Photographing The ISS With A Thrift Store Lens Is Challenging

There are plenty of photos of the International Space Station out there on the Internet, but taking your own from ground level is a special challenge. [saveitforparts] recently decided to attempt this feat using a $15 thrift store lens.

What a setup! The lens is so big it has its own tripod mount.

The cool thing about the digital photography revolution is that there is a lot of old film gear that can be had for cheap. In this case, [saveitforparts] found a 400mm Sigma XQ lens with a 2x teleconverter for just $14.99. Paired with an adapter, it sat nicely on a Sony NEX-3 digital camera, ready to try and capture the ISS as it passed overhead. As you might imagine, aiming at the space station is not a point-and-shoot job. N2YO.com was used to figure out the best time to try and capture it. [saveitforparts] was able to capture the ISS as a white dot as it passed over, but couldn’t quite get enough zoom to really see the ISS in detail.  [saveitforparts] was also able to repeat the feat with a Canon camcorder, too, but the image was still pretty blobby and didn’t show much. Later attempts involved capturing transits as the ISS passed by the Sun, though the ISS mostly appeared as a small speck.

[saveitforparts] did technically capture the ISS, just not closely enough to see much beyond a dot. It’s not the first time we’ve seen this attempted, though! If you try and capture the ISS with something truly ridiculous, like a Game Boy Camera or Kodak Charmera, you are honour-bound to tell us on the tipsline. Video after the break.

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Adapting A 100-Year-Old Lens To A Modern Camera

You can get all kinds of fancy lenses for modern cameras, with all sorts of mechanical and electronic wizardly to make them shoot better images. But what if you paired a vintage lens with a modern camera? It would take some work, as [Mathieu] found out, but you’d also get some interesting results.

The optic in question is a 100-year old lens—a Foth 50 mm f2.5 to be precise, originally used with a folding film camera. It was sourced from a market for just 3 euros. Notably, the lens was not designed for modern cameras, and so lacks an aperture and focusing mechanism. [Mathieu] thus had to fabricate something to fit the lens to a Sony FX3. A first attempt used an aperture adapter from Amazon and an elcoid adapter, but there were vignetting problems due to the lens placement in this case. Ultimately, [Mathieu] went with a special macro adapter that allowed him to control focus and tuck in an ND filter behind the lens, which made up for the lack of an aperture.

The vintage glass isn’t the sharpest lens out there, but that’s kind of what’s fantastic about it. The center of the frame is certainly focused, but it fades out softly towards the edges of the image, giving a cinematic, dreamlike effect. The bokeh in the background are particularly charming, too. As far as 3 euro lenses go, this one was a hit.

You can slap just about any lens on anything if you get creative with how you do it. Video after the break.

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Panoramic Film Camera Made From 3D Printed Parts

Even though digital cameras have lowered the barrier of entry to photography dramatically, as well as made it much easier for professionals and amateurs alike to capture stunning images without the burden of developing film, the technology behind them is considerably more complex than their analog counterparts. In fact, an analog film camera (not counting the lens) can be as simple as a lightproof box and a way to activate a shutter. Knowing that, any kind of film camera could be built for any number of applications, like this 3D-printed panoramic camera from [Denis Aminev].

The custom-built camera works by taking a standard roll of 35mm film, which is standardized to take 36 pictures, and exposing a wider section of the film to create a panorama. This reduces the number of pictures on the roll to 19. This is the fifth version of this camera, called the Infidex 176 V, and has everything a standard film camera would have, from an exposure counter, pressure plate for the film, a winder, interchangable lenses, a viewfinder, and a tripod mounting point. It does take a bit of work to assemble, as shown in the video linked below, but the final result is impressive and delivers a custom finished product not easily found or reproducible in off-the-shelf cameras.

The path to creating this camera was interesting as well, as [Denis]’s first custom film camera was a pinhole camera. From there he moved on to disassembling an SLR camera and attempting to reproduce all of its parts with 3D printed ones. With that in hand, he was able to modify this design into this panoramic camera which he likes because it reproduces the feel of widescreen movies. Although this camera reproduces all of the bells and whistles of a high quality analog camera, not all of these features are strictly necessary for taking pictures on film. Have a look at this minimum viable camera as well.

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A Computer That Fits Inside A Camera Lens

For a long while, digital single-lens reflex (DSLR) cameras were the king of the castle for professional and amateur photography. They brought large sensors, interchangeable lenses, and professional-level viewfinders to the digital world at approachable prices, and then cemented their lead when they started being used to create video as well. They’re experiencing a bit of a decline now, though, as mirrorless cameras start to dominate, and with that comes some unique opportunities. To attach a lens meant for a DSLR to a mirrorless camera, an adapter housing must be used, and [Ancient] found a way to squeeze a computer and a programmable aperture into this tiny space.

The programmable aperture is based on an LCD screen from an old cell phone. LCD screens are generally transparent until their pixels are switched, and in most uses as displays a backer is put in place so someone can make out what is on the screen. [Ancient] is removing this backer, though, allowing the LCD to be completely transparent when switched off. The screen is placed inside this lens adapter housing in the middle of a PCB where a small computer is also placed. The computer controls the LCD via a set of buttons on the outside of the housing, allowing the photographer to use this screen as a programmable aperture.

The LCD-as-aperture has a number of interesting uses that would be impossible with a standard iris aperture. Not only can it function as a standard iris aperture, but it can do things like cycle through different areas of the image in sequence, open up arbitrary parts or close off others, and a number of other unique options. It’s worth checking out the video below, as [Ancient] demonstrates many of these effects towards the end. We’ve seen some of these effects before, although those were in lenses that were mechanically controlled instead.

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Mesh “Lens” Lets Your Camera Make Weird Pixel Art

We seldom talk about 3D printing lenses because most techniques can’t possibly produce transparent parts of optical quality. However, you can 3D print something like a lens, as [Luke Edwin] demonstrates, and get all kinds of crazy pictures out of it. 

[Luke’s] lens isn’t really a lens, per se. There’s no transparent optical medium being used to bend light, here. Instead, he’s printed a very fine grid in a cylindrical form factor, stuck it on a lens mount, and put that on the front of a camera.

The result is effectively a set of parallel tubes that guide light on to the camera’s image sensor. With the lack of any sort of focus mechanism, you can’t use this “lens” to photograph anything more than a few centimeters away. Get something up close, though, and you can take very simple, very grainy images that are reminiscent of classic pixel art. [Luke] demonstrates this in some fun ways, using it to take photographs of money, a plant, and his own eye. The images look almost like art assets straight out of a 16-bit game. He’s got the STL file up for sale if you want to print your own at home.

We’d love to see this concept explored further, maybe with some supporting optics for more versatile use. In the meantime, you might explore other ways of using 3D printers for photographic gain.

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Disposable Camera Viewfinder Becomes 3D Printed Lens

Disposable cameras are a fun way to get into classical photography. However, they can also be a valuable source of interesting parts that can be put to other uses. For example, as [Billt] demonstrates, their viewfinders can be repurposed into a rather interesting lens for more serious cameras.

[Billt] was lucky enough to score a grabbag of used disposable cameras from a local film lab, and tore them down for parts. He was particularly interested in the viewfinders, since Kodak equipped its disposable cameras with actual plastic lenses for this very purpose.

[Billt] wanted to see what these lenses would do when thrown on the front of a proper digital camera, and set about designing a mount for that purpose. The 3D printed part was designed to mount one of the viewfinder lens assemblies on the front of any Sony E-mount camera. In a rather nifty trick, [Billt] realized the lens assembly could be installed in the adapter by pausing mid-way through the 3D print to drop it in. The only unfortunate thing? The lenses didn’t really work, and all the camera could see was a haze of unfocused light.

With the aid of some cardboard experiments, [Billt] decided to make some changes. The front element of the viewfinder was dumped, with the rear element being used solo instead. This was fitted to the adapter on a simple slide mechanism so that focus could be reliably adjusted. With these changes, the lens came good, and provided some really interesting shots. It’s quite a cropped lens and it can achieve a very close focus distance, as little as 1 inch in testing. It’s quite sharp in the center of the image, while softly blurring out towards the edges—something that sounds very familiar if you’ve used one of these disposable cameras in the wild.

Sometimes it’s fun to grab a random piece of junk to see if you can turn it into something good. Video after the break.

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All You Need To Know About Photographic Lenses

If you have ever played around with lenses, you’ll know that a convex lens can focus an image onto a target. It can be as simple as focusing the sun with a magnifying glass to burn a hole in a piece of paper, but to achieve the highest quality images in a camera there is a huge amount of optical engineering and physics at play to counteract the imperfections of those simple lenses.

Many of us in the hardware world aren’t optical specialists but our work frequently involves camera modules, so [Matt Williams]’ piece for PetaPixel laying out a primer on lens design should be essential reading well beyond its target audience of photographers.

In it we learn how a photographic lens is assembled from a series of individual lenses referred to as elements, combined together in groups to lend the required properties to the final assembly. We are introduced to the characteristics of different types of glass, and to the use of lens coatings to control reflections. Then we see examples of real lens systems, from some famous designs with their roots in the 19th century, to the lenses of today.

Sometimes a piece written for an entirely different audience can bring really useful insights into our field, and this is one of those times. We learned something, and we think you will too.


Header image: 4300streetcar, CC BY 4.0.