Predicting The A-Bomb: The Cartmill Affair

The cover of the infamous issue of Astounding, March 1944

There’s an upcoming movie, Argylle, about an author whose spy novels are a little too accurate, and she becomes a target of a real-life spy game. We haven’t seen the movie, but it made us think of a similar espionage caper from 1944 involving science fiction author Cleve Cartmill. The whole thing played out in the pages of Astounding magazine (now Analog) and involved several other science fiction luminaries ranging from John W. Campbell to Isaac Asimov. It is a great story about how science is — well, science — and no amount of secrecy or legislation can hide it.

In 1943, Cartmill queried Campbell about the possibility of a story that would be known as “Deadline.” It wasn’t his first story, nor would it be his last. But it nearly put him in a Federal prison. Why?  The story dealt with an atomic bomb.

Nothing New

By itself, that’s probably not a big deal. H.G. Wells wrote “The World Set Free” in 1914, where he predicted nuclear weapons. But in 1914, it wasn’t clear how that would work exactly. Wells mentioned “uranium and thorium” and wrote a reasonable account of the destructive power: Continue reading “Predicting The A-Bomb: The Cartmill Affair”

Sci Fi UI Made Easy With Arwes

Many of us grew up watching Star Trek, marvelling at the beautiful colorful interfaces on the computers that ran the Starship Enterprise. Today’s computer interfaces have certainly grown fancier since the Windows 3.1 and Mac System 7 days, but they’re still nowhere near that gorgeous. The Arwes framework aims to change that, at least where web apps are concerned.

The framework is inspired by the cyberprep and synthwave aesthetics, while drawing from media like TRON: Legacy and Halo. You can get a peek at what it can do on the Arwes website, or look at how it runs on sites like SoulExtract or the Cyber Movie Database. It’s very much about glowing lines, 1980s computer sounds, and screens with animated text fills.

It’s still in an alpha release, and likely isn’t yet ready for business-critical production use. It currently consists of a set of basic components that can be assembled into a functional futuristic website design, but you’ll need some experience to use the tools at hand. There’s a sandbox for experimenting that should help in that regard.

You might just find that it’s the perfect tool to create an interface for your very own cyberdeck, or you might put it to work on your next website design. Either way, if you create something fantastic, don’t hesitate to drop us a line.

 

Announcing: The 2022 Hackaday.io Sci-Fi Contest

Ladies and Gentlemen, Sentient robots, Travellers from the distant future, or Aliens from the outer rim, it’s time to enter the 2022 Hackaday.io Sci-Fi Contest!

We last ran the Sci-Fi contest in the far, far past — before the Voigt-Kampff machine was detecting replicants on the gritty streets of 2019’s LA. Back then, we had some out-of-this-world entries. It’s time for the sequel.

Thanks to Digi-Key, the contest’s sponsor, your best blaster, your coolest costume, or your most righteous robot could win you one of three $150 shopping sprees in their parts warehouse. Create a Hackaday.io project, enter it in the contest, and you’re set. You might as well do that right now, but the contest closes on April 25th.

Sci-Fi is all about the looks, so if it’s purely decorative, be sure to blind us with science (fiction). If your project actually functions, so much the better! Of course we’d like to know how it works and how you made it, so documentation of the project is the other big scoring category. Whatever it is, it’s got to be sci-fi, and it’s got to have some electronics in it.

If you’re looking for inspiration, you could do a lot worse than to check out [Jerome Kelty]’s Animatronic Stargate Helmet, that not coincidentally took the grand prize last time around. It’s an artistic and engineering masterpiece all rolled into one, and the description of how it’s made is just as extensive. [Jochen Alt]’s “Paul” robot isn’t out of any particular sci-fi franchise that we know, but of rolling on one ball and reciting robot poetry, it absolutely should be.

Honorable Mentions

In addition to the overall prizes, we’ll be recognizing the best projects in the following honorable mention categories:

  • Star Star: Whether you’re “beam me up” or “use the force”, fans of either of the “Star” franchises are eligible for this honorable mention.
  • ExoSuit: This category recognizes sci-fi creations that you can wear. Costumes and armor fit in here.
  • Stolen off the Set: If your blaster looks exactly like Han Solo’s, you’re a winner here.  This is the category for your best prop replica.
  • Living in the Future: If your sci-fi device was purely fantasy when imagined, but now it’s realizable, you’re living in the future. A working tricorder or a functioning robot companion would fit in fine here.
  • The Most Important Device: Has no function, but it certainly looks like it does. Just blinking lights that blink back and forth, yet the government spent millions of dollars on it.

You don’t have to tell us where your project fits in. We’ve got you covered.

Engage!

Get started now by creating a project page on Hackaday.io. In the left sidebar of your project page, use the “Submit Project To” button to enter in the 2022 Sci-Fi Contest.

You have from now until April 25, 2022 to get it finished. Of course, if your time machine actually works, you can finish it whenever. Check out the Hackaday.io contest page for all the fine print.

SpaceX Sending Tom Cruise To The Space Station In 2021

Several months after NASA Administrator Jim Bridenstine confirmed the project was in the works, sources are now reporting that Tom Cruise and director Doug Liman will officially be making the trip to the International Space Station in October of 2021 to film scenes for an as of yet untitled movie. Cruise and Liman previously worked together on the science fiction spectacle Edge of Tomorrow in 2014, which may give us a hint at what the duo are planning for their trip to the final frontier.

Industry insiders claim that the two film makers and potentially a female co-star will fly aboard a SpaceX Crew Dragon capsule under the command of Michael López-Alegría, a veteran astronaut who currently holds the American record for number and duration of extra-vehicular activities (EVAs). The mission is being organized by Axiom Space, which previously announced they would perform a series of privately funded flights to the ISS as a precursor to constructing their own commercial expansion to the orbiting laboratory.

Mars One living units under regolith
This never happened.

Of course, with more than a year before liftoff, anything could happen. SpaceX has been linked, officially or otherwise, to several private trips to space that literally and figuratively never got off the ground.

Mars-One was touting concept art that showed a fleet of modified SpaceX Dragons on the Red Planet as far back as 2012, and Elon Musk himself once announced that the Falcon Heavy would send private passengers on a trip around the Moon by the end of 2018. But to date, a pair of NASA astronauts have been the only humans to actually fly on SpaceX hardware.

Undoubtedly, some will see this flight of fancy as a waste of valuable resources. After all, there’s no shortage of scientists and researchers who would be more deserving of trip to a space than Jerry Maguire. But according to Bridenstine, the hope is that a big budget Hollywood film featuring scenes shot on the ISS could do for NASA what Top Gun once did for the Navy:

There was a day when I was in elementary school and I saw Top Gun. From that day, I knew I was going to be a Navy pilot. If we can get Tom Cruise to inspire an elementary kid to join the Navy and be a pilot, why can’t we get Tom Cruise to inspire the next Elon Musk? That’s what we need.

While we might not all agree on who the next generation of engineers should look to for inspiration, the impact that Top Gun had on Navy recruitment in the 80s and 90s is well established. If sending Tom Cruise to space for a few weeks might help inspire more kids to look into a STEM education, it’s probably worth a shot. Though it seems like Tom Hanks and his fellow Apollo 13 crew mates did a respectable enough job celebrating the incredible engineering behind NASA’s greatest triumph without actually going into orbit themselves.

The Birth Of The Modern Robot

When Isaac Asmiov was writing I, Robot, the field of robotics was still in its infancy. As he notes in The Complete Robot, as the field began to mature, it started showing signs of conforming to the popular ideas held by science fiction writers about what robotics ought to be. Notions of humanoid robots, the functions that robots would have in domestic settings, even the ethical quandaries that AI ethicists face today were all themes of early sci-fi writers.

The idea of a robot – at least of automata – predates the field of robotics. The idea of an independent automata may have existed as early as the ancient Egyptians Chinese, and Greeks, who attempted to build self-operated machines that resembled animals and humans. Myths of clay golems in Jewish legends and clay giants in Norse legends perpetuated the idea of an artificial being that could mimic the actions of living creatures. A 400 BC myth from Crete spoke of a man of bronze who guarded their island from pirates.

Continue reading “The Birth Of The Modern Robot”

Patrol The Sprawl With This Battle Ready Cyberdeck

The recent crop of cyberdeck builds are inspired, at least tangentially, by William Gibson’s novel Neuromancer and its subsequent sequels. In the novels, the decks are used as mobile terminals to access the virtual reality of cyberspace. In our world, they’re usually just quasi-retro boxes with Raspberry Pis in them. Artistic license and all that. But the “XMT-19 Cutlass”, a deck built by [CaptNumbNutz], attempts to hew more closely to the source material than most builds we’ve seen.

Of course it won’t be transporting you into the matrix, and ultimately it’s still just a casemod for the Raspberry Pi. But at least it does a fantastic job of fitting the Neuromancer motif. The design is supposed to look like the XMT-19 was a piece of high-tech military hardware that was later co-opted by a cyberspace cowboy operating in the urban megatropolis that Gibson called the Sprawl, with exposed wiring and a visual mish-mash of components.

If you can believe it, the build started out as a locking clipboard of all things. From there, [CaptNumbNutz] started layering on the hand-cut foam greebles and spraying on the WWII inspired color scheme. We especially like the yellow tips on the antennas that invoke the propellers of vintage airplanes, and the serial number stenciled onto the bottom. In a departure from basically every other cyberdeck we’ve seen to date, there appear to be no 3D printed elements on the XMT-19; all the parts are hand made with nothing more than an a sharp knife and a heap of patience.

In terms of the electronics, the whole build has been greatly simplified by the use of a SmartiPi Touch case, which integrates the Pi and touch screen into a single hinged unit that just needed to get bolted to the top of the deck. Plus it gave him an excuse to put a big rainbow ribbon cable on the back of it to reach the Pi’s GPIO ports, which as you know, instantly makes everything look more retro-futuristic.

It might not be packing the raw power of the Intel NUC cyberdeck we covered last year, or have the convincingly vintage look of the VirtuScope, but we’d take the XMT-19 Cutlass into the matrix any day.

Designing Sci-Fi Hack Chat

Join us on Wednesday, October 9 at noon Pacific for the Designing Sci-Fi Hack Chat with Seth Molson!

We all know the feeling of watching a movie set in a galaxy far, far away and seeing something that makes us say, “That’s not realistic at all!” The irony of watching human actors dressed up as alien creatures prancing across a fantasy landscape and expecting realism is lost on us as we willingly suspend disbelief in order to get into the story; seeing something in that artificial world that looks cheesy or goofy can shock you out of that state and ruin the compact between filmmaker and audience.

Perhaps nowhere do things get riskier for filmmakers than the design of the user interfaces of sci-fi and fantasy sets. Be they the control panels of spacecraft, consoles for futuristic computers, or even simply the screens of phones that are yet to be, sci-fi UI design can make or break a movie. The job of designing a sci-fi set used to be as simple as wiring up strings of blinkenlights; now, the job falls to a dedicated artist called a Playback Designer who can create something that looks fresh and new but still plausible to audiences used to interacting with technology that earlier generations couldn’t have dreamed of.

Seth Molson​ is one such artist, and you’ve probably seen some of his work on shows such as TimelessStargate Universe, and recently Netflix’s reboot of Lost in Space. When tasked to deliver control panels for spacecraft and systems that exist only in a writer’s mind, Seth sits down with graphics and animation software to make it happen.

Join us as we take a look behind the scenes with Seth and find out exactly what it’s like to be a Playback Designer. Find out what Seth’s toolchain looks like, how he interacts with the rest of the production design crew to come up with a consistent and believable look and feel for interfaces, and what it’s like to design futures that only exist — for now — in someone’s imagination.

join-hack-chatOur Hack Chats are live community events in the Hackaday.io Hack Chat group messaging. This week we’ll be sitting down on Wednesday, October 9 at 12:00 PM Pacific time. If time zones have got you down, we have a handy time zone converter.

Click that speech bubble to the right, and you’ll be taken directly to the Hack Chat group on Hackaday.io. You don’t have to wait until Wednesday; join whenever you want and you can see what the community is talking about.