Art

453 Articles

Prism Lighting – The Art Of Steering Daylight

November 9, 2020 by 33 Comments

The incandescent light bulb was one of the first early applications of electricity, and it’s hard to underestimate its importance. But before the electric light, people didn’t live in darkness — they thought of ways to redirect sunlight to brighten up interior spaces. This was made possible through the understanding of the basic principles of optics and the work of skilled glassmakers who constructed prism tiles, deck prisms, and vault lights. These century-old techniques are still being applied today for the diffusion of LEDs or for increasing the brightness of LCD displays.

Semantics First!

People in optics are a bit sloppy when it comes to the definition of a prism. While many of them are certainly not geometric prisms, Wikipedia defines it as a transparent optical element with flat, polished surfaces of which at least one is angled. As can be seen in the pictures below some of the prisms here do not even stick to this definition. Browsing the catalog of your favorite optics supplier you will find a large variety of prisms used to reflect, invert, rotate, disperse, steer, and collimate light. It is important to point out that we are not so much interested in dispersive prisms that split a beam of white light into its spectrum of colors, although they make great album covers. The important property of prisms in this article is their ability to redirect light through refraction and reflection.

A Safe Way to Bring Light Under Deck

A collection of deck lights used to direct sunlight below deck in ships. Credit: glassian.org

One of the most important uses of prism lighting was on board ships. Open flames could have disastrous consequences aboard a wooden ship, so deck prisms were installed as a means to direct sunlight into the areas below decks. One of the first patents for deck lights “THE GREAT AND DURABLE INCREASE OF LIGHT BY EXTRAORDINARY GLASSES AND LAMPS” was filed by Edward Wyndus as early as 1684. Deck prisms had typical sizes of 10 to 15 centimeters. The flat top was installed flush with the deck and the sunlight was refracted and directed downward from the prism point. Because of the reversibility of light paths (“If I can see you, you can see me”) deck prisms also helped to spot fires under deck. Continue reading “Prism Lighting – The Art Of Steering Daylight” →

Sharpie Mount Brings Some Color To Your 3D Prints

November 1, 2020 by 17 Comments

The average cost of a desktop 3D printer has dropped like a stone over the last few years. They went from a piece of equipment you had to wait your turn to use at the hackerspace to something you can pick up on Prime Day, which has definitely been a good thing for our community. But to get the price down, these printers are almost exclusively running single extruder setups with no provision for multi-material printing other than swapping the filament manually.

From a practical standpoint, that’s not much of a problem. But wanting to add a little visual flair to his prints, [Devin Montes] came up with a simple 3D printed mount that holds the tip of up to three Sharpie permanent markers against the filament as it enters the top of the extruder. When used with white or translucent filaments, these markers can give the final print an interesting splash of color. Obviously it’s not true multi-color 3D printing, but it can certainly make for some attractive decorative objects.

The mount is designed for the Snapmaker 3-in-1 3D printer, which is relatively well suited to such a contraption as it has a direct drive extruder and there’s plenty of clearance for the markers to stick up. The concept could certainly be adapted to other printers, but it might be a little trickier in the case of a Bowden extruder or an i3 clone that has frame components running over the top. It sounds like [Devin] is working on a generic version of the marker holder that can work on other printers, so it should be interesting to see how he addresses these issues.

Technically this isn’t a new concept, as makers were pulling off similar tricks back in the earliest days of desktop 3D printing. But this is an especially well-implemented version of the idea, and if [Devin] can really come up with a mount that will work on a wider array of hardware, we could certainly see it becoming a popular way to make printed projects a bit more exciting.

The Clock Under The Dome

October 25, 2020 by 3 Comments

In what can only be described as a work of art, [suedbunker] has created a clock under a glass dome. Sporting Nixie tubes, a DS3223, BCD encoders, and MPSA43 transistors driven by an MCP23008 I/O expander it is truly a sight to behold. [suedbunker] has previously created the Circus Clock, a similar clock that celebrated a diversity of ways of displaying the time.

The dome clock represents a continuation of that idea. Reading the clock requires looking at the horizontal and vertical numbers separately. The hours are on the horizontal and minutes are on the vertical. Monday to Sunday is represented in the neon bulbs on the back. The power supply at the bottom provides a wide range of voltages including 5 V, 12 V, 24 V, 45 V, 90 V, 150 V, and -270 V for all the various types of lights. For safety, an optocoupler is used on the -270 volts to drive the clear seven-segment display.

An Arduino Nano controls the whole clock by communicating with the DS3232 real-time clock module and the port expanders via I2C. The soldering and wiring work, in particular, is tidy and beautiful. We look forward to future clocks by [suedbunker] and his wife.

Continue reading “The Clock Under The Dome” →

Bonsai LED Matrix Has Chaotic Roots

October 21, 2020 by 4 Comments

Most people don’t hand solder their surface mount LED matrices these days, and they certainly don’t do it with RGB LEDs. [fruchti] isn’t most people, has managed to grow his electronic hobby into the art form know as Bonsai.

The organic shapes of miniature trees grown over the course of decades is the ultimate indicator of patience and persistence. For those who prefer bending copper to their will rather than saplings, producing an LED tree that looks and functions this well is an accomplishment that signals clever planning and patient fabrication. The animated result is a masterpiece that took about eighteen months to complete.

There are 128 enamel-coated wires that twist into branches holding 32 RGB light-emitting diodes. Tapping into each at the base of the tree is a chaotic mess made a bit easier by a cleverly designed circuit board.

A circular petal pattern was laid out in Inkscape that includes a hole at the center for the “trunk” to pass through. The LED matrix is designed with 8 rows and 12 columns, but 24 pads were laid out so that only four wires would need to be soldered to each copper petal. Even so, look at the alligator clip holding up this PCB to get an idea of the scale of this job!

The angular base is itself made of copper clad board soldered on the inside of the seams and painted black on the outside. This hides the “petal” PCB, as well as a breakout board for an STM32 microcontroller and a power management circuit that lets you use your choice of USB or a lithium battery.

We wonder if [fruchti] has thought about adding some interactivity to his sapling. While we haven’t seen such a beautiful, tiny, creation as this, we have seen an LED tree whose lights can be blown out like birthday candles. Wouldn’t this be an excellent entry in our Circuit Sculpture challenge? There’s still a few weeks left!

Receipt Printers End It All In Moving Art Piece

October 3, 2020 by 55 Comments

Art is something that is always hard to classify, but by and large is most celebrated when it stimulates an emotional response for the intended audience. We’d say [Alexander Miller] achieved that in spades, with his elegant piece The Emergence and Decay of Computation.

An installation piece done for The School for Poetic Computation’s 2019 spring showcase, it consists of a series of receipt printers suspended from a height by their own paper. The thermal printers output a pattern from a cellular automata — a mathematical simulation that generates patterns that emerge from initial conditions, of which Conway’s Game of Life is perhaps the most popular. Fed data by an attached Raspberry Pi, as printing continues, the printers gradually lower themselves into a tank of water, permanently killing the hardware.

Watching a proud, brave printer slowly work itself into a watery grave is a sobering experience to any lover of stout commercial hardware, and one we won’t soon forget. What a shame to see them sacrificed so. We love a good art piece around these parts, after all. Especially when the hardware can be used in another project once the excitement of this one has waned. Video after the break. Continue reading “Receipt Printers End It All In Moving Art Piece” →

Watch A Fast Sand Plotter Plow Patterns At Speed

September 22, 2020 by 21 Comments

[Mark]’s sand table wisely has a glass top.
Most of us have probably seen a video of a sand drawing table at work, in which a steel ball — magnetically-coupled to a gantry under a layer of sand — lazily draws geometric patterns with utter precision and zen-like calmness. That’s all well and good, but [Mark Rehorst] thinks it can also be interesting to crank up the speed and watch the ball plow through sand just as physics intended. There’s a deeper reason [Mark] is working at this, however. Faster drawing leads to less crisp results, but by how much, exactly? To answer this, [Mark] simply ran his table (which is named The Spice Must Flow) at both fast and slow speeds and documented the results.

These two images show the difference between running the table at 100 mm/s versus 500 mm/s. The slower speed is noticeably crisper, but on the other hand the faster speed completed the pattern in about a fifth of the time. [Mark] says that as the ball aggressively accelerates to reach target speeds, more sand is thrown around over existing lines, which leads to a loss of detail.

Crisper detail, or a faster draw? Which is “better” depends on many things, but it’s pretty clear that [Mark]’s cat finds the fast version more exciting. You can see [Mark]’s table at high speed and the cat’s reaction in the video, embedded below.

Continue reading “Watch A Fast Sand Plotter Plow Patterns At Speed” →

LED Art Reveals Itself In Very Slow Motion

September 15, 2020 by 9 Comments

Every bit of film or video you’ve ever seen is a mind trick, an optical illusion of continuous movement based on flashing 24 to 30 slightly different images into your eyes every second. The wetware between your ears can’t deal with all that information individually, so it convinces itself that you’re seeing smooth motion.

But what if you slow down time: dial things back to one frame every 100 seconds, or every 1,000? That’s the idea behind this slow-motion LED art display called, appropriately enough, “Continuum.” It’s the work of [Louis Beaudoin] and it was inspired by the original very-slow-motion movie player and the recent update we featured. But while those players featured e-paper displays for photorealistic images, “Continuum” takes a lower-resolution approach. The display is comprised of four nine HUB75 32×32 RGB LED displays, each with a 5-mm pitch. The resulting 96×96 pixel display fits nicely within an Ikea RIBBA picture frame.

The display is driven by a Teensy 4 and [Louis]’ custom-designed SmartLED Shield that plugs directly into the HUB75s. The rear of the frame is rimmed with APA102 LED strips for an Ambilight-style effect, and the front of the display has a frosted acrylic diffuser. It’s configured to show animated GIFs at anything from 1 frame per second its original framerate to 1,000 seconds per frame times slower, the latter resulting in an image that looks static unless you revisit it sometime later. [Louis] takes full advantage of the Teensy’s processing power to smoothly transition between each pair of frames, and the whole effect is quite wonderful. The video below captures it as best it can, but we imagine this is something best seen in person.

Continue reading “LED Art Reveals Itself In Very Slow Motion” →