8mm

12 Articles

three resin-printed Single8 film cartridges, uncropped image

Re-Inventing The Single 8 Home Movie Format

November 23, 2023 by 22 Comments

[Jenny List] has been reverse-engineering and redesigning the Single8 home movie film cartridge for the modern age, to breathe life into abandoned cine cameras.

One of the frustrating things about working with technologies that have been with us for a while is the proliferation of standards and the way that once-popular formats can become obsolete over time.  This can leave equipment effectively unusable and unloved.

There is perhaps no greater example of this than in film photography – an industry and hobby that has been with us for over 100 years and that has left many cameras orphaned once the film format they relied on was no longer available (Disc film, anyone?).

Thankfully, Hackaday’s own [Jenny List] has been working hard to bring one particular cine film format back from the dead and has just released the fourth instalment in a video series documenting the process of resurrecting the Single8 format cartridge. Continue reading “Re-Inventing The Single 8 Home Movie Format” →

Improving A Kodak Film Digitizer

August 23, 2023 by 10 Comments

Despite the near-complete collapse of its ecosystem in the face of portable videocassette camcorders in the 1980s, somehow the 8 mm format, smallest of the movie films, has survived the decades. There’s a special aura around an 8 mm image which electronic recordings don’t replicate, plus for film makers there’s an attraction to working with real film. Unsurprisingly almost all of the devices used with 8 mm film have ceased to be manufactured, but a few items escaped the cut. It’s still possible to buy an 8 mm digitizer for example, and it’s one of these with a Kodak brand that [Mac84] has. Unsatisfied with its image quality, he’s set about tinkering with its firmware to give it some video adjustment possibilities and remove its artifact-prone artificial sharpening.

Helped by the device having a handy EEPROM from which to extract the code, he was able to recover the firmware intact. From here on he was in luck, because the digitizer’s Novatek CPU is shared with some dash cams and this had spawned a hacker scene. From there he was able to find the relevant area and adjust those settings, and after a few false starts, re-flash it to the device.

The results can be seen in the video below the break, and perhaps reveal much about what we expect from an image in the digital age. The sharpened images look good, until we see untampered versions which are closer to the original.

If you don’t have a Kodak scanner you can always build one yourself, and meanwhile like many people we are still wondering what happened to that new Super 8 camera they announced in 2018 but never released.

Continue reading “Improving A Kodak Film Digitizer” →

Squeeze Over A Minute Of Movie Filming Onto A 35mm Still Cartridge

May 1, 2023 by 14 Comments

There’s an allure to shooting film in the digital age which isn’t quite satisfied by digital filters for your smartphone camera. Aside from the technical challenge of working with a medium limited in sensitivity compared to its electronic replacement there are aesthetic reasons for wanting to shoot with particular lenses not found on any modern cameras. Sadly though, movie film in formats such as Super 8 is expensive to buy and even more expensive to develop.

It’s a problem [Blaž Semprimožnik] addressed with his Okto 35 camera, a unique design that fits a minute and 7 seconds of 8mm-like movie filming onto a much cheaper roll of 35mm still camera film. How does it achieve this feat? By splitting the width of the film into four parallel tracks of 8mm-sized frames.

The camera is a 3D printed design, with all mechanical functions performed by stepper motors to avoid the complex gear trains that would have been found in cameras from the home movie heyday. Each frame advance is a single sprocket hole on the 35mm film, and the track selection is performed automatically by moving the C-mount lens assembly sideways.

The result is a camera which is definitely unconventional, but which delivers something very close to that 8mm experience at a much lower cost per frame. There’s no reflex viewfinder or through-the-lens light metering, but since this is a camera likely to be used by enthusiasts rather than by 1970s consumers we’re guessing this won’t be a problem for most users.

There doesn’t appear to be anything in the way of downloadable STL files or other resources, probably because there’s a possibility he might put the camera into limited production. For the amount of work that he’s evidently put in we wish him luck, and given that the bench on which this is being written has more than one 8mm camera on it, we’re even slightly tempted by one. You might be too, after you’ve watched the video below the break.

This is a novel approach to a 35mm movie camera for still film cartridges, but it’s by no means the first. Previous ones we’ve seen have been full-frame designs though, capturing only a few seconds per roll.

Continue reading “Squeeze Over A Minute Of Movie Filming Onto A 35mm Still Cartridge” →

Hackaday Prize 2022: A Spring-Driven Digital Movie Camera

September 1, 2022 by 14 Comments

These days, most of us are carrying capable smartphones with high-quality cameras. It makes shooting video so easy as to take all the fun out of it. [AIRPOCKET] decided to bring that back, by converting an old spring-driven 8mm film camera to shoot digital video.

The camera in question is a magazine-fed Bell & Howell Model 172 from the 1950s. In its original spring-driven form, it could shoot for approximately 35 seconds at a (jerky) frame rate 16 fps.

In this build, though, the film is replaced with a digital imaging system designed to fit in the same space as the original magazine. A Raspberry Pi Zero 2 was pressed into service, along with a rechargeable battery and Pi camera module. The camera is timed to synchronise with the shutter mechanism via a photosensor.

Since it uses the original optics and shutter speed, the resulting video is actually very reminiscent of the Super 8 cameras of the past. It’s an impressive way to get a retro film effect straight into a digital output format. The alternative is to just shoot on film and scan it afterwards, of course! Video after the break.

Continue reading “Hackaday Prize 2022: A Spring-Driven Digital Movie Camera” →

The Seductive Pull Of An Obsolete Home Movie Format

December 15, 2021 by 53 Comments

It’s dangerous for a hardware hacker to go into a second-hand store. I was looking for a bed frame for my new apartment, but of course I spent an age browsing all the other rubbish treasures on offer. I have a rough rule of thumb: if it’s not under a tenner and fits in one hand, then it has to be exceptional for me to buy it, so I passed up on a nice Grundig reel-to-reel from the 1960s and instead came away with a folding Palm Pilot keyboard and a Fuji 8mm home movie camera after I’d arranged delivery for the bed. On those two I’d spent little more than a fiver, so I’m good. The keyboard is a serial device that’s a project for a rainy day, but the camera is something else. I’ve been keeping an eye out for one to use for a Raspberry Pi camera conversion, and this one seemed ideal. But once I examined it more closely, I was drawn into an unexpected train of research that shed some light on what must of been real objects of desire for my parents generation.

A Thrift Store Find Opens A Whole New Field

One f the surprises comes in just how small this thing is.
One of the surprises comes in just how small this thing is.

The Fuji P300 from 1972 is typical among consumer movie cameras of the day. It takes the form of a film magazine with a zoom lens assembly on its front, a reflex viewfinder on its side, and a handle with a shutter trigger button on it protruding vertically below the magazine and also housing the batteries.

Surprisingly it still has a mercury cell that would have powered its light meter; a minor annoyance to dispose of this correctly. Sometimes these devices had clockwork motors, but this one has an electric motor. It also has a light sensor that is coupled to some kind of electromechanical aperture. It would have been an expensive camera when it was new, probably as much of a purchase as an SLR or a decent mirrorless camera here in 2021.

The surprise came when I opened it up, for it looked like no other 8mm camera I had seen. I’m familiar wit the two reels of a Standard 8 or the boxy cassette of Super 8, but this one used something different. That film magazine is made to fit a compact twin-reel cartridge whose film fits in a metal film gate. This is a Single 8 camera, Fuji’s entry in the all-in-one 8 mm film market, and a format I never knew existed. To explain my unexpected discovery it was necessary to delve into the world of home movie formats in the decade before videotape arrived and drove them out. Continue reading “The Seductive Pull Of An Obsolete Home Movie Format” →

8mm Film Scanner Grows Into A Masterpiece

April 12, 2020 by 73 Comments

Digitizing film is a tedious process that becomes a lot more fun if you spend more of your time building a digitizer and less time actually working working with old film. [Heikki Hietala] has been at it for years and his Kotokino Mark IV film scanner is a masterpiece of simple machine building.

Since we first saw the film scanner four years ago it’s undergone a number of excellent improvements. Most notably, the point-and-shoot camera has been swapped out for a DSLR. With the use of a macro reversing ring a normal lens is flipped around to blow up the 8-millimeter-wide film to take advantage of all the megapixels available on the camera sensor.

The key to the setup is the film advancer mechanism which takes care of both advancing the film and triggering the camera. As you can see, a servo motor rotating an axle provides the locomotion. The mechanism keys into the perforations in the film to pull it along on the down stroke and closes a switch to trigger the camera on the upstroke. Directly under the lens, the alignment jig uses lens cleaning fabric to avoid scratching the film, while perfectly positioning it over the light source.

Previous versions have placed the camera on the horizontal plane but it seems some vibrations in the system caused alignment problems between captured frames. This latest version places the camera pointed straight down to solve that issue, and brings the entire thing together into one beautiful finished project. Having gathered numerous fans of the build along the way, [Heikki] has made the design files available so that you may build your own version.

High-Quality Film Transfers With This Raspberry Pi Frame Grabber

December 15, 2016 by 19 Comments

Untold miles of film were shot by amateur filmmakers in the days before YouTube, iPhones, and even the lowly VHS camcorder. A lot of that footage remains to be discovered in attics and on the top shelves of closets, and when you find that trove of precious family memories, you’ll be glad to have this Raspberry Pi enabled frame-by-frame film digitizer at your disposal.

With a spare Super 8mm projector and a Raspberry Pi sitting around, [Joe Herman] figured he had the makings of a good way to preserve his grandfather’s old films. The secret of high-quality film transfers is a frame-by-frame capture, so [Joe] set about a thorough gutting of the projector. The original motor was scrapped in favor of one with better speed control, a magnet and reed switch were added to the driveshaft to synchronize exposures with each frame, and the optics were reversed with the Pi’s camera mounted internally and the LED light source on the outside. To deal with the high dynamic range of the source material, [Joe] wrote Python scripts to capture each frame at multiple exposures and combine the images with OpenCV. Everything is stitched together later with FFmpeg, and the results are pretty stunning if the video below is any indication.

We saw a similar frame-by-frame grabber build a few years ago, but [Joe]’s setup is nicely integrated into the old projector, and really seems to be doing the job — half a million frames of family history and counting.

Continue reading “High-Quality Film Transfers With This Raspberry Pi Frame Grabber” →