japanese name — were made until we watched [Process X]’s video showing a 71-year-old artist creating food models. We aren’t sure what we — or you — would do with this information, but it is a striking process, and there must be something you could do with it. We suggest turning on the English captions, but you’d probably enjoy watching the unusual craftsmanship even with no words.

In years past, the food models were primarily made from wax, but since the 1980s, it is more common to use polyvinyl chloride, silicone, and resin. While some factories produce items, sometimes with a mold, single craftsmen like the one in the video still make up the largest part of the market.

We aren’t sure, but we think the material in the video is wax. We couldn’t help but think that some of this could have been 3D printed, but even with the finest resins and resolution, it probably wouldn’t be quite as artistic. We think wax is mainly underutilized in today’s tech. But there are some places it still shows up.

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This Kinetic Art Display Uses A Gin Bottle

[David McDaid] likes gin. So in homage to their favourite tipple, a certain brand of Scottish origin, a kinetic art project was brewed. Tabled as a Rube Goldberg machine — it’s not — but it is a very smart marble run type installation, dripping with 3D printed parts and a sprinkling of blinkenlights.

The write-up shows the degree of pain we go through with building such contraptions, apparently [David] burned through 2.5 kg of PLA filament despite the bill of materials requiring a mere 660 g. Much experimentation, trial and error, and plenty of print-and-reprint-until-good-enough, resulted in a clean looking run with some neat features. We particularly like the use of a stainless steel jigger to add a touch of metallic ting, to the soundscape produced. The whole show was put together in Fusion 360, since all those tight tolerances do not make for a simple construction without a lot of fiddling around with the layout. Once it was a sound, layout was prototyped on a wood board, which was subsequently used a drill template for the final acrylic version.

On the electronics side of things, an Arduino Nano clone is on control duty, reading an IR trip sensor to fire of a simple light effect, illuminating the gin bottle in a slick fashion. These machines need a mechanism to raise the balls against that pesky force of gravity, in this instance a 3D printed custom chain was constructed, driven with a stepper motor in turn driven from a TMC2208. You see, this thing lives in the kitchen, so the aim was to keep all the noise from the mechanics to a minimum so only the noise of LDPE balls rattling around can be heard. They are the star of the show after all! The build looks nice and would certainly be something we’d like to see on the wall. Obviously we’ve seen a few marble runs over the years. Here’s an interesting one that uses an elevator mechanism, and another project that shows how to generate runs procedurally.

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Old Film Camera Modified For Different Chemistry

While most photographers have moved on to digital cameras with their numerous benefits, there are a few artists out there still taking pictures with film. While film is among the more well-known analog photographic methods available, there are chemically simpler ways of taking pictures available for those willing to experiment a little bit. Cyanotype photography is one of these methods, and as [JGJMatt] shows, it only takes a few commonly available chemicals, some paper, and a slightly modified box camera to get started.

Cyanotype photography works by adding UV-reactive chemicals to paper and exposing the paper similarly to how film would be exposed. The photographs come out blue wherever the paper wasn’t exposed and white where it was. Before mixing up chemicals and taking photos, though, [JGJMatt] needed to restore an old Kodak Brownie camera, designed to use a now expensive type of film. Once the camera is cleaned up, only a few modifications are needed to adapt it to the cyanotype method, one of which involves placing a magnet on the shutter to keep it open for the longer exposure times needed for this type of photography. There is some development to do on these pictures, but it’s relatively simple to do in comparison to more traditional chemical film development.

For anyone looking for a different way of taking photographs, or even those looking for a method of taking analog pictures without the hassle of developing film or creating a darkroom, cyanotype offers a much easier entry point and plenty of artists creating images with this method don’t use a camera at all. There are plenty of other photographic chemistries to explore as well; one of our favorites uses platinum to create striking black-and-white photos.

Denim Epoxy Table Is A Work Of Art

Epoxy has become a hugely popular material in the woodworking and furniture worlds. Who doesn’t love glossy, translucent finishes, after all? [Cam] recently spotted some neat combinations of epoxy with denim, and decided to see if he could replicate the technique to create a very unique desk. We’d say he succeeded.

A significant amount of material was involved, with [Cam] claiming he used 1,000 square feet of denim and 20 gallons of epoxy. The denim was sourced as a bulk roll, making it easy to cut to the proper size to make the desk. Liquid Glass epoxy was used for its visual qualities and its hard-wearing nature.

Combining the two materials was a challenging task. The 50 layers of denim had to be squeegeed one at a time to remove excess epoxy, a process made harder by the thickness of the material. Once all laid up, the stack of denim was compressed between sheets of wood, leading to an epoxy spill of monumental proportions.

Regardless, when the final desk was cleaned up and polished, the results were well worth the trouble. It looks like some kind of crazy denim gem thanks to the rich shine and perfect grain. It’s a material we’d like to play with ourselves.

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Where Old Files Go To Die

We all lead digital lives, and we work in and on files of one sort or another. And sometimes we get attached to them. That long manifesto you poured your heart into, but nonetheless probably shouldn’t see the light of day? Love letters from former flames? Your first favorite video game that you can’t play any more, but it just sits there eating up drive space?

These are the files that are important enough that they deserve better than just a drag-and-drop into the trashcan. They deserve to be buried with dignity, and that’s just what [Ulf Schleth]’s /death/null offers us – a digital graveyard where our files no longer exist as they were, but still are allowed to linger in memory.

This is an old project, but one that tickled our funny  and poignant bones in equal parts. The pun on /dev/null probably works just a little better if you read both filepaths with a German accent in your head, but the idea translates anyway.

To use it, you simply upload your file and it gets sent to the great trashcan in the sky, but along the way a 4 x 5 matrix of colored blocks is created that represents the file, and it is registered forever in the graveyard, where you can check up on it any time you like. Of course you can’t read it – only 20 RGB triples remain – but you have the digital “gravestone” as commemoration.

Even if you don’t have any loved ones in [Ulf]’s graveyard, you can walk by and see which files others have chosen to remember. Swing on by and pay your respects to notepad.exe.

Sand Drawing Plotter Runs On ESP32

Humans have always drawn lines in the sand, whether it’s to communicate a plan of attack or to indicate metaphorically a very real boundary. It’s also something we do just for the aesthetic pleasure, and this plotter from [aidenvigue] is great at performing in just that role.

The plotter traces patterns in the circular sand tray by dragging a small marble with a magnet. This is achieved with a pair of NEMA 17 stepper motors, set up in a polar coordinate fashion. One stepper motor controls the angle, while another motor controls the marble’s distance from the center point of the circle. It’s a simple way to build a circular plotter, and works far better than a Cartesian setup would for this geometry. The build uses an ESP32 as the brains of the operation. It hosts a web interface that allows various patterns to be selected and run on the device. It also runs a set of addressable SK6812 LEDs that light the sand rather nicely.

We’ve seen some great sand plotters before, and have always been particular fans of the larger variety. Video after the break.

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