Reading Data From A CD, With A Microscope

There was a time when electronic engineering students studied the audio CD, for all its real-world examples of error correction and control systems. There’s something to be found in the system still for young and old though, and thus we were intrigued when we saw [Peter Monta] reading the data from a CD using a microscope.

CDs encode data as so-called pits and lands in a spiral track across a metalised surface, with a transition from pit to land signifying a logic 1 and a missing transition signifying a 0. Reading a section of the raw data is achieved in the first part of his write-up, but in the next installment he goes further into retrieving more data through stitching together microscope pictures and writing some code to retrieve data frames. He’s not quite at the audio playback stage, but he’s planning in the future to spiral-track a full image to rip an entire disc.

There are plenty of CD drives around to read audio the conventional way, but the techniques here still find a use where less ubiquitous media has to be read. In the last decade for example there was an effort to read the BBC Domesday Project from the 1980s, as it became clear that few of the original readers survived in working order.

Dittytoy recreation of Jean-Michel Jarre's Oxygene Part IV

Generative Music Created In Minimalistic Javascript Code

Dittytoy user [srtuss] has recreated one of the most influential works of electronic music in an elegant nineteen kilobytes of Javascript code. The recreation of Jean-Michel Jarre’s Oxygene Part IV on the Dittytoy platform, currently in beta, plays live right in your browser. Dittytoy empowers users to create generative music online using a simple Javascript API. Syntax of the API is loosely based on that of Sonic Pi, a code-based music creation and performance tool.

“Oxygene (Part IV)” was recorded by Jean-Michel Jarre in 1976. It was Jarre’s most successful single, charted on the top ten in several countries, and was more recently featured in the Grand Theft Auto IV video game. In the 1990s, famed electronic music innovator Brian Eno used the term “generative music” to describe music generated by an electronic system comprising ever-changing elements that may be algorithmic or random.

Recreation of Jarre’s work required modeling the Korg Minipops 7 drum machine, one of the instruments presented in our slew of open-source synthesizers.

Audio Old And New Meet In Perfect Harmony

There’s an uneasy meeting in the world of audio between digital and analogue. Traditional analogue audio reached a level of very high quality, but as old-style media-based audio sources have fallen out of favor there’s a need to replace them with ones that reflect a new digital audio world. To do this there are several options involving all-in-one Hi-Fi separates at a hefty price, a cheaper range of dongles and boxes for each digital input, or to do what [Keri Szafir] has done and build that all-in-one box for yourself.

The result is a 1U 19″ rack unit that contains an Orange Pi for connectivity and streaming, a hard drive to give it audio NAS capability, plus power switching circuitry to bring all the older equipment under automation. Good quality audio is dealt with by using a Behringer USB audio card, on which in a demonstration of how even some digital audio is now becoming outdated, she ignores the TOSlink connector.

The rear panel has all the connectors for power, USB, network, and audio laid out, while the front has an array of status lights and switches. We particularly like the hand-written lettering, which complements this as a homebrew unit. It certainly makes the Bluetooth dongle dangling at the back of our amplifier seem strangely inadequate.

If audio is your thing, we had a look at some fundamentals of digital audio as part of our Know Audio series.

A radio with a white front grate and wood edges sits on a grey surface. Next to the radio are small white disks with colorful edges reminicient of microdisc-sized records. A yellow-ringed disk sits on the radio. The handwritten title says, "Summer of 2011; Holidays in Barcelona"

Spotify Player Brings Back Physical Media

Digital music has made keeping all your tunes with you a lot more convenient, but have we lost something with dematerialization? [Jordi Parra] felt that there was something lacking with the digital music experience and designed a Spotify player with a tactile interface.

Specific playlists are selected via small RFID tags that look like a cross between a MiniDisc and a vinyl record. As this is a prototype, an Arduino reads the RFID tag, but needs a computer to actually play the Spotify playlist. Future iterations could include an integrated speaker and run libspotify to create a self-contained device.

While there is still work to do for a fully seamless experience, we love the details in the industrial design of this project. Clean simple lines and a combination of wood and more modern materials make this feel like a timeless piece of tech. Definitely check out the full photo gallery including shots of the really impressive packaging.

Want more digital music with a tactile interface? Check out this MP3 Player Shelf or a Simple Internet Radio Transplant.

A Binaural Microphone For The Great Outdoors

A binaural recording is designed to mimic as closely as possible the experience of listening through human ears, and thus binaural microphones are often shaped like the human head with the microphone cartridges placed where the ears would be. That’s not the only way to make a binaural microphone though, and the Crown Stereo Ambient Sampling System, or SASS, did the same thing with a pair of pressure zone microphones for outdoor recordings. [Filip Mulier] doesn’t have one of the originals, but he’s done his best to make a SASS-like microphone of his own.

The attractive thing about this design is its simplicity, making use of foam sheets for the main body, with packing board as a rain deflector and a couple of layers of non-woven cloth as a wind filter. Perhaps best of all though are the recordings, in which we hear ambient recording at its finest. Listen with headphones, we suggest the dawn chorus.

If binaural recording and stereo interests you, we’ve taken a closer look in the past.

Sonos Speakers Free To Sing Again

Over at the EEVBlog, [Dave Jones] takes a second look at the Sonos Play 5 Gen 1 that he rescued from the dumpster recently. Despite being solidly built, [Dave] discovered that even the stereo line-in jack can’t be used without registering an account with Sonos. Not to be defeated, he hacks these speakers to make them work standalone.

Bluetooth Audio Amplifier Module (Fosi Audio)

The hack here involves fitting the speaker cabinet with new “guts” in the form of a wireless stereo 2×50 watt digital amplifier [Dave] found online for under $30. This particular model, the Fosi TB21, is almost a perfect fit for the Sonos cabinet — with only minimal Dremel tool encouragement required. It turned out the power supply section of the Sonos main board was easy to isolate. [Dave] couldn’t use the existing amplifiers, so he removed them from their power supply and re-routed the power supply to the Fosi module. He also removed the Sonos wireless interface board from the cabinet, and used an online design tool to make a simple first order Butterworth crossover network set to 2800 Hz to connect the speakers.

The new amplifier board is mounted in the shallow base of the speaker cabinet. It could have easily been oriented either way, but [Dave] chose to install it knobs-forward. This also gave him a reason to toss out the Sonos badge. The resulting modified unit looks very professional, and works well as a Bluetooth speaker for the lab.

We wrote about the opposite conversion last year, where old speakers from the 1960s were hacked to add Sonos capability. You can read about the controversy surrounding Sonos here, and we discussed the issue on the Hackaday Podcast in episode 058.

Continue reading “Sonos Speakers Free To Sing Again”

Camera-Mounted Stereo Mic Is Fluffy And Capable

Typically, the audio coming out of your camera is not of the greatest quality. An external mic is generally a great upgrade, and this build from [DJJules] aims to be just that.

It’s a stereo mic setup based on the work of the Office de Radiodiffusion Télévision Française, or ORTF. The ORTF stereo technique defines using two cardioid mics pointing left and right at a seperation of 110 degrees and 17 cm apart, which captures a quality stereo field that also sounds good when presented as a mono mixdown.

The build uses a simple wooden frame to hold two electret mic capsules in the required orientation. They’re wired up to a 3.5mm jack so they can be plugged straight into a mic input on a DSLR or other similarly-equipped camera. Hair curlers covered in faux fur are used as a wind shield for the mics, and gives the build a properly professional look. The frame is also given a mount so it can easily sit on a camera’s cold shoe fitting. Alternatively, a screw mount can also be used.

Good audio is absolutely key to making good content, and having quality mics is definitely what you need to achieve that. We’ve featured some other great DIY mic builds over the years, too. Video after the break. Continue reading “Camera-Mounted Stereo Mic Is Fluffy And Capable”