LED Illuminated Isomorphic Keyboard Looks As Good As It Sounds

October 5, 2012 by Brian Benchoff 15 Comments

Unlike the traditional ebony and ivory found on pianos, isomorphic keyboards arrange buttons on a grid. This makes every chord the same shape, and to transpose a piece it’s simply a matter of moving your fingers a few places to the left or right. [Brett Park] sent in an isomorphic keyboard he built loaded up with LEDs, and we’re thinking it the perfect instrument for musicians looking to move up from playing their MacBook.

The body of [Brett]’s keyboard is made out of a sheet of acrylic. After drilling 64 holes for each of the clear arcade buttons, [Brett] bent the sides of his hexagonal keyboard into a very sturdy-looking enclosure.

On the hardware side, [Brett] used a 64 button Arduino shield and a Sparkfun MIDI shield. The RGB LEDs behind each button are controlled via MIDI sysex messages generated outside the instrument, making it perfect for a little bit of visual feedback from whatever soft synth you desire.

In the videos after the break, you can check out the light patterns in action along with one of [Brett]’s improvs. Notice how all the chords are the same shape, and changing the key only requires [Brett] to move his hands slightly to the side.

Continue reading “LED Illuminated Isomorphic Keyboard Looks As Good As It Sounds” →

MIDI Man-in-the-middle Hack Lets You Add Pedal To The Mix

September 26, 2012 by Mike Szczys 8 Comments

[Sebastian] has a friend who would like to use a pedal with his MIDI setup, but his keyboard doesn’t support one. Some might interpret that as a sign you need to buy a new keyboard. But [Sebastian] has already done a lot of work with the MIDI protocol. He knew it should be possible to create a MIDI pass-through which adds support for a pedal.

You can see the two MIDI cables connected to the box above. One is the input from the keyboard, the other is the output to the synthesizer. There is also a jack for a pedal input to the left. The chip inside intercepts each packet, rolling in values based from the pedal input and passing on the altered packets to the synthesizer. As you can hear in the video after the break, this works like a charm.

Catch more of [Sebastian’s] midi work by following his keyboard sensor replacement projects.

Continue reading “MIDI Man-in-the-middle Hack Lets You Add Pedal To The Mix” →

VISUALIST – A Hardware Visual Effects Synthesizer

September 12, 2012 by Mike Szczys 12 Comments

[Berto] wrote in to tell us about the visual effects synthesizer he built. It works as a pass-through for a video signal, rendering crisp clean images into a more psychedelic flavor like the one seen above. On the one hand this does a dishonor to the high-quality video devices we carry around in our pockets these days. On the other hand it will make some really interesting background video at a party or at your local dance club.

This is not a filter for a PC, or an FPGA-based processing system. A set of analog parts alter the incoming composite video (NTSC or PAL formats) and pipes the result to a television or projector. [Berto] included controls to alter the effects. They’re mounted on a panel and everything is given a home inside of a handy carrying case. Check out the video clip after the break to get a better idea of the video manipulations this things can pull off.

Continue reading “VISUALIST – A Hardware Visual Effects Synthesizer” →

Adding A Sound Synthesizer To A ‘don’t-touch-the-sides’ Maze Game

September 10, 2012 by Mike Szczys 1 Comment

Part of the fun of the classic game of Operation is the jump you get from the loud buzzer which sounds if you touch the sides. This exhibit piece uses the same principle of lining the edges of a track with metal, but instead of an annoying buzz, each touch will issue a bit of music. That’s because the maze has been paired with a synthesizer. Instead of one sound wherever the stylus touches the sides, different parts of the maze act as one of 94 keys for the synthesizer.

There’s a lot more built into the base of the device than just a maze game. The knobs are used to alter the audio effects and the buttons work in conjunction with they stylus to sequence audio samples. There’s even a graphic LCD screen which shows the currently playing wave form. You can get a better look at the project in the video after the break.

Continue reading “Adding A Sound Synthesizer To A ‘don’t-touch-the-sides’ Maze Game” →

ProtoSynth, The Prototyping Synthesizer

September 6, 2012 by Mike Szczys 7 Comments

This project isn’t really a prototype, but a tool for prototyping. [Tymkrs] came up with a unique way to build this synthesizer prototyping tool. They actually patched into the underside of the breadboards in order to keep all of the permanent bits nice and tidy.

In the clip after the break you’ll see all of the build photos that lead up to this point. After cutting out and assembling the wooden pieces for the case they grab a soldering iron and get to work. Two octaves worth of keys were pulled out of an electric keyboard. Ribbon cable is soldered onto each key’s electrical connection, with an SIL pin header as a connector. This mates with another ribbon cable with a SIL socket on one end, and an IDC connector on the other. The real trick is getting that IDC connected to the breadboard. They cut back the adhesive tape on the underside of the board and soldered a surface mount pin header onto it. This way the inputs from the keys, as well as a few 1/4″ jacks from the back of the case are always available in a tidy way on the breadboards. The video goes on to show preliminary synthesizer work on the device.

Continue reading “ProtoSynth, The Prototyping Synthesizer” →

Raspberry Pi Synth Gives A Softsynth Dedicated Hardware

August 31, 2012 by Brian Benchoff 6 Comments

For all the musicians out there, here’s a great use for your Raspberry Pi. All the features you would expect from a nice analog synth are implemented in a Raspberry Pi-based polysynth – dual oscillators, LFOs, and phasers – and it looks like there will be a few more features added before the Raspi synth is released.

Even though the ‘synthesis’ part of the Raspi synth already sounds wonderful, getting MIDI on the Rasberry Pi leaves much to be desired. The creator of the Raspi synth thought about using the GPIO pins as a MIDI interface, but because the GPIO pins cannot run natively at 31250 bps (the MIDI spec), the Raspberry Pi has to waste most of its CPU cycles just listening for MIDI traffic.

Right now the Raspberry Pi synth is controlled by a USB-connected MIDI interface, and as you can hear after the break, sounds wonderful. We can’t wait to hear what this synth will be able to do in a few months’ time.

Continue reading “Raspberry Pi Synth Gives A Softsynth Dedicated Hardware” →

Turning An Old Keyboard Into A Work Of Art

August 5, 2012 by Brian Benchoff 4 Comments

The 1970s were the glory days for analog synthesizers, and for [Stefan] listening to huge modular Moogs and ARPs resulted in a wondrous seething jealousy. In 2009, wanting to relive just a little bit of his childhood, [Stefan] picked up a PAiA Stringz’n’Things from eBay. It’s a great little keyboard, but [Stefan] his new purchase to look little classier than a tolex-covered flight case. After getting rid of the old tolex case, [Stefan] made a new enclosure and added some extra circuitry to expand the capabilities of this classic synth.

After replacing the electrolytic capacitors and fixing a voltage regulator issue, [Stefan] made a new enclosure for his keyboard out of beautifully lacquered mahogany. A new key bed stolen from an old Yamaha organ was brought in, and new control panels above the keys provide a more sensible organization than the keyboard’s previous incarnation.

The original Stringz’n’Things was laid out more like an organ than a synthesizer, a reflection of its polyphonic nature. This meant there wasn’t a very diverse tonal palette, but [Stefan] remedied that with a wave folder to generate extra harmonics, a tremolo, and an envelope generator to provide attack and decay for each note.

Now [Stefan] has a lovely polyphonic synth that has found its place on top of an old Hammond organ. As a bonus, the synth sounds really good. Not bad for an instrument generally regarded as being very limited.