Glue-on nails with vinyl record pickups pierced through them that are used on a vinyl record

The Sound Of Nails On Black Vinyl Records

[Victoria Shen] modifies glue-on nails to give her the ability to play vinyl records with her fingers. Details are light but from the many glamour pictures, it looks like she pushes record player needles through glue-on nails with thin pickup wire that then presumably goes to an audio jack for amplification.

Photograph of hand with record needs through glue-on nails

[Victoria] experiments with novel musical tools for use in her art and performances. Be sure to check out the videos of the nails in action. The combination of “scratching” and ability to alter the speed of vinyl with the free fingers creates a weird and eerie experience.

Using her “Needle Nails”, [Victoria] has found she’s able to play multiple records simultaneously (Nitter). Thanks to the different diameters of 33, 78 and 45 vinyls, she’s able to stack them up while still keeping her fingers on them.

Glove like musical instruments are nothing new but the novel use of fashion, glamour and technology allow [Victoria Shen] the freedom to create something uniquely weird and cool, so much so that Beyonce used it in a video shoot for Vogue (Nitter).

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Mechanical Relay Percussion In A Eurorack Format

There are plenty of analog and digital synthesis modules available in Eurorack format. But how about one that actually does physical percussion while capturing the output at the same time? The VU Perc Relay module does just that.

The concept is simple. Eurorack control voltages are fed to a VU meter, which swings about and makes noise when the needle hits a copper strip. This strip is connected to a piezo element which captures the sound. There’s also a relay that gets triggered under such conditions, with that sound also captured by a piezo element. Thus, the input control voltages create real percussion noises with the VU meter and relay, and then capture them for output to the rest of the rack.

Having actual physical sound devices in a compact Eurorack module is neat. The fact that it’s transparent is even cooler, as it lets you see the percussion in action. Notably, the physical nature of this module means you’ll want to place some bubble wrap or other isolating material under your rack when performing on stage with a PA. Otherwise, you risk getting feedback through the piezos.

We see plenty of good Eurorack gear around these parts, like this useful wireless MIDI connection. Video after the break.

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This Simple Light-Controlled Synth Has A Surprisingly Rich Sound

Audio synthesizers can range from vast racks of equipment with modules stitched together by a web of patch cords to a couple of 555s wired together in an Atari punk arrangement. This light-controlled synth comes in closer to the lower extreme of that range, but packs a sonic punch that belies its simplicity.

The project is the latest version of [lonesoulsurfer]’s “Moog Light Synthesizer,” which shares a lot of the circuitry found in his first version a couple of years ago. This one has a lot of bells and whistles, but it all starts with a PWM oscillator that contributes to the mean, growling quality of its sound. There’s also a low-pass filter that’s controlled by a couple of light-dependent resistors, which can be played by blocking them off with a fingertip. A couple of inverters form a drone oscillator that can be switched into the circuit, as well as a 555-based arpeggiator to chop things up a bit.

All those circuits, as well as support for a thirteen-key keyboard, live on one custom PCB. There’s also an off-the-shelf echo/reverb module that’s been significantly hacked to add to the richness of the sound. The custom wood and acrylic case make the whole thing look as good as it sounds.

We noted that [lonesoulsurfer]’s previous “Box of Beezz” drone synth seemed to evoke parts of the “THX Deep Note” at times; similarly, some of the sounds of this synth sound like they’d come from the soundtrack of a [Christopher Nolan] film  — check it out in the video below.

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Making A Tape Echo The Traditional Way

[Juan Nicola] has taken inspiration from the musician hackers of old and re-purposed a reel-to-reel tape recorder into a tape-echo for his guitar with a built-in valve amplifier (video in Spanish).

The principle is to record the sound of the guitar onto a piece of moving magnetic tape, then to read it back again a short time later.  This signal is mixed with the live input and re-recorded back onto the tape further back.  The effect is heard as an echo, and this approach was very popular before digital effects became readily available.

[Juan] installed a new read-head onto his Grundig TK40 and managed to find a suitable mechanical arrangement to keep it all in place.  He has since updated the project by moving to a tape loop, allowing an infinite play-time by re-using the same piece of tape over and over.

Turning tape machines into echo effects is not a new idea, and we’ve shown a few of them over the years, but every one is slightly different!

Both versions are shown after the break.  YouTube closed-caption auto-translate might come in handy here for non-Spanish speakers.

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Big Noise From A 555 And A Little Embroidery

[Sam Topley] specializes in making textile based, electronic instruments and sculptures using embroidery, and this little hoop packs some serious sound (Nitter).

The circuit is a riff on a classic 555 timer circuit, which produces a signal that is modulated by applying pressure conductive textile in different ways. The signal is then piped through a system built in a visual coding interface called MaxMSP, which allows [Sam] to get specific on how to control it. The program shifts the pitch and applies filtering, producing a dynamic dial-up tone-like sound as the user interacts.

To top it off, [Sam] uses vintage resistors  and tropical fish capacitors from the 60s that compliment the visual design and match the embroidery floss, they’re both beautiful and functional! This isn’t the only circuit of this kind [Sam] has made, she also produces tons of e-textile radios using similar techniques. We love how this project spans a ton of areas, analog circuitry, vintage tech, and soft circuits!

While we don’t see too many projects involving them come our way, e-textiles are certainly a fascinating topic. Our coverage of 2018’s “eTextile Spring Break” in New York is a must-read if you’re interested in exploring this technology, and the relatively recent news that MIT has developed a washable LED fabric has us hoping we’ll see more projects like this in the near future.

ADSL Router As Effects Pedal

Moore’s law might not be as immutable as we once though thought it was, as chip makers struggle to fit more and more transistors on a given area of silicon. But over the past few decades it’s been surprisingly consistent, with a lot of knock-on effects. As computers get faster, everything else related to them gets faster as well, and the junk drawer tends to fill quickly with various computer peripherals and parts that might be working fine, but just can’t keep up the pace. [Bonsembiante] had an old ADSL router that was well obsolete as a result of these changing times, but instead of tossing it, he turned it into a guitar effects pedal.

The principle behind this build is that the router is essentially a Linux machine, complete with ALSA support. Of course this means flashing a custom firmware which is not the most straightforward task, but once the sound support was added to the device, it was able to interface with a USB sound card. An additional C++ program was created which handles the actual audio received from the guitar and sound card. For this demo, [Bonsembiante] programmed a ring buffer and feeds it back into the output to achieve an echo effect, but presumably any effect or a number of effects could be programmed.

For anyone looking for the source code for the signal processing that the router is now performing, it is listed on a separate GitHub page. If you don’t have this specific model of router laying around in your parts bin, though, there are much more readily-available Linux machines that can get this job done instead.

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Improve CD Sound By Shaving?

We always enjoy the odd things that people do to try to get better audio reproduction. Exotic cables, special amplifiers, and higher resolution digitization come to mind.  Most of this is dubious, at best, but [Techmoan] brings up something we must have missed back in the day: shaving CDs with a gadget that was marketed as the “CD Sound Improver.” The theory is that bad CD reproduction comes from light scatter of the laser. The solution, according to the maker of this vintage equipment, is to cut a 36-degree bevel to act as a light trap. You can see the gadget in the video below.

The device claims it reduced vibration, improved audio, and even helped DVDs playback better video. As you might imagine, this has little hope of actually working. The box is essentially a motor-driven turntable, a razor blade, and a port for a vacuum cleaner to suck up the mess. You were told to color the edge with a marker, too.

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