Getting Root On Linux Amplifier Adds New Inputs

February 3, 2022 by Tom Nardi 26 Comments

We remember when getting Linux on your average desktop computer was a tricky enough endeavor that only those with the most luxurious of graybeards would even attempt it. A “Linux box” in those heady days was more than likely an outdated machine salvaged from the dumpster, side panel forever removed, cranking away in a basement or garage. Fast forward today, and Linux is literally everywhere: from smartphones and luxury cars, to TVs and refrigerators. Ironically it’s still not on most desktop computers, but that’s a discussion for another time.

So when [Michael Nothhard] sent in the fascinating account of how he hacked his Linux-powered Bluesound Powernode N150 amplifier to unlock more inputs, the least surprising element was that there was a “smart amplifier” out there running the free and open source operating system. What piqued our interest was that he was able to bust his way in with relative ease and enable some impressive new capabilities that the manufacturer would probably have rather been kept under wraps.

Configuring the CM6206’s audio settings.

[Michael] explains that the N150 has a USB port on the back side of it, and that officially, it only works with mass storage devices and a handful of approved peripherals such as a Bluetooth dongle. But as he was hoping to connect some more devices to the input-limited amplifier, he wondered if he could get a USB audio adapter recognized by the OS. After using a known exploit to get root access, he started poking around at the underlying Linux system to see what kind of trickery the developers had done.

Based on a fairly common C-Media CM6206 chipset, the StarTech 7.1 USB audio adapter was picked up by the kernel without an issue. But to actually get it working with the amplifier’s stock software, he then needed to add a new <capture> entry to the system’s sovi_info.xml configuration file and make some changes to its default ALSA settings. With the appropriate files modified, the new USB audio input device popped up under the official Bluesound smartphone application.

At the end of the write-up [Michael] notes that you’ll need to jump through a few additional hoops to make sure that an upstream firmware update doesn’t wipe all your hard work. Luckily it sounds like backing up the configuration and returning it to the newly flashed Powernode is easy enough. We’ve certainly seen more elaborate methods of gaining control of one’s sound system over the years.

Know Audio: A Mess Of Cables

February 2, 2022 by Jenny List 99 Comments

We’ve now spent several months in this series journeying through the world of audio, and along the way we’ve looked at the various parts of a Hi-Fi system from the speaker backwards to the source. It’s been an enjoyable ride full of technical detail and examining Hi-Fi myths in equal measure, but now it’s time to descend into one of the simplest yet most controversial areas of audio reproduction. Every audio component, whether digital or analogue, must be connected into whatever system it is part of, and this is the job of audio cables, sometimes referred to as interconnects. They are probably the single component most susceptible to tenuous claims about their performance, with audiophiles prepared to spend vast sums on cables claimed to deliver that extra bit of listening performance. Is there something in it, or are they all the same bits of wire with the expensive ones being a scam? Time to take a look.

What Makes A Nearly Good Cable

In a typical domestic audio system with digital and analogue signals you might expect to find two types of cable, electrical interconnects that could carry either analogue or digital signals, and optical ones for digital signals. We’re here to talk about the electrical cables here as they’re the ones used for analogue signals, so lets start with a little transmission line theory. Continue reading “Know Audio: A Mess Of Cables” →

Ray's panels on the wall - circles of different sizes (from 60 to 15cm in diameter) covered by fabric of different shades, their arrangement vaguely resembling a cloud.

DIY Acoustic Panels Or Modern Artwork? Can’t Tell

January 31, 2022 by Arya Voronova 25 Comments

The acoustic properties of a room have a surprising impact when you want to use a microphone. [RayP24]’s son was trying to make his bedroom into a better recording studio, and for [Ray], that turned into an artfully-executed wall panel project. Fortunately, the process is documented so we all can learn from it. When it comes to acoustics, you can often get a whole lot of improvement from surprisingly few changes. And, as this project demonstrates, you can make it look like a decorative piece to boot.

When arranged and placed on the wall, these panels look like an art piece, a decoration you could get from a somewhat fancy store. If you show them to someone, they might not believe that they also serve as a functioning home acoustics improvement, dampening the sound quite well for audio recording needs. The panels are built out of individual circles, cut out in a way that uses as much of a 3/16″ (5mm) plywood sheet as possible, with hollow circles serving as frames to attach foam-backed fabric. In the Instructables post, [Ray] talks quite a bit about how you can assemble your own and what liberties you can take. There’s also a short video accompanying this project, which you can see after the break. This project is begging to be recreated.

There’s a sizeable amount of hacking-meets-home improvement-meets-home acoustics projects out there, especially lately, when so many people are stuck at home for one reason or another. Just a few months ago, we covered another marvelous “art piece turned reverb killer” project operating by a slightly different principle, and also going a bit more into the theory. Perhaps in a few years, we will no longer have to build panels or structures for our soundproofing needs, as purpose-grown mycelium shapes will do that for us. And once it becomes a question of where to hang your newly-built acoustic panels, this simple guide is a good place to start.

Continue reading “DIY Acoustic Panels Or Modern Artwork? Can’t Tell” →

Adding WiFi Remote Control To Home Electronics? Be Prepared To Troubleshoot

January 19, 2022 by Donald Papp 32 Comments

[Alex] recently gave a Marantz audio amplifier the ability to be remotely-controlled via WiFi by interfacing an ESP32 board to a handy port, but the process highlights how interfacing to existing hardware often runs into little, unforeseeable problems that can sink the project unless solved.

At its core, the project uses an ESP32 and the ESPAsyncWebServer project to create a handy web interface that is accessible over WiFi. Then, to actually control the amplifier, [Alex] decoded the IR-based remote signals by watching the unit’s REMOTE ports, which are intended as a pass-through and repeater for IR signals to other Marantz units. This functionality can be exploited; by sending the right signals to the REMOTE IN port, the unit can be controlled by the ESP32. With the ESP32 itself accessible by just about any WiFi device, [Alex] gains the freedom to control his amplifier with much greater flexibility than just the IR remote would offer.

Sounds fairly straightforward, but as usual when interfacing to an existing piece of electronics, there were a few glitches. The first was that high and inconsistent latency (from 10 ms to 100 ms) made controlling the amplifier a sometimes frustrating experience, but that was solved by disabling power saving on the WiFi interface. Another issue was that sending signals by connecting a GPIO pin to the REMOTE IN port of the amplifier worked, but had the side effect of causing the amplifier to no longer listen to the IR remote. Apparently, current flowing from the REMOTE port to the ESP32’s GPIO pin was to blame, because adding a diode in between fixed the problem.

The GitHub repository holds the design files and code. This kind of project can be pretty complex, because the existing hardware doesn’t always play nice, and useful boards like a modern ESP32 aren’t always available. Adding a wireless interface to vintage audio equipment has in the past involved etching circuit boards and considerably more parts.

CEEFAX Lives! (Courtesy Of A Raspberry Pi)

January 7, 2022 by Jenny List 28 Comments

As analogue TV slides from memory, there’s a facet of it that’s fondly remembered by a band of enthusiasts. Teletext was an electronic viewdata information service digitally encoded in the frame blanking period, and a TV set with a decoder chip would provide access to many pages of news and other services all displayed in the characteristic brightly colored block graphics. It went the way of the dinosaur with the demise of analog TV, but for [Nathan Dane] the flame is kept alive with his own private version of the BBC’s CEEFAX service.

He has a particular enthusiasm for analog TV, and as such has his own in-house channel served by a UHF modulator. He shares with us the story of how he arrived at a teletext service, before writing code to scrape the BBC news and weather websites and populate his modern-day CEEFAX. Behind it all is a Raspberry Pi, with a vbit-pi board injecting the teletext signal onto the video, and raspi-teletext creating the pages from source material derived from a set of custom scraper scripts.

We like this project a lot, because while it’s not the first Pi teletext system we’ve encountered, the use of a scraped live feed makes it one of the most creative.

Thanks [kwikius] for the tip!

The Label Says HDMI 2.1 But That Doesn’t Mean You’ll Get It

December 27, 2021 by Lewin Day 48 Comments

Technology moves quickly these days as consumers continue to demand more data and more pixels. We see regular updates to standards for USB and RAM continually coming down the pipeline as the quest for greater performance goes on.

HDMI 2.1 is the latest version of the popular audio-visual interface, and promises a raft of new features and greater performance than preceding versions of the standard. As it turns out, though, buying a new monitor or TV with an HDMI 2.1 logo on the box doesn’t mean you’ll get any of those new features, as discovered by TFT Central.

Continue reading “The Label Says HDMI 2.1 But That Doesn’t Mean You’ll Get It” →

Know Audio: Mixtapes, Tape Loops, And Razor Blades

December 20, 2021 by Jenny List 16 Comments

In our no-nonsense journey through the world of audio technology we’ve so far have looked at digital audio and the vinyl disk recording. What’s missing? Magnetic tape, the once-ubiquitous recording medium that first revolutionised the broadcast and recording industries in the mid-20th-century, and went on to be a mainstay of home audio before spawning the entire field of personal audio. Unless you’re an enthusiast or collector, it’s likely you won’t have a tape deck in your audio setup here in 2021 and you’ll probably be loading your 8-bit games from SD card rather than cassette, but surprisingly there are still plenty of audio cassettes released as novelties or ephemeral collectables.

The Device That Made The Sound Of The Latter Half Of The 20th Century

"Like a travelling razor blade", a Blattnerphone steel-strip tape recorder at the BBC in 1937. Douglas Hallam, Jr., Public domain. — “Like a travelling razor blade”, a Blattnerphone steel-strip tape recorder at the BBC in 1937. Douglas Hallam, Jr., Public domain.

The first magnetic recordings were made directly on metal wires, but metal fatigues as it bends. By coating a flexible plastic tape in ferrous particles, the same simple technique of laying down an audio signal as variations in the magnetic field could be made smaller, lighter, and more robust. But the key to the format’s runaway success is the technical advancements that differentiate those 1950s machines from their wire recorder ancestors.

Whether it is a humble cassette recorder or a top-end studio multitrack, all tape recorders are very similar. There are two reels that hold the tape: the playback reel that houses the recording, and the take-up reel that stores the tape as it plays in the machine. The take-up reel is lightly driven to run faster than the tape speed, and the playback reel has a slight braking force to keep the tape under tension at all times. Continue reading “Know Audio: Mixtapes, Tape Loops, And Razor Blades” →