RIAA Pays Out $108,000 To P2P Lawsuit Defendant


[Tanya Andersen], the defendant in Atlantic v. Andersen, has finally been paid $107,951 for reimbursement of legal fees. RIAA lawyers had appealed to get the amount reduced and originally offered $30,000 then $60,000, but [Andersen]’s lawyers convinced the judge to uphold the six-figure sum.

This is a significant setback for industry lawyers who often use illegal discovery techniques and have been criticized for using overly-litigious legal strategies to force defendants to settle. Sadly though, the payout only covers [Andersen]’s legal fees and doesn’t offer any compensation for damages, but a counter-suit filed in Portland, Oregon seeks exactly that. Here’s hoping her lawyers [Lory Lybeck] and [Ben Justus] continue to set favorable legal precedents for defendants of these lawsuits.

As far as the technical side of the discovery methods go, there are many ways to keep the RIAA off your back. The simplest is to disable your P2P client’s available file listing or turning off outbound traffic altogether. Other ways are to use encryption (although this is usually to get around ISP blocks) or download to an offsite machine. Hopefully, though, this judgment and eventual payout will make the recording companies reconsider the amount of lawsuits they file and to use less aggressive legal tactics.

Digital Wall Harp


[Alison Lewis] has posted this fantastic digital wall harp project at My Home 2.0. They built an infrared MIDI instrument into a wall, using a MidiTron and some IR sensors. It all connects to a computer running a MIDI sequencer via a MIDI to USB converter. The project was built for a family home. They wanted something musical that they could play as easily as waiving their hand. They got it! Simply run your hand under the sensors and play some music!

[via Instructables]

Funkytown Performed By Old Hardware


Inspired by [James Houston]’s remix of Radiohead’s Nude on obsolete hardware, [bd594] put together this mix of Lipps Inc.’s Funkytown. No sampling was used, but he had to loop the footage of the Avaya dot matrix printer’s drum part because it shook the table too much. The guitar and bass line are performed by a Commodore 64. An Intel 14.4 external modem uses DTMF tones for the first part of of the lead and a TI-99/4A beeps out the rest. The TI is also used as a speech synthesizer and a Maxtor harddrive plays the the vocal track.

[via Matrixsynth]

Music And Visual Arts At The Last HOPE

[Peter Kirn] from Create Digital Music has an article up highlighting many of the great music and visual performance pieces planned for The Last HOPE on Friday night. If you are around New York and not accustomed to hacking conferences, this could be a great excuse to go check it out. Here are some of our favorite projects.

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Radiohead Makes Entire Video With Friggin’ Lasers


[Radiohead], being no strangers to out of the box delivery ideas, are preparing to release a new video that was created without the use of cameras. The entire video for the song House of Cards was “filmed” using lasers.

The system, known as Geometric Informatics and Velodyne Lidar, scanned the entire environment 900 times a minute to capture an entire party in real time.

The video was originally set to be released in mid July, but appears to have been moved back.

Dancing Wall-E And Rhythmic Synth


Whether you loved, hated, or didn’t see Wall-E, it’s hard not to fall in love with the iDance Wall-E toy. Connect him to an audio source and Wall-E will dance around like an epileptic Billy Bass.

[Gian Pablo Villamil] at NYC Resistor wondered whether it would work with his custom made Rhythmic Synth, and to his and our delight, it does! The Rhythmic Synth is an older project of his; it is a simple rhythm generator with 4 pitch knobs, 4 modulation knobs, and 4 phase switches. The case was taken from an old external Iomega CD-ROM drive.

Getting the Wall-E to dance isn’t much of a feat, but something about the dancing combined with a synth with embedded lights just screams robot dance party, and that can never be wrong. We’d love to see the Wall-E dancing to a cleaner, more complete synth: maybe this one. Check out Wall-E busting a move after the break.

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Optical DJ Controller


[Adrian] sent in this sweet little optical DJ controller. The ‘turntable’ was made from a CD and an encoder wheel created with a laser printed transparent overhead sheet. You can score some optical gear from a spare mouse, or just buy the parts. A PIC18F452 encodes everything into a midi signal. You can find a good photo of the schematics here. And you can hit the demo video after the break.

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