Lost Foam Aluminium Alloy Casting

[Kelly Coffield] makes intake manifolds for old Ford throttle bodies for fun, demonstrating an excellent technique for making such things in the small shop. The mould patterns are CNC machined from a solid polystyrene block, with all the necessary gates to feed the aluminium into the mould. The principle is to introduce aluminium from a large central runner into the mould structure, which feeds the gates into the mould parts. The various foam mould components are then glued with an extra brace bar at the bottom to strengthen it.

Dip coating with a refractory slurry

The complete structure is then sprayed with surfactant (just plain old soapy water) and dip-coated in a refractory slurry. The surfactant adjusts the coating’s surface tension, preventing bubbles from forming and ruining the surface quality produced by this critical coating step.

Once a satisfactory coating has been applied and hardened, the structure is placed inside a moulding pan fitted with a pneumatic turbine vibrator, to allow sand to be introduced. The vibrations ease the flow of sand into all the nooks and crannies, fully supporting the delicate mould structure against the weight of the metal, and gases produced as the foam burns away. A neat offset pouring cup is then added to the top of the structure and packed in with more sand to stabilise it. It’s a simple setup that can easily be replicated in any hackerspace or backyard for those motivated enough. [Kelly] is using A356 aluminium alloy, but there’s no reason this technique won’t work for other metals.

It was amusing to see [Kelly] demould by just dumping out the whole stack onto the drive and throwing the extracted casting into a snow bank after quenching. We might as well use all that free Midwest winter cooling capacity! After returning to the shop, [Kelly] would typically perform any needed adjustments, such as improving flatness in the press, while the part was in the ‘as cast temper’ condition. We’ll gloss over the admission of cutting the gates off on the table saw! After these adjustments, the part is artificially aged to a T5-like specification, to give it its final strength and machinability properties. There are plenty more videos on this process on the channel, which is well worth a look.

Aluminium casting is nothing new here, here’s a simple way to cast using a 3D printed pattern. But beware, casting aluminum can be hazardous, it does like to burn.

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This Week In Security: Malicious Themes, Crypto Heists, And Wallbleed

It’s usually not a good sign when your downloaded theme contains obfuscated code. Yes, we’re talking about the very popular Material Theme for VSCode. This one has a bit of a convoluted history. One of the authors wanted to make some money from all those downloads. The original Material Theme was yanked from the VSCode store, the source code (improperly) re-licensed as closed source, and replaced with freemium versions. And this week, those freemium versions have been pulled by Microsoft for containing malware.
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Gonzo Film Making With The Raspberry Pi

Gonzo journalism has been a hip thing since the 1970s or so, a way of covering a story in a compelling format with more subjectivity and less objectivity. The style has since been applied to all sorts of media, including film—and indeed, the makers of the Gonzo Pi.

The Gonzo Pi is a camera with an open source design, yes, but it’s also a lot more than that. It’s intended to be an entire platform for film-making, all in the one housing. Camera-wise, the design combines a Raspberry Pi with the requisite first-party High Quality Camera, and warps it up in a 3D printed housing. You can build it up with a viewfinder and whatever old-school C-mount or 8 mm film lenses you can lay your hands on.

Beyond that, there’s an editing platform baked in to the device. It’s not unlike the tools in so many social media apps these days. The idea of the Gonzo Pi is that rather than shooting a whole ton of footage and takes and poring over them in great detail later, instead, you run and gun with the device and edit as you go. You can shoot retakes as you need, and even dub in more audio as necessary as you compose your film on the hoof. It’s intended to change the way you make films by virtue of its unique compositional paradigm.

We’ve featured some neat homebrew cameras before, to be sure, but none that quite put the edit suite right in the box.

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Copying Commodore Data Tapes, 40 Years Late

Unless you handle the backups for a large corporation, bank, or government entity, you likely haven’t stored much data to tape recently. But magnetic storage used to be fairly mainstream back in the 1980s for all kinds of computer programs. Plenty of computers used standard cassette tapes for this too but you couldn’t just copy them with standard audio equipment. You’d need something like this 1560 datasette from [Jan].

The core problem with using Hi-Fi equipment to copy tapes storing data instead of audio is that data tapes need to be much more precise in order to avoid losses that might not be noticeable in an audio recording. In the 80s computer companies like Commodore built tape drives specifically for their computers, so [Jan]’s project uses two of these 1530 drives to build this “1560” datasette. (No working 1530 hardware was harmed in this build.) An inverter circuit in one tape deck is used to provide the signal to write the data to the other tape, reliably copying data from these data tapes in a way Hi-Fi never could.

[Jan] does lament not having something like this back in the 80s when the Commodore was in its heyday, but there’s still a dedicated retrocomputing scene for these machines that will get plenty of use out of projects like this. If you need to go the other direction in time, there are also interfaces that allow data tapes from old Commodores to be read by modern computers with USB.

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Bringing A Current Dumping Amplifier Back To Life

Over the years there have been many different audio amplifier designs which have found favour for a while and then been supplanted by newer ideas. One of them has crossed the bench of [Jazzy Jane], it’s a current dumping amplifier from the mid-1980s. A nicely-done home-made project on stripboard mounted on a wooden base board, it sports a power supply, RIAA pre-amp board, and the amplifier itself.

The current dumping amplifier is one that combines a small class A amplifier with a hefty class B one, and through feedback trickery uses the combination to remove the crossover distortion of the class B stage. It’s a simple yet elegant circuit with fewer parts than an equivalent class AB amplifier, and there was a time back in the day when it was all the rage. This one has an op-amp providing the class A part and a complimentary pair of Darlington pairs as the class B.

The video below the break shows the process of bringing the amp back to life, a process mostly concerned with the power supply. There are a set of tantalum capacitors which have failed, and the replacements she’s using turn out to have problems too. They’re a period part for a project of this age, but we might have been tempted to go for another capacitor type here.

The result is an unusual amplifier, brought back to life. You may have seen [Jane] feature here before, with her 1950s signal generator.

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A blue-gloved hand holds a glass plate with a small off-white rectangular prism approximately one quarter the area of a fingernail in cross-section.

AI Helps Researchers Discover New Structural Materials

Nanostructured metamaterials have shown a lot of promise in what they can do in the lab, but often have fatal stress concentration factors that limit their applications. Researchers have now found a strong, lightweight nanostructured carbon. [via BGR]

Using a multi-objective Bayesian optimization (MBO) algorithm trained on finite element analysis (FEA) datasets to identify the best candidate nanostructures, the researchers then brought the theoretical material to life with 2 photon polymerization (2PP) photolithography. The resulting “carbon nanolattices achieve the compressive strength of carbon steels (180–360 MPa) with the density of Styrofoam (125–215 kg m−3) which exceeds the specific strengths of equivalent low-density materials by over an order of magnitude.”

While you probably shouldn’t start getting investors for your space elevator startup just yet, lighter materials like this are promising for a lot of applications, most notably more conventional aviation where fuel (or energy) prices are a big constraint on operations. As with any lab results, more work is needed until we see this in the real world, but it is nice to know that superalloys and composites aren’t the end of the road for strong and lightweight materials.

We’ve seen AI help identify battery materials already and this seems to be one avenue where generative AI isn’t just about making embarrassing photos or making us less intelligent.

Convert A Cheap Tube Preamp Into A Headphone Amp With Jenny

Big-name tube amplifiers often don’t come cheap. Being the preserve of dedicated audiophiles, those delicate hi-fis put their glass components on show to tell you just how pricy they really ought to be. If you just want to dip your toe in the tube world, though, there’s a cheaper and more accessible way to get started. [Jenny List] shows us the way with her neat headphone amp build.

The build starts with an off-the-shelf preamp kit based around two common 6J1 tubes. These Chinese pentode valves come cheap and you can usually get yours hands on this kit for $10 or so. You can use the kit as-is if you just want a pre-amp, but it’s not suitable for headphone use out of the box due to its high-impedance output. That’s where [Jenny] steps in.

You can turn these kits into a pleasing headphone amp with the addition of a few choice components. As per the schematic on Github, a cheap transformer and a handful of passives will get it in the “good enough” range to work. The transformer isn’t perfect, and bass response is a compromise, but it’s a place to start your tinkering journey. Future work from [Jenny] will demonstrate using a MOSFET follower to achieve much the same result.

We’ve seen a great number of headphone amplifiers over the years, including one particularly attractive resin-encased example. Video after the break.

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