Jerry Seinfeld dressed up as a honey bee promoting his film Bee Movie.

Retrotechtacular: The $550K Video Conferencing System Used To Make Bee Movie

The modern office environment has shifted in recent years. Employees are routinely asked to collaborate with co-workers half way around the globe and be camera ready, or whatever passes for webcam ready, in order to telecommute when they are out of office. Every office laptop, tablet, or cell phone these days comes equipped with some sort of camera sensor capable of recording at HD resolution. Twenty years ago, that was not the case. Though tech conglomerates like HP had a different idea of teleconferencing to sell back in 2005 dubbed the Halo Collaboration Studio.

The Halo Studio was a collaboration between HP and Dreamworks that was used during the production of Bee Movie. Studio heads at Dreamworks thought it necessary to install the HP teleconferencing solution inside the New York office of Jerry Seinfeld, the writer of the film, as to allow him to avoid long trips to Dreamworks production offices in Los Angeles. According to the HP Halo Collaboration Studio brochure, “Halo actually pays for itself, not only by reducing travel costs, but also by encouraging higher productivity and stronger employee loyalty.” Certainly Dreamworks believed in that sales pitch forĀ Bee Movie, because the upfront asking price left a bit of a sting.

Less of a singular machine, more of an entire dedicated room, the Halo Studio had a $550,000 asking price. It utilized three 1280×960 resolution plasma screens each fitted with a 720p broadcast camera and even included an “executive” table for six. The room lighting solution was also part of the package as the intent was to have all participants appear true to life size on the monitors. The system ran on a dedicated T3 fiber optic connection rated at 45 Mbps that connected to the proprietary Halo Video Exchange Network that gave customers access to 24×7 tech support for the small sum of $30,000 a month.

For more Retrotechtacular stories, check out Dan’s post on the Surveyor 1 documentary. It’s out of this world.

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Fictional Computers: EMERAC Was The Chatbot Of 1957

Movies mirror the time they were made. [ErnieTech] asserts that we can see what people thought about computers back in 1957 by watching the classic Spencer Tracy/Katharine Hepburn movie “Desk Set.” What’s more, he thinks this might be the first movie appearance of a human-like computer. On a side note, in the UK this movie was known as “The Other Woman.”

The story is about an MIT computer expert computerizing a broadcasting company who, of course, finds romance and, at least towards the end, comedy.

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Three 3D printed, spring loaded contraptions sit on a wooden shield. There are arrow shafts connected to the end and a piece of monofilament fishing line extending away from them and through a small eyelet at the edge of. the shield.

How To Shoot Actors With Arrows Sans CGI

Today, movie effects are mostly done in CGI, especially if they’re of the death-defying type. [Tyler Bell] shows us how they shot actors with arrows before CGI.

Almost every medieval movie has someone getting shot with an arrow, but how do you do that non-destructively? [Bell] shows us two primary methods that were used, the pop up rig and steel pronged arrows. The pop up rig is a spring loaded device with one end of an arrow attached that pops up when a mechanism is triggered. [Bell] 3D printed his own version of the mechanism and shows us how it can be used to great effect on shots from the side or rear of the victim.

But what about straight on shots where the rig would be blatantly obvious? That’s when you get to actually shoot the actor (or their stunt double anyway). To do this safely, actors would wear wooden body armor under their costumes and arrows with two small prongs would be shot along a wire into the desired impact site. We appreciate [Bell] using a mannequin for testing before letting his brother shoot him with an arrow. That’s definitely the next level above a trust fall.

We even get a look at using air cannons to launch arrow storms at the end which is particularly epic. Looking for more movie magic? How about the effects from King Kong or Flight of the Navigator?

Thanks to [Xerxes3rd] on Discord for the tip!

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Obscure Sci Fi Robots

Even if you don’t like to build replicas of movie robots, you can often draw inspiration from cinema. Everyone knows Robby the Robot, Gort, and R2D2. But [Atomic Snack Bar] treats us to some lesser-known robots from movies in the 1930s, 40s, and 50s. While we are pretty up on movies, we have to admit that the video, which you can see below, has a few we didn’t know about.

The robots are mostly humanoid. The comedy vampire flick from the 1950s could have inspired Robby, who appeared four years later. The exception that proves the rule is the Twonky which was a TV set turned robot turned mind controller.

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Fictional Computers: Colossus And Guardian

We can learn a lot by looking at how writers and filmmakers imagine technology. While some are closer than others, there are some definite lessons like never make a killer computer without an off switch you can reach. We are especially interested in how computers appear in books, movies, and TV shows, and so in Computers of Fiction, we want to remember with you some of our favorites. This time, we are thinking about the 1970 movie Colossus: The Forbin Project. There were actually two computers: the titular Colossus, which was an American computer, and the Guardian, a similar Soviet computer.

The Story

In the United States, Dr. Forbin has created a supercomputer deep under a mountain. Colossus, the computer, is put in charge of the nuclear arsenal to eliminate human error in the defense of the country. Colossus gathered intelligence, analyzed it, and was able to launch its own missiles.

Colossus realizes there is another system.

Shortly after activation, however, the computer reaches a startling conclusion: “WARN: THERE IS ANOTHER SYSTEM.” It provides coordinates in the Soviet Union. That system is a similar system called Guardian. The computers decide they want to talk to each other. The President decides to allow it, hoping to learn more about the Soviet’s secret computer. The Soviets agree, too, presumably for the same reason. You can watch the original trailer below.

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Retrotechtacular: The Revolutionary Visual Effects Of King Kong

Today, it’s easy to take realistic visual effects in film and TV for granted. Computer-generated imagery (CGI) has all but done away with the traditional camera tricks and miniatures used in decades past, and has become so commonplace in modern productions that there’s a good chance you’ve watched scenes without even realizing they were created partially, or sometimes even entirely, using digital tools.

But things were quite different when King Kong was released in 1933. In her recently released short documentary King Kong: The Practical Effects Wonder, Katie Keenan explains some the groundbreaking techniques used in the legendary film. At a time when audiences were only just becoming accustomed to experiencing sound in theaters, King Kong employed stop-motion animation, matte painting, rear projection, and even primitive robotics to bring the titular character to life in a realistic way.

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Flux capacitor PCB

Back To The Future We Go With This Flux Capacitor PCB Badge

[Arnov] is a huge fan of the Back to the Future franchise, so he wanted some memorabilia from the movie to decorate his work area. Official memorabilia from successful movie franchises can be pretty expensive, so [Arnov] opted to make something himself instead, creating his own flux capacitor PCB badge.Doc Flux Capacitor Schematic from Back to the Future

Fortunately, [Arnov’s] design isn’t as complicated as Doc’s was from the movie (pictured on the right), so it should be a lot easier to replicate. We have a simple LED circuit driven by an 8205S MOSFET and controlled by an ATtiny microcontroller. There’s a small diode for auto-switching between USB and battery power as well as a few current limiting resistors for the LEDs. Fortunately, [Arnov’s] project only requires 0.017 W to power, so no plutonium nuclear reactor is necessary and you can easily power it with a standard coin cell battery or with a USB. That’s quite a relief.

As with many of [Arnov’s] projects, the beauty in its design lies in the detail he places on the PCB layout. In this case, the layout is a bit easier than some of his other work needing only to arrange the blinking LEDs in a “Y” shape to mirror the flux capacitor seen in the movies. He also adds a bit of detail to the silkscreen to help complete the aesthetic.

We think this is worth adding to your PCB badge collection.

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