Find yourself wanting to do some timelapse but lacking the equipment? Why not build your own time lapse rig as seen in instructables how to by [Constructer]. To accomplish this, all you will need is a little wood, screws, a motor, and some batteries. The how-to says you can add extra voltage to speed up the rate of taking photos, or conversely reduce voltage to slow it down. We especially like the simplicity of this mechanical approach. No timers, no programming, only a motor. One downfall of this simplistic approach, however is that your “gap” between pictures will increase as your battery dies.
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Would You Entrust Your DSLR To This Diy Underwater Enclosure?
Next time you head off on that underwater adventure take your camera along with you. [Jkcobabe] shows us how to build a waterproof camera enclosure using just a few components. The box is meant to be used to keep your stuff dry while camping, and the lens housing is made using plumbing fittings from the a home building center. There is a rail system that allows you to mount the camera securely inside, with a flexible button on the outside to actuate the shutter. If anything this is well designed and built, but we might still stick to using disposable cameras under water. Then again, the pros build their own enclosures so we’ll keep our fingers crossed for that $2500 camera as you try to capture that perfect shot.
[Thanks Troy]
Shutter Remote For RICOH Cameras
[Toby] wanted to have a remote shutter trigger for his RICOH GR III camera. This brand doesn’t have a dedicated port for remote operation but a bit of research allowed him to build his own trigger. The camera’s USB port is used for triggering but not using the USB protocol. Instead, a pulse pattern on the 5V line identifies the half-press, full-press, and release states of the shutter button. From there it was just a matter of wiring up a circuit centering around an Arduino that leaves room for a lot of expansion into realms like photo automation.
Lego Pinhole Camera
[Bshikin] built a pinhole camera out of Lego pieces (translated). It is a fully automated unit thanks to the integration of the NXT pieces. It took a bit of careful calculation to get the film spacing adjusted to match the focal length, and quite a bit of tape was necessary to keep light out of the film chamber. But in the end, it’s an amazing build that takes decent pictures. The software has settings for film size and speed, and takes care of exposing and advancing the frame at the click of a button. See for yourself after the break.
If you hunger for some more camera building goodness check out this SLR hand crafted from scratch.
Upgrading An Old Polaroid Land Camera For 35mm Rolls
Ok, we recognize that this is a bit of an odd upgrade, since many would probably think that a digital upgrade would be more appropriate. However, we found this interesting anyway. [Marker1024] has taken this old Polaroid land camera and modified it to accept a standard 35mm roll. His list of materials may sound fairly MacGyver-ish with foil and sculpey, but his results look to be well done and fairly sturdy. We have to say that the aesthetics of the camera itself are quite appealing and we could see carrying one of these around. As interesting as the writeup is though, we can’t help but wonder what the pictures look like that came out of it!
Kodak ZX3 Teardown And Tetris
[Sprite_TM] was given a Kodak ZX3 to play with by a forum he moderates. The Kodak ZX3 is a waterproof HD camcorder in a cell phone / mp3 player form factor. After opening up the camcorder, he did some poking around with a scope and was able to locate a serial port on the board. It quickly became apparent that the system uses a proprietary kernel called PrKernelV4 rather than an open source alternative. Not letting the proprietary kernel get him down, he exploited the system by simply modifying a file called “autoexec.ash” on the sd card. He now has a Tetris clone easily launched from a previously unused menu icon. See it in action after the break.
Macro Photos Using An Under-light Rig
[Aki Korhonen] wanted to tighten up his macro photography setup. He already had the camera for the job, but wanted a fully adjustable target platform that he could easily light. What he came up with is a jig to hold the camera and fine tune the subject of each photo. It uses a frame with a piece of glass whose distance from the lens is adjusted by turning a knob. Below the glass a reflective surface redirects light from an LED flashlight up through the platform, lighting the snowflakes he’s shooting. A fixed LED source is in the plans for the next rendition.
Take a look at the overview of his setup in the quick clip after the break.