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Hackaday Links: December 4, 2022

Well, this is embarrassing! Imagine sending a multibillion-dollar rover to an ancient lakebed on Mars only to discover after a year of poking around at the rocks that it might not actually have been a lake after all. That seems to be the impression of Jezero Crater that planetary scientists are forming after looking at the data coming back from Perseverance since it nailed the landing in what sure as heck looked like a dried-up lake, complete with a river delta system. A closer look at the sediments Perseverance has been sampling reveals a lot of the mineral olivine, which on Earth is rare near the surface because it readily reacts with water. Finding lots of olivine close below the surface of Jezero suggests that it either wasn’t all that watery once upon a time, or that what water was there was basically ice cold. The results are limited to where the rover has visited, of course, and the nice thing about having wheels is that you can go somewhere else. But if you were hoping for clear signs that Jezero was once a lake teeming with life, you might have to keep waiting.

In other space news, we have to admit to taking NASA to task a bit in the podcast a couple of weeks back for not being quite up to SpaceX’s zazzle standards with regard to instrumenting the SLS launch. Yeah, a night launch is spectacular, but not having all those internal cameras like the Falcon has just sort of left us flat. But we should have been more patient, because the images coming back from Artemis 1 are simply spectacular. We had no idea that NASA attached cameras to the solar panels of the Orion spacecraft, which act a little like selfie sticks and allow the spacecraft to be in the foreground with Earth and the Moon in the background. Seeing Earth from lunar distance again for the first time in 50 years has been a real treat, and getting our satellite in the frame at the same time is a huge bonus.

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Bring Out The Fine Detail In Small Objects With This Coaxial Lighting Rig

All things considered, modern photography is pretty easy. It’s really just a matter of pointing the camera at the thing you want to take a picture of and letting the camera do the rest. But that doesn’t mean good photographs are easy to make, especially when fine detail is required. And that’s the reason this 3D printed coaxial lighting setup was built — to make quality photographs of small objects a snap.

The objects of [Peter Lin]’s photographic desire are coins, no doubt of the collectible variety. Since the condition of a coin is essential to determining its value, numismatic photographers really need to be meticulous about the quality of their work. The idea here is to keep the incoming light parallel to the optical axis of the camera, for which purpose ring lights around the camera lens are often used. But they can result in lighting artifacts, and can be awkward to use for such smaller subjects.

So for this setup, [Peter] essentially built a beam-splitter. The body is a printed block that’s painted matte black to keep reflections down; a little self-adhesive flocking paper helps with that too. The round aperture on the top is for the camera lens, with the square window on the side admitting light. The secret is a slot oriented at 45 degrees to both of those openings, into which the glass element from a cheap UV filter is inserted. The filter acts like a beam splitter which reflects light down onto the coin on the bottom of the block and lets it pass up into the camera lens directly above the coin, parallel to the optical axis. Genius!

The video below shows it in use with both DSLR and smartphone cameras, and the image quality is amazing. While most of us probably aren’t photographing coins, we do enough high-resolution photography of small objects that this seems applicable. In a way, it reminds us of [Big Clive]’s “TupperCam” method of high-res PCB photography (final item).

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This Electric Outboard Conversion Makes For A Quiet Day On The Water

Nothing beats a day on the lake in a little boat with an outboard motor putt-putting along behind you. It’s great fun, if perhaps a little noisy with all that putting going on. And maybe that oily sheen on the water in your wake is not so nice. it could be that the fish are a little annoyed with your putting, too. Come to think of it, outboard motors are a bit of a problem.

Fortunately there’s a better way, like converting an old outboard motor to electric. It comes to us by way of [Anton], who happened upon the perfect donor platform — a 5-hp outboard by Crescent, sporting a glorious 1970s color scheme and a motor housing shell perfect for modding. He started by ripping the old engine and drivetrain out of the housing to make room for the BLDC motor and its driver. The motor was a project in itself; [Anton] rewound the original stator with much thicker wire and changed the coil configuration to milk as much torque as possible out of it. What started as a 180-kv motor ended up at 77 kv with much more copper and new Hall sensors for the controller. He also put a ton of effort into waterproofing the motor with epoxy resin. With a 3D-printed prop and a streamlined fairing, the new motor looks quite at home on the outboard. In fact, the whole thing barely looks customized at all — the speed control is even right on the tiller where you’d expect it.

The video below shows the build and a test run, plus an analysis of the problems encountered, chief of which is water intrusion. But as [Anton] rightly points out, that’s easily solved by reusing the original driveshaft and mounting the motor above the waterline, like this. Still, we like the look of this, and the idea of knocking around on the water nearly silently seems wonderful.

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Amateur Rocketry Hack Chat

Join us on Wednesday, November 30 at noon Pacific for the Amateur Rocketry Hack Chat with Kip Daugirdas!

This might be going out on a limb, but it seems like most of us probably fooled around with model rockets when we were younger. Those fantastic Estes kits were great fun to put together, and launching them was always a big neighborhood event, and one of the few that could make even the coolest of the cool kids pay attention to the nerds, if only for a little while. Launch day had it all — a slight element of danger, the rotten egg stink of spent propellant, a rocket gently floating back to Earth from a dizzying height of 100 meters, and the inevitable tree-climbing party to retrieve a lost rocket.

join-hack-chatBut while model rocketry is fun, it doesn’t scale up very well. If you want to reach the edge of space, you’re going to need to make the leap across the border to amateur rocketry. That’s where the big kids play, with real engineering needed to produce and control the forces required to reach altitudes of 100 km or more. Kip Daugirdas has made that leap, building rockets capable of almost getting to the Kármán line. It’s not easy — there was plenty of design work, static engine testing, and loads of test flights leading up to it, and surely more to come. Kip will stop by the Hack Chat to help us understand what’s needed to press the edge of space, and hopefully share his plans for going all the way.

Our Hack Chats are live community events in the Hackaday.io Hack Chat group messaging. This week we’ll be sitting down on Wednesday, November 30 at 12:00 PM Pacific time. If time zones have you tied up, we have a handy time zone converter.

Homebrew LED Bulbs Keep Your Circadian Rhythms Steady

There was a time when LED light bulbs were a premium product that commanded a premium price, mainly because of limited supply and the usual marketing tricks. But now is not that time, since you can pick up an LED bulb for a buck or two at pretty much any store. So why in the world would you go to the effort to make your own light bulb?

For [DiodeGoneWild], the answer is simple: it’s all about staying in rhythm. Circadian rhythm, that is. We all know how light toward the blue end of the spectrum is bad for our sleep cycle, since it convinces our lizard brain that dawn is at hand. But even if you pick an LED bulb with a warm, or reddish, color temperature, there’s still a lot of UV light being emitted thanks to the phosphor LEDs that are typically used in them.

[DiodeGoneWild]’s first attempt at a design, in the first video below, mostly avoids phosphor LEDs in favor of a mix of yellow, red, and yellow-green LEDs to get a warmer spectrum. He used the housing and base from an expired bulb to enclose his custom circular PCB, the fabrication of which using a hand drill as a lathe and a Dremel to machine concentric tracks in the cladding was a real treat. So was the power supply, for that matter — a dropping capacitor followed by a bridge rectifier and a filtering cap. We like the discharge resistors across the caps and the fusible resistor on the mains side — it’s nice to see safety factored in from the start. And what’s not to like about using a DVD as a makeshift spectroscope?

We see that [DiodeGoneWild] has just dropped a second design, this time in a much smaller bulb and with relatively more phosphor LEDs.

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Sick Beats: Using Music And Smartphone To Attack A Biosafety Room

Imagine a movie featuring a scene set in a top-secret bioweapons research lab. The villain, clad in a bunny suit, strides into the inner sanctum of the facility — one of the biosafety rooms where only the most infectious and deadliest microorganisms are handled. Tension mounts as he pulls out his phone; surely he’ll use it to affect some dramatic hack, or perhaps set off an explosive device. Instead, he calls up his playlist and… plays a song? What kind of villain is this?

As it turns out, perhaps one who has read a new paper on the potential for hacking biosafety rooms using music. The work was done by University of California Irvine researchers [Anomadarshi Barua], [Yonatan Gizachew Achamyeleh], and [Mohammad Abdullah Al Faruque], and focuses on the negative pressure rooms found in all sorts of facilities, but are of particular concern where they are used to prevent pathogens from escaping into the world at large. Continue reading “Sick Beats: Using Music And Smartphone To Attack A Biosafety Room”

Books You Should Read: Why Buildings Fall Down

People with long commutes usually come up with tricks to stay focused and alert and avoid the dangerous tendency to zone out during the drive. One trick I used to use was keeping mental track of the various construction projects I’d pass by on my way to work, noticing which piers on a new highway overpass were nearing completion, or watching steelworkers put together the complex rebar endoskeletons of a new stretch of roadway.

One project I loved to watch back in the 80s was a new high-rise going in right next to the highway, which fascinated me because of the construction method. Rather than putting together a steel frame, laying out decking, and covering each floor with concrete, the workers seemed to be fabricating each floor at ground level and then jacking them up on the vertical steel columns. I was fascinated by this because every time I passed by the floors were in a different position, spreading out vertically as the building grew.

And then one day, it just wasn’t there anymore. Where there had been columns stretching nine stories into the city sky with concrete slabs lined up ready to be jacked up into their final positions, there was just an enormous hole in the ground with a ghastly gray cloud of concrete dust rising from it. It was April 23, 1987, and what was once going to be a luxury apartment building called L’Ambience Plaza in Bridgeport, Connecticut lay pancaked into the ground, entombing the bodies of 28 construction workers.

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