Released in 1998, the Game Boy camera was a bit ahead of its time. This specialized Game Boy cartridge featured a 128×128 pixel CMOS sensor and took 4-color greyscale photos. The camera even rotated, allowing for selfies years before that word existed.
The fixed lens on this camera meant no zoom was possible. [Bastiaan] decided to address this shortcoming by building a Canon EF Lens Mount. The resulting build looks hilarious, but actually takes some interesting photos.
[Bastiaan] designed the mount using Rhino 3D, and printed it out on a Monoprice 3D printer. After some light disassembly, the mount can be screwed onto the Game Boy Camera. With the massive 70-200 f4 lens and 1.4x extender shown here, the camera gets a max focal distance of just over 3000 mm.
One issue with the Game Boy Camera was the limited options for doing anything with the photos. They could be transferred to other Game Boy Camera cartridges, or printed using the Game Boy Printer. Fortunately, [Brian Khuu] has a modern day solution that emulates the Game Boy Printer using an Arduino. This lets you get PNG files out of the device.
Before the invention of the high-powered LED, and even really before the widespread adoption of electric lights in general, lighthouses still had the obligation of warning ships of dangers while guiding them into various safe harbors. They did this with gas lights and impressive glass lenses known as Fresnel lenses which helped point all available light in the correct direction while reducing weight and material that would otherwise be used in a conventional lens.
Now, a company in Florida is using acrylic in reproductions of antique Fresnel lenses. At first glance, it seems like acrylic might not be the best substitute for glass, but the company is able to achieve extreme precision using a CNC machine and then polishing and baking the acrylic which makes it transparent and excellent for use in lighthouse lenses like this. The reproduction lenses are built out of brass, and the lens elements are glued in place with a special adhesive. It’s a convincing replication worthy of use in any lighthouse.
Be sure to check out the video below to see how these lenses are built, and although we’re not entirely sure what exactly is being sprayed on the lenses when they are being polished, perhaps someone in the comments section can illuminate that for us. Of course, there are other uses for Fresnel lenses than in lighthouses, and we’ve seen some great examples of them put to use for many different applications.
Continue reading “Antique Lighthouse Lens via CNC”
Should a camera build start with a sand mold and molten aluminum? That’s the route [CroppedCamera] took with this thoroughly impressive camera project.
When we think of cameras these days, chances are we picture the ones that live inside the phones in our pockets. They’re the go-to image capture devices for most of us, but even for the more photographically advanced among us, when a more capable camera is called for, it’s usually an off-the-shelf DSLR from Canon, Nikon, or the like. Where do hand-built cameras fall in today’s photography world? They’re a great way to add a film option to your camera collection.
Cast lens body before machining
[CroppedCamera] previously built a completely custom large-format view camera, but for this build he decided that something a bit more portable might do. The body of the camera is scratch-built from aluminum, acting as the lightproof box to hold the roll film and mount the leaf-shutter lens. There’s an impressive amount of metalwork here — sand casting, bending, TIG welding, and machining all came into play, and most of them new skills to [CroppedCamera]. We were especially impressed with the shrink-fit of the lens cone to the body. It’s unconventional looking for sure, but not without its charm, and it’s sure to make a statement dangling around his neck.
It’s tough to find non-digital DIY camera builds around here — best we could do were these laser-cut plywood modular cameras. Then again, you can’t beat this wearable camera for functional style.
Continue reading “Shutter Bug Goes Extreme with Scratch-Built Film Camera”
Whether you realize it or not, Katharine Burr Blodgett has made your life better. If you’ve ever looked through a viewfinder, a telescope, or the windshield of a car, you’ve been face to face with her greatest achievement, non-reflective glass.
Katharine was a surface chemist for General Electric and a visionary engineer who discovered a way to make ordinary glass 99% transparent. Her invention enabled the low-cost production of nearly invisible panes and lenses for everything from picture frames and projectors to eyeglasses and spyglasses.
Katharine’s education and ingenuity along with her place in the zeitgeist led her into other fields throughout her career. When World War II erupted, GE shifted their focus to military applications. Katharine rolled up her sleeves and got down in the scientific trenches with the men of the Research Lab. She invented a method for de-icing airplane wings, engineered better gas masks, and created a more economical oil-based smokescreen. She was a versatile, insightful scientist who gave humanity a clearer view of the universe.
Continue reading “44 Layers of Katharine Burr Blodgett”
Resin printing — or more appropriately, stereolithography apparatus printing — is a costly but cool 3D printing process. [Evan] from [Model3D] wondered if it was possible to produce a proper magnifying glass using SLA printing and — well — take a gander at the result.
A quick modeling session in Fusion 360 with the help of his friend, [SPANNERHANDS 3D Printing] and it was off to the printer. Unfortunately, [Evan] learned a little late that his export settings could have been set to a higher poly count — the resultant print looked a little rough — but the lens would have needed to be sanded anyway. Lucky coincidence! After an eight hour print on his Peopoly Moai using clear SLA resin, [Evan] set to work sanding.
Continue reading “What Would Sherlock Print, If Sherlock Printed In SLA Resin?”
It’s a problem as old as photography: your camera is only as good as your lens. As cameras shrink, so do lenses, and so do the options for upgrading to a better lens. And forget about switching to a different focal length or aperture — it’s often just not an option. Unless you make it an option by adding a CS lens mount to a high-end webcam.
We’ll stipulate that at 4k resolution and packed with all sorts of goodies, the Logitech Brio Pro is a heck of a nice camera. And the lens isn’t bad either, as you’d hope for a camera with almost 9 megapixels at its disposal. But with an optical field of view optimized for video conferencing, it’s hard to use this premium camera for much else. [Saulius] fixed that by taking the camera apart and adding a new case with a built-in C- and CS-mount, resulting in literally thousands of lens choices. [Saulius]’ post has valuable teardown information, which includes exposing the CCD sensor completely. The new case is sold as a kit, but it looks like a 3D-printed case would be pretty easy to whip up.
[Salius] sure seems to love those optical hacks, whether they be a budget microscope camera, high-resolution LIDAR, or capturing license plates at great distances.
What do you get when you mix the disappointment that sometimes accompanies cheap Chinese electronics with the childhood fascination of torturing insects with a magnifying glass on a sunny day? You get a solar-powered CNC etcher, that’s what.
We all remember the days of focussing the sun on a hapless insect, or perhaps less sadistically on a green plastic army man or just a hunk of dry wood. The wonder that accompanied that intense white spot instantly charring the wood and releasing wisps of smoke stayed with you forever, as seemingly did the green spots in your vision. [drum303] remembered those days and used them to assuage his buyer’s remorse when the laser module on his brand new CNC engraver crapped out after the first 10 minutes. A cheap magnifying glass mounted to the laser holder and a sunny day, and he don’t need no stinkin’ lasers! The speed needs to be set to a super slow — 100mm per minute — and there’s the problem of tracking the sun, but the results are far finer than any of our childhood solar-artistic attempts ever were.
Do we have the makings of a possible performance art piece here? A large outdoor gantry with a big Fresnel lens that could etch a design onto a large piece of plywood would be a pretty boss beachside attraction. Of course, you’d need a simple solar tracker to keep things in focus.
Continue reading “A Poor-Man’s Laser CNC Engraver”