This excellent content from the Hackaday writing crew highlights recurring topics and popular series like Linux-Fu, 3D-Printering, Hackaday Links, This Week in Security, Inputs of Interest, Profiles in Science, Retrotechtacular, Ask Hackaday, Teardowns, Reviews, and many more.
Elliot was of at Europe’s largest hacker convention: Chaos Communication Congress. He had an awesome time, saw more projects than you might think humanely possible, and got the flu. But he pulled through and put this audio tourbook for you.
So if you’ve never been to CCC, give it a listen!
In the far future, all the cool kids will be downloading MP3s of their favorite podcasts.
Continue reading “Hackaday Podcast Ep 351: Hackaday Goes To Chaos Communication Congress”
Our computers can display an astonishing range of symbols. Unicode alone defines more than 150,000 characters, covering everything from mathematical operators and phonetic alphabets to emoji and obscure historical scripts. Our keyboards, on the other hand, remain stubbornly limited to a few dozen keys.
On Windows, the traditional workaround involves memorizing numeric codes or digging through character maps. Linux, being Linux, offers something far more flexible: XCompose. It’s one of those powerful, quietly brilliant features that’s been around forever, works almost everywhere, and somehow still feels like a secret.
XCompose is part of the X11 input system. It lets you define compose sequences: short key sequences that produce a Unicode character. Think of it as a programmable “dead key” system on steroids. This can be as simple as programming an ‘E’ to produce a Euro sign or as complex as converting “flower” into a little flower emoji. Even though the system originated with X11, I’ve been told that it mostly works with Wayland, too. So let’s look deeper.
A friend of mine is producing a series of HOWTO videos for an open source project, and discovered that he needed a better microphone than the one built into his laptop. Upon searching, he was faced with a bewildering array of peripherals aimed at would-be podcasters, influencers, and content creators, many of which appeared to be well-packaged versions of very cheap genericised items such as you can find on AliExpress.
If an experienced electronic engineer finds himself baffled when buying a microphone, what chance does a less-informed member of the public have! It’s time to shed some light on the matter, and to move for the first time in this series from the playback into the recording half of the audio world. Let’s consider the microphone.
A microphone is simply a device for converting the pressure variations in the air created by sounds, into electrical impulses that can be recorded. They will always be accompanied by some kind of signal conditioning preamplifier, but in this instance we’re considering the physical microphone itself. There are a variety of different types of microphone in use, and after a short look at microphone history and a discussion of what makes a good microphone, we’ll consider a few of them in detail. Continue reading “Know Audio: Microphone Basics”
The astute among you may remember an earlier version of this Russian beauty, the Lapa, which I featured last year around this time. Creator [lemosbor] claims that the worry was less about visual beauty and more about ergonomics. Way more. Well then, let this serve rather nicely as a textbook definition of that old form-follows-function principle.
See, [lemosbor] believes that the keyboard must adapt to the hands and not the other way around. The main goals were to minimize hand and finger movement as well as the visual attention required of the keyboard itself. No, there were never going to be any screens or RGB, and there likely never will be.
But I refuse to sidestep the obvious beauty in this keyboard, which from the side resembles a stylish and expensive pair of slightly-heeled shoes that were tailored to the contours of the human hand. And let’s not forget those handmade, oval keycaps, which again are a product of form-follows-function.
Continue reading “Keebin’ With Kristina: The One With The Keyboard-Mouse, Again”
What do you look for in a travel keyboard? For me, it has to be split, though this condition most immediately demands a carrying solution of some kind. Wirelessness I can take or leave, so it’s nice to have both options available. And of course, bonus points if it looks so good that people interrupt me to ask questions.
You’ll see a couple of really neat features, like swing-out tenting feet, a trackpoint, rotary encoders, and the best part of all — a carrying case that doubles as a laptop stand. Sweet!
Eight years in the making, this is the fifth in a series, thus the name: the P stands for Portability; the S for Split. [kleshwong] believes that 36 keys is just right, as long as you have what you need on various layers.
So, do what you can in the like/share/subscribe realm so we can all see the GitHub come to pass, would you? Here’s the spot to watch, and you can enjoy looking through the previous versions while you wait with your forks and stars.
Continue reading “Keebin’ With Kristina: The One With The Ultimate Portable Split”
There’s an interesting cultural observation to be made as a writer based in Europe, that we like our sans-serif fonts, while our American friends seem to prefer a font with a serif. It’s something that was particularly noticeable in the days of print advertising, and it becomes very obvious when looking at government documents.
We’ve brought together two 1980s patents from the respective sources to illustrate this, the American RSA encryption patent, and the British drive circuitry patent for the Sinclair flat screen CRT. The American one uses Times New Roman, while the British one uses a sans-serif font which we’re guessing may be Arial. The odd thing is in both cases they exude formality and authority to their respective audiences, but Americans see the sans-serif font as less formal and Europeans see the serif version as old-fashioned. If you thought Brits and Americans were divided by a common language, evidently it runs much deeper than that. Continue reading “Ask Hackaday: What Goes Into A Legible Font, And Why Does It Matter?”
It’s amazing how fragile our digital lives can be, and how quickly they can fall to pieces. Case in point: the digital dilemma that Paris Buttfield-Addison found himself in last week, which denied him access to 20 years of photographs, messages, documents, and general access to the Apple ecosystem. According to Paris, the whole thing started when he tried to redeem a $500 Apple gift card in exchange for 6 TB of iCloud storage. The gift card purchase didn’t go through, and shortly thereafter, the account was locked, effectively bricking his $30,000 collection of iGadgets and rendering his massive trove of iCloud data inaccessible. Decades of loyalty to the Apple ecosystem, gone in a heartbeat.
