Retrotechtacular: The Story Of Turpentine

If someone in 2023 has ever had much call to use turpentine, chances are good it was something to do with paint or other wood finishes, like varnish. Natural turpentine is the traditional solvent of choice for oil paints, which have decreased in popularity with the rise of easy-to-clean polymer-based paints and coating. Oh sure, there are still those who prefer oil paint, especially for trim work — it lays up so nice — but by and large, turpentine seems like a relic from days gone by, like goose grease and castor oil.

It wasn’t always so, though. Turpentine used to be a very big deal indeed, as shown by this circa 1940 documentary on the turpentine harvesting and processing industry. Even then it was only a shadow of its former glory, when it was a vital part of a globe-spanning naval empire and a material of the utmost strategic importance. “Suwanee Pine” shows the methods used in the southern United States, where fast-growing pines offer up a resinous organic gloop in response to wounds in their bark. The process shown looks a lot like the harvesting process for natural latex, with slanting gashes or “catfaces” carved into the trunks of young trees, forming channels to guide the exudate down into a clay collecting cup.

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Retrotechtacular: Studio Camera Operation, The BBC Way

If you ever thought that being a television camera operator was a simple job, this BBC training film on studio camera operations will quickly disabuse you of that notion.

The first thing that strikes you upon watching this 1982 gem is just how physical a job it is to stand behind a studio camera. Part of the physicality came from the sheer size of the gear being used. Not only were cameras of that vintage still largely tube-based and therefore huge — the EMI-2001 shown has four plumbicon image tubes along with tube amplifiers and weighed in at over 100 kg — but the pedestal upon which it sat was a beast as well. All told, a camera rig like that could come in at over 300 kg, and dragging something like that around a studio floor all day under hot lights had to be hard. It was a full-body workout, too; one needed a lot of upper-body strength to move the camera up and down against the hydropneumatic pedestal cylinder, and every day was leg day when you had to overcome all that inertia and get the camera moving to your next mark.

Operating a beast like this was not just about the bull work, though. There was a lot of fine motor control needed too, especially with focus pulling. The video goes into a lot of detail on maintaining a smooth focus while zooming or dollying, and shows just how bad it can look when the operator is inexperienced or not paying attention. Luckily, our hero Allan is killing it, and the results will look familiar to anyone who’s ever seen any BBC from the era, from Dr. Who to I, Claudius. Shows like these all had a distinctive “Beeb-ish” look to them, due in large part to the training their camera operators received with productions like this.

There’s a lot on offer here aside from the mechanical skills of camera operation, of course. Framing and composing shots are emphasized, as are the tricks to making it all look smooth and professional. There are a lot of technical details buried in the video too, particularly about the pedestal and how it works. There are also two follow-up training videos, one that focuses on the camera skills needed to shoot an interview program, and one that adds in the complications that arise when the on-air talent is actually moving. Watch all three and you’ll be well on your way to running a camera for the BBC — at least in 1982.

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Retrotechtacular: Crash Testing Truck Attenuators, For Science

There are those among us who might bristle at something from the early 1980s qualifying for “Retrotechtacular” coverage, but it’s been more than 40 years since the California Department of Transportation’s truck-mounted attenuators crash testing efforts, so we guess it is what it is.

If you’re worried that you have no idea what a “truck-mounted attenuator” might be, relax — you’ve probably seen these devices attached to the backs of trucks in highway work zones. They generally look like large boxes attached to frames at the rear of the truck which are intended to soften the blow should a car somehow not see the giant orange truck covered with flashing lights and drive into the rear of it at highway speeds. Truck-mounted attenuators are common today, but back in 1982 when this film was produced, the idea was still novel enough to justify crash-testing potential designs.

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Retrotechtacular: Circuit Potting, And PCBs The Hard Way

There was a time when the very idea of building a complex circuit with the intention of destroying it would have been anathema to any electrical engineer. The work put into designing a circuit, procuring the components, and assembling it, generally with point-to-point wiring and an extravagant amount of manual labor, only to blow it up? Heresy!

But, such are the demands of national defense, and as weapons morphed into “weapon systems” after World War II, the need arose for electronics that were not only cheap enough to blow up but also tough enough to survive the often rough ride before the final bang. The short film below, simply titled Potted and Printed Circuits, details the state of the art in miniaturization and modularization of electronics, circa 1952. It was produced by the Telecommunications Research Establishment (TRE), the main electronics R&D entity in the UK during the war which was responsible for inventions such as radar, radio navigation, and jamming technology.

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Retrotechtacular: A Closer Look At The VT Proximity Fuze

Here at Hackaday, our aim is to bring you only the freshest of hacks, which carries the burden of being Johnny-on-the-spot with our source material. So if something of obvious interest to our readers goes viral, we might just choose to skip covering it ourselves, figuring you all have probably seen it already. But, if we can dig a little deeper and bring extra value over and above what the viral content provides — well then that’s another story.

That’s pretty much the story behind the excellent video recently released by [Real Engineering] about “The Secret Weapon That Changed World War 2.” It concerns the VT series of proximity fuzes — it’s a legitimate alternate spelling of “fuse” if a somewhat archaic one — that were used for artillery shells and spin-stabilized rockets in World War II. The video gives an excellent overview of the development of the VT, which was used primarily in anti-aircraft artillery (AAA). The details about the development of the American VT fuze are excellent, although curiously there’s no mention that British experiments with a radio proximity fuze were part of the goldmine of information brought to America at great risk by the Tizard mission in 1940. While there has been plenty of contention about the exact role the British work played, it’s fair to say that it at least informed the development and fielding of the American VT fuze.

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Retrotechtacular: Putting Pictures On The Wire In The 1930s

Remember fax machines? They used to be all the rage, and to be honest it was pretty cool to be able to send images back and forth over telephone lines. By the early 2000s, pretty much everyone had some kind of fax capability, whether thanks to a dedicated fax machine, a fax modem, or an all-in-one printer. But then along came the smartphone that allowed you to snap a picture of a document and send it by email or text, and along with the decrease in landline subscriptions, facsimile has pretty much become a technological dead end.

But long before fax machines became commonplace, there was a period during which sending images by wire was a very big deal indeed. So much so that General Motors produced “Spot News,” a short film to demonstrate how newspapers leveraged telephone technology to send photographs from the field. The film is very much of the “March of Progress” genre, and seems to be something that would have been included along with the newsreels and Looney Tunes between the double feature films. It shows a fictional newsroom in The Big City, where a cub reporter gets a hot tip about an airplane stunt about to be attempted out in the sticks. The editor doesn’t want to miss out on a scoop, so he sends a photographer and a reporter to the remote location to cover the stunt, along with a technology-packed photographic field car. Continue reading “Retrotechtacular: Putting Pictures On The Wire In The 1930s”

Retrotechtacular: Gibson Factory Tour, 1967-Style

If nothing else good came out of 2020, we can say that we at least have “Instrument of the People” — some 1967-era footage of Gibson Guitars’ “craftory”, which was discovered sometime in the fall of 2020. It appears a bit boring at first — a suit slowly approaches the camera on a dimly-lit factory floor and you half-expect an ‘oh, I didn’t see you there’ type of introduction, but no. When he reaches the foreground, he finds a candy apple-red Gibson semi-hollow body guitar waiting for him. After giving the thing a quick once over, he assesses the straightness of the neck and then begins shredding on it, fingerpicking style.

If you like this or any type of guitar music, then hang on to your headstock, because it lilts nonstop throughout this 20-minute tour as we see a parade of nameless, and often headless, players showing their stuff on various styles of Gibson both electric and acoustic.

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