tape echo

5 Articles

Building A Tape Echo In A Coke Can Tape Player That Doesn’t Really Work

April 15, 2024 by 6 Comments

Back in the 1990s, you could get a tape player shaped like a can of Coca Cola. [Simon the Magpie] scored one of these decks and decided to turn it into a tape echo effect instead. It didn’t work so well, but the concept is a compelling one. You can see the result in the video below.

The core of the effect is a tape loop, which [Simon] set up to loop around a pair of hacked-up cassette shells. This allows him to place one half of the loop in the Coca-Cola cassette player and the other half in a more conventional desktop tape deck. A 3D-printed bracket allows the two decks and the tape loop to be assembled into one complete unit.

The function is simple. The desktop tape deck records onto the loop, with the Coca-Cola unit then playing back that section of tape a short while later. Hey, presto — it’s a tape delay! It’s super lo-fi, though, and the tape loop is incredibly fragile.

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A Tape Echo For Anyone

March 20, 2024 by 8 Comments

If you’ve ever looked into how artists from the 1960s made their music, you’ll learn about the many inventive ways in which the tape recorder enabled new effects. One of the simplest of those is the tape echo, as distinct from a reverb which introduces the many delayed echoes of a large auditorium, an echo provides a single delayed version of the original. It’s something [Mark Gutierez] shows us as he makes a tape echo from a cheap Walkman-style cassette player. It’s hardly the highest quality of its ilk, but it does the job.

The player in question sports the ubiquitous Chinese mechanism that’s the last still in production. It has a radio incorporated which he doesn’t use, but for all that it has only a permanent magnet erase head rather than one driven from the bias oscillator. He first puts another head in the space between the record head and the pinch roller, then further modifies the cassette so a loop can be pulled out of the side of it, moving all heads off-board. As you can see in the video below the break it’s in no way high-fidelity, but with a couple of Eurorack mixer kits added on it makes for an interesting effect.

If you can lay your hands on a reel-to-reel machine, you can make a more traditional echo machine.

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Making A Tape Echo The Traditional Way

September 14, 2022 by 12 Comments

[Juan Nicola] has taken inspiration from the musician hackers of old and re-purposed a reel-to-reel tape recorder into a tape-echo for his guitar with a built-in valve amplifier (video in Spanish).

The principle is to record the sound of the guitar onto a piece of moving magnetic tape, then to read it back again a short time later.  This signal is mixed with the live input and re-recorded back onto the tape further back.  The effect is heard as an echo, and this approach was very popular before digital effects became readily available.

[Juan] installed a new read-head onto his Grundig TK40 and managed to find a suitable mechanical arrangement to keep it all in place.  He has since updated the project by moving to a tape loop, allowing an infinite play-time by re-using the same piece of tape over and over.

Turning tape machines into echo effects is not a new idea, and we’ve shown a few of them over the years, but every one is slightly different!

Both versions are shown after the break.  YouTube closed-caption auto-translate might come in handy here for non-Spanish speakers.

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Modern Tape Echo Made Easy

August 21, 2021 by 11 Comments

Modern popular music increasingly relies on more and more complicated and intricate equipment and algorithms to generate catchy tunes, but even decades ago this was still the case. The only difference between then and now was that most of the equipment in the past was analog instead of digital. For example, the humble tape echo was originally made by running a loop of magnetic tape over a recording head and then immediately playing it back. Old analog machines from that era are getting harder and harder to find, so [Adam Paul] decided to make his own.

At first, [Adam] planned to use standard cassette tapes in various configurations in order to achieve the desired effect, but this proved to be too cumbersome and he eventually switched his design to using the cassette internals in a custom tape deck. The final design includes a small loop of tape inside of the enclosure with a motor driving a spindle. The tape is passed over a record head, then a read head, and then an erase head in order to achieve the echo sound. All of this is done from inside of the device itself, with 1/4″ jacks provided so that the musician can plug in their instrument of choice just like a standard effects pedal would be configured.

The entire build is designed to be buildable and repairable using readily-available parts as well, which solves the problem of maintaining (or even finding) parts from dedicated tape echo machines from decades ago. We like the sound from the analog device, as well as the fact that it’s still an analog device in a world of otherwise digital substitutes. Much like this magnetic tape-based synthesizer we featured about a year ago.

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Microcassette Recorders Become A Tape Delay

June 17, 2015 by 25 Comments

Long before audio engineers had fancy digital delays, or even crappy analog delays, there were tape delays. Running a tape around in a loop with a record and play head is the basis of the Echoplex and Space Echo, and both of these machines are incredible pieces of engineering.

Microcassette recorders are not, in general, incredible pieces of engineering. They do, however, have a strip of magnetic tape, a record head, and a play head. Put two of them together, and you can build your own tape delay.

The basic principle of a tape delay is simple enough – just run a loop of tape round in a circle, through a record and playback head, record some audio, and send the output to an amplifier. In practice, it’s not that simple. [dogenigt] had to manufacture his own tape loop from microcassettes, a process that took far too long and was far too finicky.

For a control circuit, [dogenigt] is using four audio pots and one linear pot for speed control. The audio pots are responsible for input gain, feedback, the amplitude of the clean signal, and the output of the signal after it’s been run through the delay.

Apart from being one of those builds that’s very dependent on the mechanical skill of the builder, it’s a pretty simple delay unit, with all the electronics already designed for a stripboard layout. You can hear an example of what it sounds like below.

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