Simple Breadboard SDR For Shortwave

August 26, 2022 by 19 Comments

One of the best ways to learn about radios is to build your own, even in the age of cheap SDR dongles. [Aniss Oulhaci] demonstrates this with a simple HF SDR receiver built on a breadboard.

The receiver takes the form of a simplified Tayloe detector. An RF preamp circuit amplifies the signal from a shortwave antenna and feeds it into a 74HC4066D analog switch, which acts as a switching mixer. It mixes the input signal with the local oscillator’s I and Q signals to produce the intermediate frequency signals. The local oscillator consists of a SI5351 clock generator with a 74HC74D flip-flop to generate the I and Q pair. The signals pass through a low pass filter stage and get amplified by an LM358 op amp, resulting in the IQ signal pair being fed to a computer’s stereo sound card.

An Arduino is used to control the SI5351 clock generator, which in turn is controlled by the same program created for the SDR Shield. With the audio signal fed to HDSDR, [Aniss] was able to pick up a shortwave radio broadcaster.

While this is by no means a high-performance receiver, building an SDR on a breadboard is still a great weekend project, with plenty of potential for further experimentation.

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Know Audio: A Mess Of Cables

February 2, 2022 by 98 Comments

We’ve now spent several months in this series journeying through the world of audio, and along the way we’ve looked at the various parts of a Hi-Fi system from the speaker backwards to the source. It’s been an enjoyable ride full of technical detail and examining Hi-Fi myths in equal measure, but now it’s time to descend into one of the simplest yet most controversial areas of audio reproduction. Every audio component, whether digital or analogue, must be connected into whatever system it is part of, and this is the job of audio cables, sometimes referred to as interconnects. They are probably the single component most susceptible to tenuous claims about their performance, with audiophiles prepared to spend vast sums on cables claimed to deliver that extra bit of listening performance. Is there something in it, or are they all the same bits of wire with the expensive ones being a scam? Time to take a look.

What Makes A Nearly Good Cable

In a typical domestic audio system with digital and analogue signals you might expect to find two types of cable, electrical interconnects that could carry either analogue or digital signals, and optical ones for digital signals. We’re here to talk about the electrical cables here as they’re the ones used for analogue signals, so lets start with a little transmission line theory. Continue reading “Know Audio: A Mess Of Cables” →

AT Keyboard Becomes Child’s Speaking Toy

January 17, 2021 by 6 Comments

Just as cats find sitting on a keyboard to be irresistible, so do children find pressing their keys. After throwing some ideas around with other parents, [Peter] came up with the idea of transforming an old AT  keyboard into a learning toy by making each key press “speak” its corresponding letter.

The donor keyboard is a nondescript late-80s AT compatible PC. Before readers imagine that a sought-after mechanical ‘board is being defiled, these were manufactured in their millions back then with exactly the same lackluster actions as modern cheap input devices. This one had plenty of space inside for an Arduino Nano that emulates an AT keyboard host and plays WAV file samples from an SD card to one of its PWM outputs. An op-amp low pass filter cleans up the noise from this rudimentary DAC, and feeds a little speaker through an audio amplifier. The keyboard supports both male and female voices, as well as a piano.

Hours of juvenile fun will no doubt result, but we can’t help wondering whether this could become the bane of a parent’s life in the manner of so many other noise-producing toys. Meanwhile, [Peter]’s work has graced these pages in the past, most recently with an automatic cooker hood.

Analog Noise Generator, Fighter Of Other Noises

July 6, 2020 by 11 Comments

A chaotic drone of meaningless sound to lull the human brain out of its usual drive to latch on to patterns can at times be a welcome thing. A nonsense background din — like an old television tuned to a dead channel — can help drown out distractions and other invading sounds when earplugs aren’t enough. As [mitxela] explains, this can be done with an MP3 file of white noise, and that is a solution that works perfectly well for most practical purposes. However he found himself wanting a more refined hardware noise generator with analog controls to fine tune the output, and so the Rumbler was born.

It’s a tight fit, but it does fit.

The Rumbler isn’t just a white noise generator. White noise has a flat spectrum, but the noise from the Rumbler is closer to Red or Brownian Noise. The different colors of noise have specific definitions, but the Rumbler’s output is really just white noise that has been put through some low pass filters to create an output closer to a nice background rumble that sounds pleasant, whereas white noise is more like flat static.

Why bother with doing this? Mainly because building things is fun, but there is also the idea that this is better at blocking out nuisance sounds from neighboring human activities. By the time distant music (or television, or talking, or shouting) has trickled through walls and into one’s eardrums, the higher frequencies have been much more strongly attenuated than the lower frequencies. This is why one can easily hear the bass from a nearby party’s music, but the lyrics don’t survive the trip through walls and windows nearly as well. The noise from the Rumbler is simply a better fit to those more durable lower frequencies.

[Mitxela]’s writeup has quite a few useful tips on analog design and prototyping, so give it a read even if you’re not planning to make your own analog noise box. Want to hear the Rumbler for yourself? There’s an embedded audio sample near the bottom of the page, so go check it out.

For a truly modern application of white noise, check out the cone of silence for snooping smart speakers.

ATMega328 SSB SDR For Ham Radio

May 27, 2020 by 23 Comments

The humble ATmega328 microcontroller, usually packaged as an Arduino Uno, is the gateway drug for millions of people into the world of electronics and embedded programming. Some people just can’t pass up the challenge of seeing how far they can push the old workhorse, and it looks like [Guido PE1NNZ] is one of those. He has managed to implement a software-defined SSB ham radio transceiver for the HF bands on the ATMega328, and it looks like the project is going places.

The radio started life as a QRP Labs QCX, a $49 single-band CW (morse code) HF transceiver kit that is already one of the cheapest ways to get on the HF bands. [Guido] reduced the part count of the radio by about 50%, implementing much of the signal processing digitally on the ATmega328. On the transmitter side, the SSB signal is generated by making slight frequency changes to a Si5351 clock generator using 800kbit/s I2C, and controlling a very efficient class-E RF power amplifier with PWM for about 5W of output power. The increased efficiency means that there is no need for the bulky heat sink usually seen on SSB radios. The radio is continuously tunable from 80m to 10m (3.5 Mhz – 30 Mhz), but it does require plugging in a different low pass filters for each band. Continue reading “ATMega328 SSB SDR For Ham Radio” →

Gold Cables Really Do Work The Best

April 1, 2020 by 88 Comments

As a writer, I have long harboured a dream that one day an editor will buy me a top-of-the-range audio analyser, and I can set up an audio test lab and write pieces debunking the spurious claims made by audiophiles, HiFi journalists, and the high-end audio industry about the quality of their products. Does that amp really lend an incisive sibilance to the broader soundstage, and can we back that up with some measurable figures rather than purple prose?

An Audio Playground You Didn’t Know You Had

An Audio Precision APx525 audio analyser.
An Audio Precision APx525 audio analyser. Bradp723 (CC-BY-SA 3.0)

Sadly Hackaday is not an audio magazine, and if Mike bought me an Audio Precision he’d have to satisfy all the other writers’ test equipment desires too, and who knows where that would end! So there will be no Hackaday audio lab — for now. But that doesn’t mean I can’t play around with audio analysis.

Last month we carried a write-up of a Supercon talk from Kate Temkin and Michael Ossmann, in which they reminded us that we have a cracking general purpose DSP playground right under our noses; GNU Radio isn’t just for radio. Once I’d seen the talk my audio analysis horizons were opened up considerably. Maybe that audio analyser wouldn’t be mine, but I could do some of the same job with GNU Radio.

It’s important to stress at this point that anything I can do on my bench will not remotely approach the quality of a professional audio analyser. But even if I can’t measure infinitesimal differences between very high-end audio circuitry, I can still measure enough to tell a good audio product from a bad one.

Continue reading “Gold Cables Really Do Work The Best” →

Turning Sounds From A Flute Into Sheet Music

December 29, 2019 by 12 Comments

Composing music can be quite difficult – after all, you have to keep in mind all of the elements of musical theory, from time signature and key signature to the correct length for all of the notes. A team of students from Cornell University’s Designing with Microcontrollers class developed a solution for this problem by transcribing sounds from a flute into sheet music.

The project doesn’t simply detect the notes played – it is able to convert the raw audio into a standardized music score complete with accurate note timings and beats per minute. Before transcribing the music, some audio processing was necessary. The team chose to use a Sallen-Key filter to amplify the raw audio input due to its complex conjugate poles. They then used a fast Fourier Transform (FFT) to determine the frequency for the input note, converting the signal from the time domain to the frequency domain.

The algorithm samples the data to generate an input signal, using the ADC on the microcontroller to receive input from the microphone. It takes the real and imaginary components of the sampled signals and outputs a pair of real and imaginary amplitude components corresponding to the sampled frequency, evenly spaced from 0 to the Nyquist rate (half the sampling rate). The spacing of these bins and the bin with the largest amplitude are used to convert the signal back to a real frequency and a MIDI note.

The system uses a PIC32 for the logic. The circuitry for the microphone amplification uses a non-inverting op-amp with a gain of 50 to increase the microphone output signal amplitude from 15 mV to 750 mV to use by the microcontroller’s ADC. The signal is then sent to the anti-aliasing Sallen-Key filter, with a pole at 2.5 kHz and a Q of 1. The frequency was chosen since the FFT samples at 8 kHz and the frequency corresponds to a note out of the range of a flute. As for the filters, only the low pass filter was implemented in hardware.  While a bandpass filter could have been implemented in hardware, the team decided on a cleaner software approach.

The project is well-documented on the team’s project page, and it’s certainly worth checking out for more detailed discussions on the keypad controls and the software side of the audio processing. If you want to learn more about the FFT, check out this 2016 Hackaday Prize entry for an FFT spectrum analyezer.

Continue reading “Turning Sounds From A Flute Into Sheet Music” →