Have you ever been watching a TV show or a movie and spotted a familiar computer? [James Carter] did and he created a website to help you identify which old computers appear in TV shows and movies. We came across this when researching another post about an old computer and wondered if it was any old movies. It wasn’t.
You can search by computer or by title. There are also ratings about how visible, realistic, and important the computer is for each item. The database only contains fictional works, not commercials or documentaries. The oldest entry we could find was 1950’s Destination Moon which starred a GE Differential Analyzer. Well, also John Archer, we suppose. We assume GE had a good agent as the same computer showed up in Earth vs. the Flying Saucers (1956) and When Worlds Collide (1951). You can see a clip of the computer’s appearance in Earth vs. the Flying Saucers, below.
Continue reading “Computers Go Hollywood”
While you’d be hard pressed to find any serious figures on such things, we’d wager there’s never been a vehicle from a TV show or movie that has been duplicated by fans more than the Staff Jeeps from Jurassic Park. Which is no great surprise: not only do they look cool, but it’s a relatively easy build. A decent paint job and some stickers will turn a stock Wrangler into a “JP Jeep” that John Hammond himself would be proud of.
While no less iconic, there are far fewer DIY builds of the highly customized Ford Explorer “Tour Vehicles”. As a rather large stretch of the film takes place within them, the interiors were much more detailed and bears little resemblance to the stock Explorer. Building a truly screen accurate Jurassic Park Tour Vehicle was considered so difficult that nobody has pulled it off since the movie came out in 1993. That is until [Brock Afentul] of PropCulture decided to take on the challenge.
In an epic journey spanning five years, [Brock] has created what he believes is the most accurate Jurassic Park Tour Vehicle ever produced; and looking at the side by side shots he’s done comparing his Explorer to the ones from the movie, it’s hard to disagree. A massive amount of work went into the interior, leaving essentially nothing untouched. While previous builds have tried to modify the stock dashboard to look like the one from the movie, he built a completely new dash from MDF and foam and coated it in fiberglass. The center console featuring the large display was also faithfully reproduced from the movie, and runs screen accurate animations, maps, and tour information. The seats also had to be replaced, multiple times in fact, as he had a considerable amount of trouble getting somebody to upholster them to his standards.
But perhaps the most difficult component of all was the clear acrylic roof bubble. These were critical to filming the movie, as they not only let the viewer see down into the Tour Vehicles but also let the characters see out during the iconic tyrannosaurus attack. But because the roof bubble was created only for the movie and never existed as a real aftermarket product, it usually gets ignored in Tour Vehicle builds. It’s simply too difficult to produce for most people. The omission of the bubble was always considered a case of artistic license; in the same way nobody expects a replica DeLorean from Back to the Future to actually fly or travel through time.
But [Brock] wanted to take his Tour Vehicle all the way, so he partnered up with a local glass shop that let him rent time in their oven so he could heat up acrylic sheets. Once heated to the appropriate temperature, they could be removed and wrapped around a mold to make the bubble. The process took weeks to perfect, but in the end he and a few friends got the hang of it and were able to produce a gorgeous roof bubble that they fitted to the already very impressive Explorer.
While previous Jurassic Park Tour Vehicle replicas were unquestionably awesome, this build really does take it to the next level. Short of equipping the garage with a movie-accurate super computer, it’s hard to see how the bar can get any higher.
When the apocalypse hits and your power goes out, how are you going to keep yourself entertained? If you are lucky enough to be friends with [stopsendingmejunk], you can just hop on his pedal powered cinema and watch whatever movies you have stored on digital media.
This unit is built around an ordinary bicycle. A friction drive is used to generate the electricity via pedal power. In order to accomplish this, a custom steel stand was fabricated together in order to lift the rear wheel off the ground. A 24V 200W motor is used as the generator. [stopsendingmejunk] manufactured a custom spindle for the motor shaft. The spindle is made from a skateboard wheel. The motor is mounted in such a way that it can be lowered to rub the skateboard wheel against the bicycle wheel. This way when the rear bicycle wheel spins, it also rotates the motor. The motor can be lifted out of the way when cruising around if desired.
The power generated from the motor first runs through a regulator. This takes the variable voltage from the generator and smooths it out to a nice even power signal. This regulated power then charges two Goal Zero Sherpa 100 lithium batteries. The batteries allow for a buffer to allow the movie to continue playing while changing riders. The batteries then power the Optomo 750 projector as well as a set of speakers.
If you know anything about how films are made then you have probably heard about the “green screen” before. The technique is also known as chroma key compositing, and it’s generally used to merge two images or videos together based on color hues. Usually you see an actor filmed in front of a green background. Using video editing software, the editor can then replace that specific green color with another video clip. This makes it look like the actor is in a completely different environment.
It’s no surprise that with computers, this is a very simple task. Any basic video editing software will include a chroma key function, but have you ever wondered how this was accomplished before computers made it so simple? [Tom Scott] posted a video to explain exactly that.
In the early days of film, the studio could film the actor against an entirely black background. Then, they would copy the film over and over using higher and higher contrasts until they end up with a black background, and a white silhouette of the actor. This film could be used as a matte. Working with an optical printer, the studio could then perform a double exposure to combine film of a background with the film of the actor. You can imagine that this was a much more cumbersome process than making a few mouse clicks.
For the green screen effect, studios could actually use specialized optical filters. They could apply one filter that would ignore a specific wavelength of the color green. Then they could film the actor using that filter. The resulting matte could then be combined with the footage of the actor and the background film using the optical printer. It’s very similar to the older style with the black background.
Electronic analog video has some other interesting tricks to perform the same basic effect. [Tom] explains that the analog signal contained information about the various colors that needed to be displayed on the screen. Electronic circuits were built that could watch for a specific color (green) and replace the signal with one from the background video. Studios even went so far as to record both the actor and a model simultaneously, using two cameras that were mechanically linked together to make the same movements. The signals could then be run through this special circuit and the combined image recorded all simultaneously.
There are a few other examples in the video, and the effects that [Tom] uses to describe these old techniques go a long way to help understand the concepts. It’s crazy to think of how complicated this process can be, when nowadays we can do it in minutes with the computers we already have in our homes. Continue reading “How Green Screen Worked Before Computers”
[Patrick] was looking for an easier way to control music and movies on his computer from across the room. There is a huge amount of remote control products that could be purchased to do this, but as a hacker [Patrick] wanted to make something himself. He calls his creation, “Dial” and it’s a simple but elegant solution to the problem.
Dial looks like a small cylindrical container that sits on a flat surface. It’s actually split into a top and bottom cylinder. The bottom acts as a base and stays stationary while the top acts as a dial and a push button. The case was designed in SOLIDWORKS and printed on a 3D printer.
The Dial runs on an Arduino Pro mini with a Bluetooth module. The original prototype used Bluetooth 2.0 and required a recharge after about a day. The latest version uses the Bluetooth low energy spec and can reportedly last several weeks on a single charge. Once the LiPo battery dies, it can be recharged easily once plugged into a USB port.
The mechanical component of the dial is actually an off-the-shelf rotary encoder. The encoder included a built-in push button to make things easier. The firmware is able to detect rotation in either direction, a button press, a double press, and a press-and-hold. This gives five different possible functions.
[Patrick] wrote two pieces of software to handle interaction with the Dial. The first is a C program to deal with the Bluetooth communication. The second is actually a set of Apple scripts to actually handle interaction between the Dial and the various media programs on his computer. This allows the user to more easily write their own scripts for whatever software they want. While this may have read like a product review, the Dial is actually open source! Continue reading “Dial is a Simple and Effective Wireless Media Controller”
Ah, CSI. What other television show could present digital forensics with such two-bit dialogue?
It’s time once again to put on your hacker hats – a red fedora, we guess – and tell us the worst hacker dialogue you’ve seen in movies or TV. We’ve seen a ton of shows and movies where writers and directors spend zero time doing any sort of research in whatever technology they’d like to show off in the story they’re trying to convey. Usually this results in lines like, “I’ll create a GUI interface using Visual Basic. See if I can track an IP address.” It’s technobabble at its best, and horribly misinformed at its worst.
We’re wondering what you, the readers of Hackaday, think are the worst examples of hacker lingo fails. Anything from, ‘Enhance!’ to the frightening real-life quote, “the Internet is not a big truck. It’s a series of tubes.”
We’ll compile your suggestions in a later post, but I’m betting something from Star Trek: Voyager will make the #1 technobabble/hacking lingo fails. There’s just too much in that show that isn’t internally consistent and doesn’t pay any heed to the laws of (fictional) physics. Warp 10, I’m looking at you. Of course there was the wonderful Habbo reference in last week’s Doctor Who, but I’m betting that was intentional as [Moffat] seems pretty up to speed on the tropes and memes of the Interwebs.
About a month ago, we asked you for your take on the worst hacking scenes ever shown on TV or film. The results made for good viewing, albeit with a surprising absence of Lawnmower Man. Now we want some dialogue to go with these horrendous hacking scenes. So, what say you, Hackaday? What are the worst hacking lingo fails you’ve seen or heard? Please be specific about what movie/TV show you’re referencing. Last time some good stuff probably slipped by because people just said a few words without context assuming we’d know exactly what they were referring to.
It’s time to do your best impression of [Comic Book Guy] as you make your case for trash or triumph in big screen hacking scenes. We watch a lot of movies, and it’s hard not to groan when the filmmakers cut corners by doing zero research into what using a computer actually looks like. But then once in a great while you have a team that does its due diligence and puts up a scene that makes sense to those of us in the know. So we’re wondering, what movies do you think have the best hacking scenes, and which ones are the worst offenders? Leave your opinion on the topic in the comments section.
We realize that you can come up with tons of poorly done ones, what we would really like to hear about is who did it right. We’ll get you started with a couple of examples. The image on the upper left is a scene from Tron: Legacy which we think did a fantastic job of portraying actual computer usage. You can read more about the huge amount of work that went into it in this article (via Reddit).
In the lower right is one of the most shady movies scenes that comes to mind. [Hugh Jackman] is compelled to do some ‘hacking’ by [John Travolta] in the movie Swordfish. The caption at the top of the screen is “COMPILER”, and who the heck knows what the rest of that is supposed to be?
On the hardware hacking side, it gets a little more difficult, we would LOVE some examples of hardware hacks or mods done right.