Prosthetic Spines Become Musical Instruments

July 16, 2013 by Brian Benchoff 4 Comments

spine

[Joseph] and [Ian] have been working on a project that turns physical objects into bendable, snake-like controllers

This build is the culmination of an earlier project that digitally modeled a flexible object with accelerometers, gyroscopes, and IMUs. When we first saw this build, we wondered what it could actually be used for, but it seems [Joseph] and [Ian] came up with a pretty cool use for it: turning prosthetic spines and ribs into musical instruments.

These flexible devices are loaded up with sensors along their joints and are connected to a microcontroller with a Zigbee radio transceiver. The positioning data from these devices is transmitted to a computer where it’s turned into audio, effectively turning a dancer into a musical instrument.

For an art piece, it’s pretty cool, but as a new means of interacting with a computer, we’re thinking this might be a game changer. Imagine a gauntlet loaded up with IMUs being turned into a waldo, or precisely controlling virtual objects naturally with your hand.

The Perils Of Cheap MIDI Adapters

July 11, 2013 by Brian Benchoff 28 Comments

MIDI

[Arvydas] recently bought a Rock Band 3 Wii keyboard thinking it would be an excellent and very inexpensive (£9.99) MIDI controller. The keyboard has a proper DIN-5 MIDI out port, so theoretically the only thing needed to plug this into a computer is a USB to MIDI adapter. Unlike the keyboard, the MIDI adapter was a cheap piece of Chinese cruft, but given some ingenuity and a handful of components, he was able to get everything working.

The 30-year-old MIDI specification includes a few schematics on how to properly connect MIDI devices together. The most important part of these schematics is an optoisolater on the MIDI in, a valuable addition considering early MIDI keyboards cost thousands of dollars. It seems [Arvydas]’ MIDI to USB adapter didn’t include this vital component, instead replacing it with a simple resistor. Anything to keep costs down, right?

To get the MIDI adapter working, [Arvydas] headed over to Maplin and bought an optioisolator, With everything wired up on a breadboard, he got it to work and eventually transplanted the circuit to the adapter’s PCB.

It’s a great piece of work to get this MIDI adapter functioning, especially since it’s doubtful the cheap adapter would have worked with any MIDI device.

From Maple And Spruce To An Archtop Guitar

July 5, 2013 by Brian Benchoff No comments

While the violin maker gets most of the acclaim and prestige for turning lumber into musical instruments, you can’t deny the sheer beauty and grandeur of a jazz-style archtop guitar. Much larger than a violin or viola, the scale of a guitar can still lend itself to the exacting artistry of a master luthier, while adding some interesting engineering challenges not found in smaller stringed instruments.

Last year, [Bert van der Meij] built an archtop guitar for his daughter by following the bible written by a modern master, [Robert Benedetto]. The build began by sourcing huge blocks of quartersawn maple and spruce, carefully carving the spruce for the top and the maple for the back. The neck is made of three laminated strips of maple, carefully contoured with only hand tools.

In [Bert]’s video, there’s some interesting examples of the tools used in the creation of this fine instrument. Instead of carving the inside and outside of the top independently, [Bert] only carved the top and used a drill press set to a certain depth to rough out the back. With only a minimum of planing, this ensures the top has a constant thickness with a minimum of work.

The end product is a fine enough instrument to find its way onto the stage of any jazz club, as shown in a demo video of a few different musicians rocking out. A magnificent piece of work, and a wonderful gift to [Bert]’s daughter.

The Ondes Martenot; Better Than A Theremin

June 25, 2013 by Brian Benchoff 12 Comments

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[Ville] loves the sound of an ondes martenot and decided to build his own. No, it’s not made of vacuum tubes like a 1920s original, this one is made out of a cheap, off-the-shelf analog synth and just a few extra parts.

The ondes martenot is a theremin-like musical instrument; instead of waving your hands around aerials on the theremin, the ondes uses a small ring attached to the player’s finger on a wire loop and a volume lever. The ondes isn’t a common instrument by any means, but Radiohead uses ~~one~~ several in any event.

[Ville] began his build by taking a small, cheap, and new Korg Monotron analog ribbon synth, cracking it open, and reading the schematics. A 100k multiturn pot was wired into the monotron and fastened to a printed paper keyboard with a system of pulleys and a small metal ring. With the multiturn pot wired into the pitch input on the monotron, [Ville] had a semi-accurate and very functional ondes martenot replica.

You can hear [Ville]’s ondes in action after the break. It’s a little rough starting out, but by the time he’s looping multiple phrases it really does sound wonderful.

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Tearing Apart An Organ And Making A MIDI Keyboard

June 25, 2013 by Brian Benchoff 5 Comments

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What do you do if you’re in a band and have an old, dead organ lying around? Build a MIDI foot controller, of course.

After dispensing of the old organ guts, [Mark] mounted the pedals in a handsome road case and started working on the electronics. His first inclination was to mount an Arduino Pro Mini on a piece of stripboard, but after that failed decided to learn Eagle and fabricate a PCB. each key of the organ pedals are connected to a switch read by the Arduino which sends data to a Korg Microsampler over MIDI.

The swell pedal from the organ was also reused, but because the old incandescent light in the pedal was toast, this was replaced with an LED. It still works, allowing [Mark] to do volume swells on his new, fancy, MIDI foot controller.

You can check out a video of the controller below.

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Building A Synth On A Breadboard

June 21, 2013 by Brian Benchoff 12 Comments

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Building an analog synth is a challenge, but with the [Tymkrs] protosynth, it’s easier than ever. It’s a 25-key keyboard attached to a stack of solderless breadboards to make analog synth prototyping a snap.

Earlier, [Tymkrs] acquired a whole bunch of solderless breadboards and decided to put them to use by making a component-level modular synth. The earlier incarnation tied each key on the keyboard to a few wires behind the breadboard and tied them in to a shift register so they could be read with a Propeller dev board loaded up with a Commodore SID emulator. The new version keeps the very clean through-the-back keyboard connector, but this time the [Tymkrs] are adding a few more components that add a sequencer setup and a rotary encoder.

The eventual goal for this really cool breadboard synth is to explore the world of Moogs, Arps, and other analog synths easily on a breadbaord. The [Tymkrs] have already put together a breadboard-compatible low pass and high pass filter. While there’s still a lot of work to be done to make an analog synth a reality, the [Tymkrs] are off to a great start.

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We Should Build Mandolins And Violas

June 20, 2013 by Brian Benchoff 6 Comments

Lutherie is the art of turning strips of maple and spruce into beautiful stringed instruments like the violin, cello, viola, as well as guitars, mandolins, and banjos. Just about anyone can make an electric guitar on a bandsaw, but the skill and precision of building acoustic instruments is something to stand in awe of.

[Helen Michetschläger] builds violins, violas, and cellos in her hometown of Manchester, each one a work of art. Hardly any of her tools would seem out of place in the workshop of [Stradivarius]; everything is made by hand. The scroll on the neck is carved by hand, the inlaid purfling on the edges of the top and back are cut with a knife, not a router, and even the finish – one of [Helen]’s specialties – is applied with a light touch.

Violins are fine, but for the dulcet tones we enjoy, you’ll need the most beautiful instrument ever created, the mandolin. [Tom Ellis] has been making mandolins for over 40 years. After working in the shop of another accomplished luthier, he struck out on his own to build mandolins.

[Tom] does the tuning and setup on all his mandolins, but there is a bit more machinery involved in the creation of his pieces; quite a bit of the routine stuff (bridges, for example) are milled on a CNC, but each instrument still has a hand-built touch.

There’s much more to the luthier’s art than can be presented in a pair of 6-minute videos, so if you have something else that showcases some of the larger, more difficult instruments such as an archtop guitar or a double bass, send them in. We’ll put them up.