Anyone who was active in the phreaking scene or was even the least bit curious about the phone system back in the Ma Bell days no doubt remembers the carbon capsule microphone in the mouthpiece of many telephone handsets. With carbon granules sandwiched between a diaphragm and a metal plate, they were essentially sound-driven variable resistors, and they worked well enough to be the standard microphone for telephony for decades.
In an attempt to reduce complicated practices to their fundamentals, [Simplifier] has undertaken this surprisingly high-fidelity carbon microphone build that hearkens back to the early days of the telephone. It builds on previous work that was more proof of concept but still impressive. In both builds, the diaphragm of the microphone is a thin piece of wood, at first carved from a single block of softwood, then later improved by attaching a thin piece of pine to a red oak frame. The electrical side of the mic has four carbon rods running from the frame to the center of the diaphragm, where they articulate in a carbon block with small divots dug into it. As the diaphragm vibrates, the block exerts more or less pressure on the rods, varying the current across the mic and reproducing the sound. It works quite well, judging by the video after the break.
Congratulations to [Simplifier] for another great build and top-notch craftsmanship. We’ve seen homebrew vacuum tubes, conductive glass, and solar cells from him before, which sort of makes him the high-tech version of Primitive Technology. We’re looking forward to whatever comes next. Continue reading “Wood And Carbon Rods Used For This Handsome And Effective Microphone”
The mid-1980s were a time of drastic change. In the United States, the Reagan era was winding down, the Cold War was heating up, and the IBM PC was the newest of newnesses. The comparatively few wires stitching together the larger university research centers around the world pulsed with a new heartbeat — the Internet Protocol (IP) — and while the World Wide Web was still a decade or so away, The Internet was a real place for a growing number of computer-savvy explorers and adventurers, ready to set sail on the virtual sea to explore and exploit this new frontier.
In 1986, having recently lost his research grant, astronomer Clifford Stoll was made a computer system admin with the wave of a hand by the management of Lawrence Berkeley Laboratory’s physics department. Commanded to go forth and administer, Stoll dove into what appeared to be a simple task for his first day on the job: investigating a 75-cent error in the computer account time charges. Little did he know that this six-bit overcharge would take over his life for the next six months and have this self-proclaimed Berkeley hippie rubbing shoulders with the FBI, the CIA, the NSA, and the German Bundeskriminalamt, all in pursuit of the source: a nest of black-hat hackers and a tangled web of international espionage.
Continue reading “Books You Should Read: The Cuckoo’s Egg”
One late night many decades ago, I chanced upon a technical description of the Touch-Tone system. The book I was reading had an explanation of how each key on a telephone sends a combination of two tones down the wire, and what’s more, it listed the seven audio frequencies needed for the standard 12-key dial pad. I gazed over at my Commodore 64, and inspiration hit — if I can use two of the C64’s three audio channels to generate the dual tones, I bet I can dial the phone! I sprang out of bed and started pecking out a Basic program, and in the wee hours I finally had it generating the recognizable Touch-Tones of my girlfriend’s phone number. I held the mouthpiece of my phone handset up to the speaker of my monitor, started the program, and put the receiver to my ear to hear her phone ringing! Her parents were none too impressed with my accomplishment since it came at 4:00 AM, but I was pretty jazzed about it.
Since that fateful night I’ve always wondered about how the Touch-Tone system worked, and in delving into the topic I discovered that it’s part of a much broader field of control technology called in-band signaling, or the use of audible or sub-audible signals to control an audio or video transmission. It’s pretty interesting stuff, even when it’s not used to inadvertently prank call someone in the middle of the night. Continue reading “In-Band Signaling: Dual-Tone Multifrequency Dialing”