Fabric(ated) Drum Machine

January 7, 2020 by Brian McEvoy 3 Comments

Some folks bring out an heirloom table runner when they have company, but what if you sewed your own and made it musical? We’d never put it away! [kAi CHENG] has an Instructable about how to recreate his melodic material, and there is a link to his website, which describes his design process, not just the finished product. We have a video below showing a jam session where he exercises a basic function set.

GarageBand is his DAW of choice, which receives translated MIDI from a Lilypad. If you don’t have a Lilypad, any Arduino based on the ATmega328P chip should work seamlessly. Testing shows that conductive threads in the soft circuit results in an occasional short circuit, but copper tape makes a good conductor at the intersections. Wide metallic strips make for tolerant landing pads beneath modular potentiometers fitted with inviting foam knobs. Each twist controls a loop in GarageBand, and there is a pressure-sensitive pad to change the soundset. Of course, since this is all over MIDI, you can customize to your heart’s content.

MIDI drums come in all shapes and sizes, from a familiar game controller to hand rakes.

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The Hacker History Of Music Technologies

January 6, 2020 by Lewin Day 7 Comments

Music throughout history has been inspired and changed by hackers and makers, and never moreso than in the 20th century. Helen Leigh is one such hacker, who brought a talk to Supercon to give us a crash course in the history of recording, electronics and music, and what the maker movement is doing in the music world today.

The tape recorder was an invention that kicked off a golden period of exploration in sound. Beginning in World War II, the Nazi propaganda machine cut and spliced recorded materials and disseminated them across broadcasting stations in Europe. To the astonishment of the Allies, certain German officials appeared to be making broadcasts from different studios at the same time, due to the high quality of the recording hardware. After the war, this technology was discovered by a group of Parisian recording artists who began to experiment with an art that became known as musique concrète, using tape hardware in weird and wonderful ways to create new sounds heretofore unheard in nature.

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AirBass Lets You Jam Wherever

January 5, 2020 by Kristina Panos 11 Comments

If you play an instrument, you know how rewarding it is to watch and hear yourself reproduce your favorite songs and make new melodies. But you also know how steep the learning curve can be, how difficult it is to learn positions and notes while your body adjusts to the physical side. For stringed instruments, that means gaining muscle memory, growing fingertip calluses, and getting used to awkward arm positions.

For their final project in [Bruce Land]’s class on designing with microcontrollers, [Caitlin, Jackson, and Peter] decided to make a more accessible bass guitar. For starters, it can be placed flat on a table similar to a pedal steel guitar to get around those awkward arm positions. Instead of plucking or slapping the strings, the player wears a glove with a flex resistor on each finger, and plays the string by curling and uncurling their finger.

We think the team’s implementation of the left hand duties and fretboard is pretty clever. Each of the four strings has a break-beam detection circuit, and a single distance sensor decides where the finger is along the fretboard. Another great thing about this backpack-sized bass is that it never needs tuning. If you stay tuned, you can hear [Peter] play “Smoke On the Water” after the break.

There’s more than one way to make an air guitar — this one that does it with LIDAR.

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Baby’s First Jukebox Is Fun For Parents, Too

January 4, 2020 by Kristina Panos 12 Comments

Believe it or not, there’s a $400 toy mp3 player out there for kids. It looks pretty nice, with colorful buttons and a wood console and all, but those features don’t really justify the price tag. [DerThes] wanted one for his 2-year-old anyway, so he made his own ruggedized version for a whole lot less.

The simple and kid-friendly interface lets [DerThes Jr.] choose from one of nine albums to play by pushing one of the candy-colored buttons. The bottom row of buttons handle play/pause and moving through the track list. When mom and dad get tired of listening to whatever the kids are into these days, they can enter the special god mode code to access 99 of their favorite albums.

This baby boombox is built with an Arduino Uno and an Adafruit music maker shield. [DerThes] etched his own PCB to hold the buttons and the pair of shift registers needed to interface them with the Uno. If you’ve never etched before, here’s a good chance to dip your toe in the ferric chloride, because [DerThes] has the transparency in his repo and a line on a nice instructional video.

If you don’t think your toddler is ready to respect a field of momentaries, you could make a jukebox with NFC blocks.

[via Arduino blog]

Turning Sounds From A Flute Into Sheet Music

December 29, 2019 by Sharon Lin 12 Comments

Composing music can be quite difficult – after all, you have to keep in mind all of the elements of musical theory, from time signature and key signature to the correct length for all of the notes. A team of students from Cornell University’s Designing with Microcontrollers class developed a solution for this problem by transcribing sounds from a flute into sheet music.

The project doesn’t simply detect the notes played – it is able to convert the raw audio into a standardized music score complete with accurate note timings and beats per minute. Before transcribing the music, some audio processing was necessary. The team chose to use a Sallen-Key filter to amplify the raw audio input due to its complex conjugate poles. They then used a fast Fourier Transform (FFT) to determine the frequency for the input note, converting the signal from the time domain to the frequency domain.

The algorithm samples the data to generate an input signal, using the ADC on the microcontroller to receive input from the microphone. It takes the real and imaginary components of the sampled signals and outputs a pair of real and imaginary amplitude components corresponding to the sampled frequency, evenly spaced from 0 to the Nyquist rate (half the sampling rate). The spacing of these bins and the bin with the largest amplitude are used to convert the signal back to a real frequency and a MIDI note.

The system uses a PIC32 for the logic. The circuitry for the microphone amplification uses a non-inverting op-amp with a gain of 50 to increase the microphone output signal amplitude from 15 mV to 750 mV to use by the microcontroller’s ADC. The signal is then sent to the anti-aliasing Sallen-Key filter, with a pole at 2.5 kHz and a Q of 1. The frequency was chosen since the FFT samples at 8 kHz and the frequency corresponds to a note out of the range of a flute. As for the filters, only the low pass filter was implemented in hardware. While a bandpass filter could have been implemented in hardware, the team decided on a cleaner software approach.

The project is well-documented on the team’s project page, and it’s certainly worth checking out for more detailed discussions on the keypad controls and the software side of the audio processing. If you want to learn more about the FFT, check out this 2016 Hackaday Prize entry for an FFT spectrum analyezer.

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Need Hackable Melodies? Here’s The TETRIS Theme And More

December 25, 2019 by Donald Papp 3 Comments

[Robson Couto] started to get interested in musical projects and as a side effect created downloadable code with simple notation for a good variety of themes, songs, and melodies. They are all for the Arduino and use only the built-in tone() function, but don’t let that distract you. If you look past that, you’ll see that each sketch is a melody that consists of single notes and durations; easily adapted to other purposes or simply used as-is. After all, [Robson] wanted the source of each tune to be easily understood, easily modified, and to have no external dependencies.

All that may sound a bit like MIDI, but MIDI has much more in common with hardware events than music notation because it includes (among other things) note starts and note ends as separate elements. Converting MIDI into a more usable format was a big part of a project that fed Bach music to a neural network and got surprisingly good results.

When doing music projects, sometimes having a recognizable melody represented very simply as notes and durations with only one note at a time can be an awfully handy resource, and you can find them on GitHub. There’s a brief video of the Tetris theme (actual name: Korobeiniki) being played after the break.

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[Fran] Is Helping Santa Slay This Year

December 22, 2019 by Kristina Panos 3 Comments

We know at least one person who ought to make Santa’s ‘nice’ list this year. [Fran] was probably near the top of it already, but sending Santa a handmade greeting card with a fully-functioning guitar amp inside will probably make him rewrite her name in glitter, or silver Sharpie.

This stocking stuffer-sized amp is based around the LM386 and the bare minimum components necessary to make it rock. Everything is dead-bug soldered and sandwiched between two pieces of card stock. The first version with a single 386 sounded okay, but [Fran] wanted it louder, so she added another stage with a second 386. [Fran] glued the rim of the speaker directly to the card so it can act like a cone and give a better sound than the speaker does by itself.

All Santa needs to rock out is his axe and a small interface made of a 1/4″ jack and a 9 V wired to a 3-pin header that plugs into the card. He can take a break from Christmas music and let some of those cookies digest while he jams. Be sure to check out the build video after the break if you want to stay off the ‘naughty’ list.

Want to make your own musical greeting card? If you can program an ATtiny85, you won’t need much more than that to send a smile. If visual art is more your thing, 3D print them a 2D picture.

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