Organ Pedals Fill In When Your Bass Player Is Missing

December 18, 2012 by Mike Szczys 10 Comments

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Since his string bass player isn’t always around [Antoine] built his own electric bass stand-in using the pedals from an old organ. The project — which he calls the Organ Donor — was inspired by a similar standalone organ pedal bass project. That instrument was built using a 555 timer to generate the sound. But [Antoine] has a little more room for growth as he’s using an old microcontroller development board to generate sound.

The octaves worth of pedals were pulled from an old broken Yamaha A55 Electone organ. After extracting the assembly from the instrument he built a nice wooden case around it. This doubles as a stand for the amplifier which broadcasts the sound. An old Freescale development board is wired up to twelve of the keys (the top C is unused). It generates a square wave at the appropriate frequency for each key. This signal is fed through a low-pass filter before being routed to the audio jack on the back of the case.

Future improvements include building an amplifier into the pedal assembly. We would also love to see different signal processing to expand the range of sounds the pedals can generate. We’re not sure of the capabilities of that microcontroller, but it would be neat to hear tone generation using stored samples.

Tablet Rig Takes Sheet Music Digital

December 12, 2012 by Mike Szczys 12 Comments

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[Bill Dudley’s] wife wanted to use a couple of different tablets for displaying sheet music. Sure, a proper music stand will have no trouble supporting the weight of the device, but if it’s not secured it place you may soon have a broken device. [Bill’s] solution was to build this tablet stand out of PVC.

The image above doesn’t tell the entire story of how he did this. But if you look really closely you’ll notice that the pipe is actually acting as a frame rather than a cradle. After measuring, cutting, and gluing all of the components together he cut a channel around the inside of the u-shaped PVC frame. The channel is the exact thickness of the tablet and holds the device securely. A base from a music stand makes up the rest of the rig.

Pages can be turned using a USB foot pedal. This is fantastic for gigging musician who use digital music collections like the Real Book.

Digital IR Theremin

December 12, 2012 by Eric Evenchick 6 Comments

This Digital IR Theremin creates tones based on the distance of an object from its IR sensor. There’s no microcontroller here, since the project is part of an Introduction to Digital Electronics course. Instead, it uses a handful of comparators, transistors, AND gates, and a 555 timer to make noise.

The comparators are connected to create window comparators. This configuration will output a digital 1 if the input is between two reference voltages, and 0 if it is not. Using this, the analog output of the IR range sensor can be converted to digital values.

The 555 timer takes care of creating the output waveform. A specific resistor is switched in to the timer’s RC circuit depending on which window comparator is active. This allows for a different tone to be played depending on the distance from the IR sensor.

The result is a square wave, which has a frequency dependant on how close an object is to the IR sensor. By selecting the right resistances for each distance, the theremin can be tuned to play a specific scale.

This is a neat project for people looking to learn digital electronics, and the write up does a great job of explaining the theory. After the break, check out a video of the theremin generating some tones.

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Air Harp Using The Leap Motion

December 5, 2012 by Mike Szczys 6 Comments

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He’s just pointing in this image, but this Air Harp can be played using many fingers as once. It’s a demonstration which [Adam Somers] threw together in one weekend when working with the Leap Motion developer board. We first heard about this slick piece of hardware back in May and from the looks of it this is every bit as amazing as first reported.

Part of what made the project come together so quickly is that [Adam] had already developed a package called muskit. It’s a C++ toolkit for making music applications. It puts the framework in place what we hear in the video after the break. The weekend of hacking makes use of the positional data from the Leap Motion and handles how your digits interact with the virtual strings. You can watch as [Adam] adds more and more strings to the virtual instrument for his finger to interact with. The distance from the screen is what decided is your finger will pluck or not. This is indicated with a red circle when your fingertip is close enough to interact with the phantom string.

Get your hands on the code from his repositories.

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Japanese Drumming Sensei

December 4, 2012 by Jeremy Cook 4 Comments

If you’re looking to learn the art of playing Japanese drums, or Taiko, this hack, done as a school project by [Cornell] students, could be a really helpful aid. The project write-up is very impressive and includes a detailed explanation of their work, the source code, and a bill of materials if you’d like to try to duplicate this device.

The tutor device is able to tell between soft hits, hard hits, and rimshots using a piezoelectric sensor hooked up to an ATmega1284P microcontroller. This data can then be transmitted to the “follower” drum using an infrared transmitter. These beats can be used in several modes including: follow the leader, metronome, repeat after me, and drum battle mode.

Ok, maybe there’s no drum battle mode, but be sure to check out the demonstration of the Taiko teaching aid after the break. There’s a lot of details about the build, but they start some calibration drumming around 4:00 if you’d just like to see it in action. Continue reading “Japanese Drumming Sensei” →

Guitar Foot Controller Uses DSP For Audio Effects

November 30, 2012 by Mike Szczys 7 Comments

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This a screenshot taken from [Pierre’s] demonstration of an electric guitar effects pedal combined with DSP and Pure Data. He pulls this off by connecting the guitar directly to the computer, then feeds the computer’s audio output to the guitar amp.

The foot controls include a pedal and eight buttons, all monitored by an Arduino. Pure Data, a visual programming language, interprets the input coming from the Arduino over USB and alters the incoming audio using digital signal processing. [Pierre] manages the audio connection using the JACK Audio Connection Kit software package.

In the video after the break he’s using a laptop for most of the work, but he has also managed to pull this off with a Raspberry Pi. There’s no audio input on the RPi board, but he’s been using a USB sound card anyway. The other USB port connects the Arduino and he’s in business.

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100 Meter Spring Reverb Makes Us Hear Satanic Voices

November 28, 2012 by Mike Szczys 23 Comments

Spring reverb is something we’re used to hearing about when it comes to guitar amplifiers. It’s a coil spring stretched the length of the amp’s housing. One end is fed the guitar signal, with a pickup at the other to capture the output. But this spring reverb is on a much grander scale. [Jochem van Grieken] strung up 100 meters of coiled steel wire in a long hallway and the results sound a little bit evil.

A simple piezo element is used as a pickup to amplify the sound coming off of the spring. Above [Jochem] is using what looks like a jeweler’s saw to make some sound on the 3.5mm wire. It’s this portion of the video that sounds demonic to us. In the second half of the demonstration he strikes the wire with a ruler to produce the pew-pew effect from many a sci-fi movie.

This isn’t his first experiment with the concept, it’s just his largest. Also found after the break are a pair of links to his other installations.

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