VISUALIST – A Hardware Visual Effects Synthesizer

September 12, 2012 by Mike Szczys 12 Comments

[Berto] wrote in to tell us about the visual effects synthesizer he built. It works as a pass-through for a video signal, rendering crisp clean images into a more psychedelic flavor like the one seen above. On the one hand this does a dishonor to the high-quality video devices we carry around in our pockets these days. On the other hand it will make some really interesting background video at a party or at your local dance club.

This is not a filter for a PC, or an FPGA-based processing system. A set of analog parts alter the incoming composite video (NTSC or PAL formats) and pipes the result to a television or projector. [Berto] included controls to alter the effects. They’re mounted on a panel and everything is given a home inside of a handy carrying case. Check out the video clip after the break to get a better idea of the video manipulations this things can pull off.

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Adding A Sound Synthesizer To A ‘don’t-touch-the-sides’ Maze Game

September 10, 2012 by Mike Szczys 1 Comment

Part of the fun of the classic game of Operation is the jump you get from the loud buzzer which sounds if you touch the sides. This exhibit piece uses the same principle of lining the edges of a track with metal, but instead of an annoying buzz, each touch will issue a bit of music. That’s because the maze has been paired with a synthesizer. Instead of one sound wherever the stylus touches the sides, different parts of the maze act as one of 94 keys for the synthesizer.

There’s a lot more built into the base of the device than just a maze game. The knobs are used to alter the audio effects and the buttons work in conjunction with they stylus to sequence audio samples. There’s even a graphic LCD screen which shows the currently playing wave form. You can get a better look at the project in the video after the break.

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ProtoSynth, The Prototyping Synthesizer

September 6, 2012 by Mike Szczys 7 Comments

This project isn’t really a prototype, but a tool for prototyping. [Tymkrs] came up with a unique way to build this synthesizer prototyping tool. They actually patched into the underside of the breadboards in order to keep all of the permanent bits nice and tidy.

In the clip after the break you’ll see all of the build photos that lead up to this point. After cutting out and assembling the wooden pieces for the case they grab a soldering iron and get to work. Two octaves worth of keys were pulled out of an electric keyboard. Ribbon cable is soldered onto each key’s electrical connection, with an SIL pin header as a connector. This mates with another ribbon cable with a SIL socket on one end, and an IDC connector on the other. The real trick is getting that IDC connected to the breadboard. They cut back the adhesive tape on the underside of the board and soldered a surface mount pin header onto it. This way the inputs from the keys, as well as a few 1/4″ jacks from the back of the case are always available in a tidy way on the breadboards. The video goes on to show preliminary synthesizer work on the device.

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Raspberry Pi Synth Gives A Softsynth Dedicated Hardware

August 31, 2012 by Brian Benchoff 6 Comments

For all the musicians out there, here’s a great use for your Raspberry Pi. All the features you would expect from a nice analog synth are implemented in a Raspberry Pi-based polysynth – dual oscillators, LFOs, and phasers – and it looks like there will be a few more features added before the Raspi synth is released.

Even though the ‘synthesis’ part of the Raspi synth already sounds wonderful, getting MIDI on the Rasberry Pi leaves much to be desired. The creator of the Raspi synth thought about using the GPIO pins as a MIDI interface, but because the GPIO pins cannot run natively at 31250 bps (the MIDI spec), the Raspberry Pi has to waste most of its CPU cycles just listening for MIDI traffic.

Right now the Raspberry Pi synth is controlled by a USB-connected MIDI interface, and as you can hear after the break, sounds wonderful. We can’t wait to hear what this synth will be able to do in a few months’ time.

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Turning An Old Keyboard Into A Work Of Art

August 5, 2012 by Brian Benchoff 4 Comments

The 1970s were the glory days for analog synthesizers, and for [Stefan] listening to huge modular Moogs and ARPs resulted in a wondrous seething jealousy. In 2009, wanting to relive just a little bit of his childhood, [Stefan] picked up a PAiA Stringz’n’Things from eBay. It’s a great little keyboard, but [Stefan] his new purchase to look little classier than a tolex-covered flight case. After getting rid of the old tolex case, [Stefan] made a new enclosure and added some extra circuitry to expand the capabilities of this classic synth.

After replacing the electrolytic capacitors and fixing a voltage regulator issue, [Stefan] made a new enclosure for his keyboard out of beautifully lacquered mahogany. A new key bed stolen from an old Yamaha organ was brought in, and new control panels above the keys provide a more sensible organization than the keyboard’s previous incarnation.

The original Stringz’n’Things was laid out more like an organ than a synthesizer, a reflection of its polyphonic nature. This meant there wasn’t a very diverse tonal palette, but [Stefan] remedied that with a wave folder to generate extra harmonics, a tremolo, and an envelope generator to provide attack and decay for each note.

Now [Stefan] has a lovely polyphonic synth that has found its place on top of an old Hammond organ. As a bonus, the synth sounds really good. Not bad for an instrument generally regarded as being very limited.

Open Source Synth Sounds Awesome

July 2, 2012 by Brian Benchoff 16 Comments

A little bird sent in a tip about a really cool MIDI synth. It’s called the Ambika, and it seems like just the thing to introduce a synth head to the world of soldering.

Compared to an entry-level synthesizer like the microKorg or its ilk, the Ambika is packed full of really cool features that just happen to sound awesome. In addition to the basic saw, square, and sine waves, there is also FM, and wavetable synthesis along with a noise generator, rudimentary voice synth, and a bitcrushed sawtooth wave voice. Really, the sound demos (available after the break) speak for themselves.

The hardware is based on the ATMega644p, a fairly high-powered 8-bit microprocessor notably used in the Sanguino. This synth supports up to 6 voices, each individual voice is contained on a separate circuit board attached to the motherboard.

Of course, the schematics/board files/firmware for the Ambika are freely available along with a pretty amazing set of technical notes. There’s no word on how much the Ambika will cost, but having it available as a kit should make it palatable if you don’t mind spending a Saturday holding an iron.

Tip ‘o the hat to an anon for sending this one in.

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Two Saxophone Synthesizer Builds For The Price Of One

May 7, 2012 by Brian Benchoff 3 Comments

[Bruce Land] has been sending in student projects from the electronic design course he taught at Cornell last semester. By a curious coincidence, two groups build saxophone synthesizers with the same key arrangement as a real sax.

First up is [Brian Wang]’s digital sax. There’s a small microphone in the mouthpiece and a series of buttons down the body of the sax telling the ATMega664 what note to play. The data for the saxophone synthesis was created by looking at a frequency plot of a sax, bassoon, harp, and pipe organ. [Brian] has the synthesis part down pat; there’s definitely a baritone sax in that little microcontroller.

Next up is [Suryansh] and [Chris]’s PVC pipe saxophone. It’s the same general principle as [Brian]’s project – the musician blows into the sax (we really like the kazoo mouthpiece) and a small mic picks up the sound of the wind. If the microphone output is above a certain threshold, the buttons are read and a note come out of the sax. We’re picking up a whiff of alto sax here; shame there wasn’t a duet with the two teams.

After the break you can see both saxophone projects in all their glory.

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