The Wimshurst machine is one of the oldest and best known electrostatic machines, consisting of its iconic two counter rotating disks and two Leyden jars. Most often you see someone hand cranking it, producing sparks, though we’ve seen it used for much more, including for powering a smoke precipitator for cleaning up smoke and even for powering a laser.
It works through an interesting sequence of events. Most explanations attempt to cram it all into one picture, requiring some major mental gymnastics to visualize. This often means people give up, resigned to assume these work through some mythical mechanics that defy a mortal’s ability to understand.
Don’t watch [Jason Hotchkiss]’s video if flashing lights or bleepy-bloopy synthesizer noises give you seizures. Do watch, however, if you’re interested in a big honeycomb-shaped LED matrix being driven at audio frequencies through a dedicated square-wave synthesizer that’s built in.
The LED panel in question is housed in a snazzy laser-cut, honeycomb-shaped bezel: a nice change from the standard square in our opinion. The lights are 1/2 watt (whoa!) whites, and the rows and columns are driven by transistor drivers that are in turn controlled by shift registers. We’re not entirely sure how the matrix is driven — we’d love to see a circuit diagram — but it looks like it’s some kind of strange, non-scanning mode where all of the column and row drives are on at once. Whatever, it’s art.
And it’s driven by logic chips making audio-frequency square waves. Two of these are fed into an LFSR and into an R-2R DAC and then into the shift registers. The output is chaos, but the audio and the visuals do seem to influence each other. It’s an audio-visual embodiment of some of my wildest Logic Noise fantasies. Pretty cool. Enjoy the video.
In today’s digital era, we almost take for granted that all our information is saved and backed up, be it on our local drives or in the cloud — whether automatically, manually, or via some other service. For information from decades past, that isn’t always the case, and recovery can be a dicey process. Despite the tricky challenges, the team at [Museo dell’Informatica Funzionante] and [mera400.pl], as well as researchers and scientists from various museums, institutions, and more all came together in the attempt to recover the Polish CROOK operating system believed to be stored on five magnetic tapes.
Originally stored at the Warsaw Museum of Technology, the tapes were ideally preserved, but — despite some preliminary test prep — the museum’s tape reader kept hanging at the 800 BPI NRZI encoded header, even though the rest of the tape was 1600 BPI phase encoding. Some head scratching later, the team decided to crack open their Qualstar 1052 tape reader and attempt to read the data directly off the circuits themselves!!