High Speed Video From Cheap Digital Camera

Some researchers from Oxford University have come up with a way to produce high-speed video from a one mega-pixel camera. They’re calling the method Temporal Pixel Multiplexing. This method adds a digital micromirror device in line with the camera lens. These chips house over a million mirrors and can be found in home theater projectors. By placing one in front of the digital camera, a longer exposure can be used while the DMD redirects the light. This way, one high-resolution image actually contains multiple frames of lower-resolution video. The video is still decent quality and, at a far lower cost than common high-speed video equipment, this is a worthwhile trade off.

[Thanks Andrew via NewScientist]

Microscope Lens Hack

Who doesn’t need to take pictures of the microscopic bits inside of an integrated circuit? [Mojobojo] made an end-run around the expensive equipment by building a microscopic lens from an old camcorder. He’s using a regular digital camera with the lens set to its largest zoom level. The camera is pointed into the salvaged camcorder lens where the fine tuning is done. His first iteration was just taped to the desk with a small hand flashlight illuminating the subject. He upgraded that setup by building a LEGO enclosure and changing to a much brighter light source. The images he’s getting are quite surprising and this will be very useful during those extreme hacks when you need to tap into an IC’s internal data rails.

[Thanks Julius]

HMD Upgrade

[Banfield Design] has put together this instructable on how to upgrade or re build a head mounted display to be more immersive and add features.  Though you can already buy glasses style viewers for your media devices, they can use some upgrades. For one, you have to supply your own sound, and putting headphones on, over bulky glasses can be painful on your ears. Another area that could use improvement is the light that comes in around the glasses. The current trend is to make them as small as possible, but that tends to let your peripheral vision see the outside world. [Banfield design] wanted to make them more immersive, so he built them into some ski goggles. This not only helped block the light, but allowed for an over the ear style headphone assembly which is much easier on the ears.

A functional improvement came next, by adding a webcam front and center. He could now switch between a live feed of his environment and whatever other inputs he wanted. This could be really fun with some augmented reality. He has a list of future improvements, but he doesn’t mention adding a second camera for stereoscopic viewing of his surroundings. Why would you do that? because it would make augmented reality much cooler.

Precision Erector Set Connects Multiple Cameras

[youtube=http://www.youtube.com/watch?v=nIWGKowjuIo]

Check out the exoskeleton that [Curt von Badinski] built for filming driving scenes. This extremely configurable wrap-around frame resembles a children’s toy from the past but allows an almost unlimited set of configurations. Five cameras simultaneous capture the driving scene. The current setup is used to shoot the television show 24.

[Thanks Robert]

Hardware Store Follow Focus

Want to do quick and accurate focus change with your DSLR? Here’s a discussion thread covering dirt-cheap solutions. It starts with a broccoli rubber-band and a couple of zip ties. That being a bit chintzy, the more popular build seen above uses a hose clamp, rubber band for padding, a drawer pull, a nut, and some threaded rod. If you build it, be very careful not to over-tighten the clamp and crush your focus ring! After the break we’ve embedded a video of what follow focus looks like through the lens and what is happening with the camera during the shoot.

Continue reading “Hardware Store Follow Focus”

Spherical And Stereoscopic Photography

[Ryubin’s] experiments with spherical video continue. This time around he’s using two cameras, both with fisheye lenses, to capture 360 degree by 360 degree video. The two cameras mount back to back and each record a 360 degree vertical view in a 180 degree horizontal range. By stitching the two recordings together and synchronizing them by comparing moving objects a seamless spherical video is produced.

He’s got one more trick up his sleeve with this setup. The tripod mount has a pivot point that allows the two cameras to shoot side-by-side instead of back-to-back. This produces a hemispherical video that is stereoscopic. That’s a pretty cheap way to make this type of 3D imaging compared to some of the CES offerings.

There are a few example videos up on his webpage. If you missed it earlier this month, he’s the guy that build a spherical video setup using a light bulb.

2-axis Motion Timelapse Photography

[Milapse] picked up a motorized telescope base a few years ago. He’s using it to add motion to time-lapse photography. The base provides two-axis rotation controlled with a handheld keypad. Custom firmware and a bit of software allow for computer control. [Milapse] is pretty well-known in the time-lapse photography circles of the Inter-web. He’s posted a ten minute video explaining his setup and programming work for the hardware.

His use of a quality camera produces some nice video.However cost at $200 for the base, if you just want to play around with the concept you might want to stick to a webcam and LEGO setup.

[Thanks Jack]