Teardown: KC Bearifone Could Talk Circles Around Teddy Ruxpin

At the risk of dating myself, I will tell you that grew up in the 80s — that decade of excess that was half drab and half brightly colored, depending on where you looked, and how much money you had for stuff like Memphis design. Technology seemed to move quickly in almost every aspect of life as the people of the Me decade demanded convenience, variety, and style in everything from their toilet paper (remember the colors?) to their telephones. Even though long distance cost a fortune back then, we were encouraged to ‘reach out and touch someone’.

A Healthy Fear of Bears

Looking back, it’s easy to see how all that advanced technology and excess filtered down to children. I may be biased, but the 80s were a pretty awesome time for toys, and for children’s entertainment in general. Not only were the toys mostly still well-made, even those that came in quarter machines — many of them were technologically amazing.

Take Teddy Ruxpin, which debuted in 1985. Teddy was the world’s first animatronic children’s toy, a bear that would read stories aloud from special cassette tapes, which moved his eyes and mouth along with the words. One track contained the audio, and the other controlled three servos in his face.

I remember watching the commercials and imagining Teddy suddenly switching from some boring bedtime story over to a rockin’ musical number a là the animatronic Rock-afire Explosion band at ShowBiz Pizza (a Chuck E. Cheese competitor). That’s the kind of night I wanted to be having.

The current lineup of the Rock-afire Explosion. Image via Servo Magazine

Although I went to ShowBiz a fair number of times to play Skee-Ball and stare at the Rock-afire Explosion animals and their cool set pieces, I never did have a Teddy Ruxpin. I remember being torn between wanting one and thinking they were kind of scary, which in turn made me a bit tangentially afraid of the Snuggle bear. When it came down to it, Teddy simply cost too much — $69.99 for the bear alone, and another $20 for a single cassette with storybook. And that’s 1985 dollars — according to my favorite inflation calculator, that’s $250 in today’s money for a talking bear and one lousy story.

Which brings us to KC Bearifone, an animatronic teddy bear telephone. Honestly, part of the reason I bought the Bearifone was some sort of false nostalgia for Teddy. The main reason is that I wanted to own a Teleconcepts unit of some kind, and this one seemed like the most fun to mess around with. A robot teddy bear that only does speakerphone? Yes, please.

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How Far Can You Push A £500 Small Electric Car; Four Years Of The Hacky Racer

Four years ago when the idea of a pandemic was something which only worried a few epidemiologists, a group of British hardware hackers and robotic combat enthusiasts came up with an idea. They would take inspiration from the American Power Racing Series to create their own small electric racing formula. Hacky Racers became a rougher version of its transatlantic cousin racing on mixed surfaces rather than tarmac, and as an inaugural meeting that first group of racers convened on a cider farm in Somerset to give it a try. Last weekend they were back at the same farm after four years of Hacky Racer development with racing having been interrupted by the pandemic, and Hackaday came along once more to see how the cars had evolved. Continue reading “How Far Can You Push A £500 Small Electric Car; Four Years Of The Hacky Racer”

Edging Ahead When Learning On The Edge

“With the power of edge AI in the palm of your hand, your business will be unstoppable.

That’s what the marketing seems to read like for artificial intelligence companies. Everyone seems to have cloud-scale AI-powered business intelligence analytics at the edge. While sounding impressive, we’re not convinced that marketing mumbo jumbo means anything. But what does AI on edge devices look like these days?

Being on the edge just means that the actual AI evaluation and maybe even fine-tuning runs locally on a user’s device rather than in some cloud environment. This is a double win, both for the business and for the user. Privacy can more easily be preserved as less information is transmitted back to a central location. Additionally, the AI can work in scenarios where a server somewhere might not be accessible or provide a response quickly enough.

Google and Apple have their own AI libraries, ML Kit and Core ML, respectively. There are tools to convert Tensorflow, PyTorch, XGBoost, and LibSVM models into formats that CoreML and ML Kit understand. But other solutions try to provide a platform-agnostic layer for training and evaluation. We’ve also previously covered Tensorflow Lite (TFL), a trimmed-down version of Tensorflow, which has matured considerably since 2017.

For this article, we’ll be looking at PyTorch Live (PTL), a slimmed-down framework for adding PyTorch models to smartphones. Unlike TFL (which can run on RPi and in a browser), PTL is focused entirely on Android and iOS and offers tight integration. It uses a react-native backed environment which means that it is heavily geared towards the node.js world.

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Rogue Waves Are Mysterious And Big

Stand by the shore and watch the waves roll in, and you’ll notice that most come in at roughly the same size. There’s a little variation, but the overwhelming majority don’t stand out from the crowd. On all but the stormiest of days, they have an almost soothing regularity about them.

Every so often though, out on the high seas, a rogue wave comes along. These abnormally large waves can strike with surprise, and are dangerous to even the largest of ships. Research is ongoing as to what creates these waves, and how they might be identified and tracked ahead of time.

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Making The Case For COBOL

Perhaps rather unexpectedly, on the 14th of March this year the GCC mailing list received an announcement regarding the release of the first ever COBOL front-end for the GCC compiler. For the uninitiated, COBOL saw its first release in 1959, making it with 63 years one of the oldest programming language that is still in regular use. The reason for its persistence is mostly due to its focus from the beginning as a transaction-oriented, domain specific language (DSL).

Its acronym stands for Common Business-Oriented Language, which clearly references the domain it targets. Even with the current COBOL 2014 standard, it is still essentially the same primarily transaction-oriented language, while adding support for structured, procedural and object-oriented programming styles. Deriving most of its core from Admiral Grace Hopper‘s FLOW-MATIC  language, it allows for efficiently describing business logic as one would encounter at financial institutions or businesses, in clear English.

Unlike the older GnuCOBOL project – which translates COBOL to C – the new GCC-COBOL front-end project does away with  that intermediate step, and directly compiles COBOL source code into binary code. All of which may raise the question of why an entire man-year was invested in this effort for a language which has been declared ‘dead’ for  probably at least half its 63-year existence.

Does it make sense to learn or even use COBOL today? Do we need a new COBOL compiler?

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Auditory Brainstem Implants: The Other Bionic Hearing Device

You might have heard of the cochlear implant. It’s an electronic device also referred to as a neuroprosthesis, serving as a bionic replacement for the human ear. These implants have brought an improved sense of hearing to hundreds of thousands around the world.

However, the cochlear implant isn’t the only game in town. The auditory brain stem implant is another device that promises to bring a sense of sound to those without it, albeit by a different route.

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The Joy Of Broadcast Media Vs. The Paradox Of Choice

The rise of streaming services on the Internet was a revolutionary shift when it came to the world of media. No more would content be pumped in to homes in a one-way fashion, broadcast by major conglomerates and government-run organizations. Instead, individuals would be free to hunt for content suiting their own desires on an all-you-can-watch basis.

It’s led to a paradigm shift in the way we consume media. However, it’s also led to immense frustration thanks to the overwhelming amount of content on offer.  Let’s take a look at why that is, and some creative ways you can get around the problem.

The Paradox of Choice

Many find the masses of content on streaming services to be overwhelming to choose from. Credit: author screenshot

Traditionally, when it came to media, there were two major arms of delivery: broadcast, and home media. One might listen to the radio, or flick on the TV, or alternatively, spin up a record, or select a movie to watch on tape. If none of those options  sufficed, one might take a walk down to the local video store to rent something more appealing.

Fundamentally, it was an era in which choices were limited. There were a handful of TV stations to choose from, and if nothing good was on, you could go as far as finding something watchable on tape or going without. Many will remember afternoons and evenings spent watching reruns or a Friday night movie that had been on a million times before. Some shows went as far as becoming legends for their seemingly endless replay, from The Simpsons to M*A*S*H. 

As the Internet grew, though, the game started to change. Torrent websites and streaming services came along, offering up the sum total of the world’s cultural output for free, or for a nominal cost for those averse to piracy. Suddenly when it came to choosing a movie to watch, one wasn’t limited to the five or so films on at the local cinema, nor what was left on the shelves at the local video rental. Instead, virtually any movie, from the invention of the format, could be yours to watch at a moment’s notice.

With so many options on the table, many of us find it harder to choose. It’s an idea popularly known as the Paradox of Choice, a term popularized by US psychologist Barry Schwartz in 2004. When our options are limited to a select few, choice is easy. They can quickly be compared and ranked and an ideal option chosen.

Add thousands of choices to the pile, and the job escalates in complexity to the point of becoming overwhelming. With so many different choices to contrast and compare, finding the mythical right choice becomes practically impossible. Continue reading “The Joy Of Broadcast Media Vs. The Paradox Of Choice”