Do you ever peer into the void…of your hardware scrap box? It may be a wonderland of parts with near-infinite potential, and they just need to be assembled and depending on what you hoard, programmed. Access to a laser engraver doesn’t hurt either. The stuff in [Mr. Sobolak]’s bin is cooler than average, at least by Hackaday writer standards. His sound palette project is a wild mixture of interfaces, hardware, channels, and color. There are arcade pushbuttons, slider potentiometers, rotary potentiometers, miniature laser harp, touch piano, and drum pads which earns the title of junk box build extraordinaire.
Under the hood, we find the usual copper tape, wire and solder connecting operators to a Teensy 3.2. In the more esoteric part of the BOM, we find some fancy SoftPots which look like great fun to play. All the code is linked in the Instructable, but there is absolutely no reason to make an exact copy. MIDI is from the 80s and libraries abound for this protocol so the building may be the hardest part of making an interface that fits your character. Some of the techniques in the Instructable may help you, like how to connect a piezo element so it can read something lighter than a wrecking ball or the laser harp roughly the size of your palm.
We are not short of MIDI interfaces if you are thinking of making your own or be truly random.
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Smart Energy GB are the organisation campaigning for the roll-out of smart energy meters in the UK. Publicizing smart meters and making traditional electricity and gas meters look obsolete is part of their mission, and towards the end of last year they came up with a novel idea. “Requiem for Meters”, is a piece of orchestral music performed on instruments made from old gas and electricity meters, and recorded by the Royal Philharmonic Orchestra at the famous Abbey Road Studios in London.
The old meters serve as much as artworks in some of the instruments as they do a function. As far as we can see for example the gas meter violins are electric instruments rather than acoustic, the meter serving only as the physical body of the instrument rather than as an acoustic cavity in the way the body of a traditional violin does. The wind instruments seem to incorporate the cavity of a gas meter in their construction though and the percussive instruments are very much dependent on the properties of the meters themselves, though we’ll leave it to the reader to decide whether the resulting sound is one you’d want regularly on your hi-fi.
The video below the break shows some of the background to the piece, though sadly not as much instrument building detail as we’d like.
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When you mention Shenzhen, many people think about electronic gadgets, cheap components, manufacturing, and technology. I’m there quite often and find that all of the technology and manufacturing related stress can be overwhelming at times. Sometimes I feel the need to escape it all so I go to markets and places that aren’t traditionally associated with technology so I can clear my head as well as expose myself to something different. It provides me with a constant source of new design ideas and also allows me to escape the persistent tech treadmill that Shenzhen runs on. There are a lot of places in Shenzhen that I consider hidden gems that don’t get a lot of press since mainstream media associates Shenzhen with either factories or technology. Here are my favorite places to window shop and de-stress in Shenzhen.
Continue reading “A Hackers Guide To Arts, Crafts, Food, And Music In Shenzhen”