So Expensive, A Caveman Can Do It

A few years back a company had an ad campaign with a discouraged caveman who was angry because the company claimed their website was “so easy, even a caveman could do it.” Maybe that inspired [JuliusBrussee] to create caveman, a tool for reducing costs when using Claude Code.

The trick is that Claude, like other LLMs, operates on tokens. Tokens aren’t quite words, but they are essentially words or word fragments. Most LLM plans also charge you by the token. So fewer tokens means lower costs. However, LLMs can be quite verbose, unless you make them talk like a caveman.

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A Live ISO For Those Vibe Coding Experiments

Vibe coding is all the rage at the moment if you follow certain parts of the Internet. It’s very easy to dunk upon it, whether it’s to mock the sea of people who’ve drunk the Kool-Aid and want the magic machine to make them a million dollar app with no work, or the vibe coded web apps with security holes you could drive a bus through.

But AI-assisted coding is now a thing that will stick around whether you like it or not, and there are many who want to dip a toe in the water to see what the fuss is about. For those who don’t quite trust the magic machines in their inner sanctum, [jscottmiller] is here with Clix, a bootable live Linux environment which puts Claude Code safely in a sandbox away from your family silver.

Physically it’s a NixOS live USB image with the Sway tiling Wayland compositor, and as he puts it: “Claude Code ready to go”. It has a shared partition for swapping files with Windows or macOS machines, and it’s persistent. The AI side of it has permissive settings, which means the mechanical overlord can reach parts of the OS you wouldn’t normally let it anywhere near; the point of having it in a live environment in the first place.

We can see the attraction of using an environment such as this one for experimenting without commitment, but we’d be interested to hear your views in the comments. It’s about a year since we asked you all about vibe coding, has the art moved forward in that time?